Wednesday, 11 December 2019

The decade is dead, long live the decade!

This month the 21st century ends its troublesome teenage years, the street art brat certainly matured and changed. In terms of becoming a phenomenon accepted by the public, the media and importantly the art market, the past decade actually makes up about half of street art’s life to date and Graffoto is delighted to have been around to make a bit of a hash of pontificating about it.

So, Graffoto is going to look back over the past decade in a series of posts looking at the trends, the important milestones and key influences and along the way remind ourselves some of the brilliant art spotted over the past 10 years.

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Dran, Brusk DMV 2010

This carefree disinterment up of old memories will be filtered through the limited scope of Graffoto’s experiences, we can’t account for shit that happened behind our back can we? So no whinging about us missing your epoch defining single layer stencil or that one day estate agent sponsored pop-up in Clerkenwell in front of an invited audience of friends, sycophants and mailing list collectors. This is what we saw, remember and think was noteworthy.

Herakut Work In Progress 2010
Herakut in action, 2010

The cunning plan is there is no plan, we have no idea what we will cover or how many posts there will be which is rather liberating but remember, if you are looking for a particular idiosyncratic ephemeral insane installation, stunning art work or an artist you remember, it might be relevant in more than one place but it will only get one mench, so stay tuned and read the whole damn lot. One thing that will be done by design is that anything that is worth raving about this year will feature in a specific post about the past 12 months and may or may not feature in other posts.

Perhaps a good way to kick off this crazy scheme is too look back where things were in 2010. From that year zero we can perhaps see how much things have kicked on since. Some pretty mental things happened at the very start of the decade. Absolute top bracket American artists like Swoon were still hitting Shoreditch, both on the streets and the galleries. We really do not have that so much these days.

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Swoon, Shoreditch 2010

By the way, check those spotless walls, that’s Swoon taking a spot without permission. As the decade ends that spot is the curated, funded, controlled preserve of appointed anointed artists, sometimes painting for the first time.

Type (Rest In Peace), Gold Peg and Mighty Mo ruled the rooftops.


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GoldPeg, Mighty Mo also feat Tek 33 and Shepard Fairey
(See also Burning Candy “Getting high…” and Shepard Fairey “Facing The Giant”)

Burning Candy were still an awesome 9-some,

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Sweet Toof, CEPT, DScreet, Tek 33

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Sweet Toof, Mighty Mo, Cept, Cyclops, Gold Peg

Banksy had a prolific year that started off with him coming second best to Robbo then saw him add to his London street collection with “Choose Your Weapon” in Southwark and his ode to office workers’ anarchy “London Calling” just outside the City. Banksy’s major 2010 triumph was the release of feature length film Exit Through The Gift Shop which got worldwide acclaim, an Oscar nomination and billboard hijackings as well as actual proper paid for adverts.

King Robbo
Robbo, Banksy forced collaboration 25 Dec 2009, read Banksy vs Robbo Checkmate – Graffoto’s all-time most read post).  This shot shows the second iteration when Robbo returned to change it back from "Fucking Robbo"

Exit Through The Gift Shop Portobello Road fire Extinguisher billboard hijacking, March 2010

Banksy Exit Through The Gift Shop
Exit Through The Gift Shop - ironic advertising

Banksy Choose Your Weapon
Bansky Choose Your Weapon

Banksy London Calling
Banksy London Calling

Hackney Wick was still had an art community rather than a grid of souless condos.

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Busk, Snoe

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Temp32, Prop, Tek13

The future Nomadic Community Gardens plot was still a zealously guarded network rail property.

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Kewl, Klepto, Type (RIP), Nims, Hefs, Rigor

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Fensa, Kewl, Sickboy et al

Eine did his lower case alphabet on Middlesex street, followed shortly after by then British Prime Minster David Cameron giving an EINE canvas to Obama (read about both here)

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The Pit closed:

Zomby, Prize, Func, Skam, Sick December 2010

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Catch, Kilo, Odisy, Plot, Skam, Slam, Trev, Zia December 2010

Steve Lazarides was enjoying his post Banksy anti-establishment gallery career and was staging as the amazing Hells Half Acre in the tunnels and caverns next to Leake St. The unconventional was still novel.

Paul Insect & Antony Micallef, "Hells Half Acre" 2010

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Vhils, Antony Micallef "Hells Half Acre" 2010

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Conor Harrington, "Hells Half Acre" 2010

Stik was truly hitting his stride.

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Stik, Bethnal Green Road

Other big names visiting included Anthony Lister (Aus), Case Maclaim (Ger), Jef Aerosol (Fr), Escif.

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Anthony Lister

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Jef Aerosol


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Case Maclaim

Ludo was called Natures Revenge.

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Awesome murals were getting painted in places where now spraypainted adverts rule:

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Horfe, Roid

Plenty of small, weird and wonderful things happened if you cared to look closely.

Issac Cordal, Sclater St

Beyond the narrow limits of our own experience perhaps the stand out street art happening of 2010 was NY’s Underbelly project – street art underground. Street artists had been spending the previous year or so diving into obscure and even dangerous tunnels in New York to illegally create secret art in a truly derelict subway station. Arranged by a noted NY stencillist operating under the Workhorse pseudonym and involving genuinely first class street art stars this was one of those moments when street art proved it still had the ability to cause breathtaking surprise and genuine shock and also register significantly on an international scale beyond the cadre of hardcore afficionados.   It became part of the collective vicarious expeience through stunning recording by a privileged glitterati of photographers and bloggers – stand up Wallkandy, Luna Park  Martha Cooper and RJ.

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Sane Smith - photo Ian Cox

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Revok, Cease - photo Luna Park

We thought Shoreditch was poncified by 2010, looking back there were actually still plenty of properties which were still pre-refurbishment, plenty of neglected walls, there were still shitholes on Redchurch Street and there were still places where artists actually could still live.

INSA in action on Redchurch St, October 2010

As we start the task of nailing down the lid on the second decade of the twenty-first Century, this 10 year overdue look back at what was going on in the world of street art as we experienced it in 2010 will hopefully be the start of a celebration of some of the highlights, dramas and possibly even failures of street art’s growing pains. Stay tuned.

All photos Dave Stuart except where noted:

Luna Park instagram

Wallkandy instagram

Tuesday, 12 November 2019

My Dog Sighs - Crylong

Nelly Duff
156 Columbia Rd, London E2 7RG
8TH – 14TH Nov 2019

My Dog Sighs has a London solo show at Nelly Duff, well overdue after a long gap since his last London solo show.


This photorealistic extraordinaire has steadily built up a broad array of impressive street art styles, most famous of which is his Free Art Friday cans drops. The cans feature a crushed and folded cylinder with cute snub hosed faces painted onto the shiny base which were left outdoors for people to discover and keep, they were hugely admired by many, found by few. The concept and discipline of painting photorealistic faces on circular can bases fed into other street art styles, notably in many enchanting paste ups created in collaboration with fellow south coast artist Midge.

My Dog Sighs & Midge
My Dog Sighs & Midge, London 2013

My Dog Sighs & Midge
My Dog Sighs & Midge, London 2014

My Dog Sighs has also a massive reputation for his incredible murals, his eyeball paste ups, his stickers, his waterdrops and his completely different uncircular non photorealistic stick character.

Upfest, 2015
Upfest mural, Bristol 2015

Upfest mural, Bristol 2017

Eyeball, London 2017

Sticker, London 2015

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Stick Man, London 2017

Water drop, over Subdude, London 2019

Rising damp in Nelly Duff 2019

The humble tool of the graffiti writer, street artist and amateur bodywork repairer is the spraycan and My Dog Sighs art has brought the can right into the art as a canvas as well as a source of paint. This show is all about the cans.

My Dog Sighs - beige
My Dog Sighs- Beige

Crylong, the title of the show plays with the phonetics of the name of a major spraypaint supplier Krylon. Back in the early days of graffiti spray paint manufacturers were focussed on industrial applications, particularly car paint and a major source of paint for graffiti writers was the cans of paint sold in car repair shops, not all of it finding its way through the checkout before ending up in the graffiti writer’s hidden pockets. Crylong also speaks to the sad doleful appearance of My Dog Sighs’ characters.

As well as the cans, it’s all about the eyes. Watching My Dog Sighs in action on a public mural is to watch someone painstakingly paint microscopic detail in flecks of colour in the iris and in the reflection on the eyeball. In his exhibition you ascend the rickety wooden stairs of the Nelly Duff Gallery and enter into the Room of Stares.

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If you ever photograph a face close up then home in on the eyeball in the image and blow it up full screen size you will see the eyeball is a wonderful mirror. Usually the thing in the reflection is a photographer as we have yet to see a photorealist painter be brutally honest and paint a phone in the reflection. Engage in a staring match with each of the square eyeball images and in the reflections in each of the eyeballs you will spot different characters inspired by legendary photos from the 1980s era of subway graffiti. One lining up his spray cans is unmistakably Dondi photographed by Martha Cooper and published in graffiti’s Book of Genesis Subway Art. Look right into the detail of the eyeball and you can see that My Dog Sighs has even replaced the Rustoleum logo on the can Dondi holds with the characteristic triple spot of Krylon’s logo.

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Pink canvas (detail)

Pink screenprint (detail)

Dondi by martha Cooper
Dondi by Martha Cooper, Subway Art, published by Thames and Hudson

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Red screenprint on paper (detail)

Flick through your copy of Subway art and you will find spraycans littered, almost literally, throughout Martha Cooper’s photos which embraced the broader context of graffiti culture rather than just the trains themselves. B-Boy legend Crazylegs, again from a Martha Cooper image makes an appearance.

Crazylegs by Martha Cooper, from Hip Hop Files, published From Here To Fame Publishing, 2004
Blue screeprint(detail)

inspired ny Crazylegs by Martha Cooper
Blue canvas (detail)

crazylegs Martha Cooper
Crazylegs by Martha Cooper, from Hip Hop Files, published From Here To Fame Publishing, 2004

Yellow canvas detail

Green canvas detail

The wall of stares houses a mix of eyes on canvas, eyes screen printed on paper and in one case screen printed onto metal, each in 5 colourways, though not all on display. This allows us a very unusual opportunity to compare a screen print with the original, and only a publishing house with the quality of Nelly Duff’s in house printer would have the confidence to pull this off. Under close up scrutiny the effect of the varnish layer on the aluminium print is bewitching although really only apparent when viewed in real life, photos don’t do it justice.

Blue Crazylegs Canvas
Blue - Canvas original painting

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Blue - archival flatbed print with silkscreen varnishes on brushed aluminium

Blue - archival flatbed print with silkscreen varnishes on paper
Blue - archival flatbed print with silkscreen varnishes on paper

Any variation in colour in the three photos is actually more due to the different lighting and mixture of daylight and spotlight falling on each one rather than a real difference.

The other half of Crylong is a collection of framed faces on cans, the cans are Krylon and in each one the painted character reflects the colour of that paint can and indeed something of the emotion suggested in the faintly surreal names the colours are given by the manufacturer.

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Owl is obviously a quite extraordinary name to give a paint colour so just as well Owl has an extraordinary face.

Owl (detail)
Owl (detail)


Nice to see vintage cans of Rustoleum making an appearance.

Gold detail
Gold (detail)

Seems that aluminium is a colour now, interpreted by My Dog Sighs as a Silver lady up to some devilment at a masque ball.

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The rim of the base has been sanded back to bright metal to make it silver rather than the rust finish seen in all the other vintage cans.

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Silver detail

The frame fillet, that colour strip inside the frame that gives depth to the frame is also matched to the colour of the can and at the bottom of each frame is a used spraycan cap, also colour matched natch.

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My Dog Sighs has, in the blink of an eye, doffed his cap to the origins of street art in his homage to the classic Martha Cooper photos and the old school industrial painting spraycans are a nod to the significance of the can as a canvas for his art. He also demonstrates that photorealism can be beautiful art as opposed to the exercise in tedious virtuosity it can appear at times in the hands of others.  The show is up for a week, coming down on Thursday so blink and you'll miss it but hopefully these hindsights will have given some insights.

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Bright (detail)
Bright (detail)

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Pink canvas


My Dog Sighs website
Martha Cooper instagram

All photos: Dave Stuart except Martha Cooper where noted