Thursday, 20 August 2020

disCONNECT: 1 house 10 artists

 

DisCONNECT

South London

24 July - 24 August 2020

 

Crunching up the gravel drive to a flight of steps leading to a house in a posh terrace set back from leafy Clapham Common, we peered through white double doors in an anonymous raised ground floor entrance.  As a setting for a cutting edge urban art show it seemed quite unlikely, we turned on our heels lest they set the hounds on us.  A door creaked open and a voice called “Looking for the art?”

The premise behind "disCONNECT" is that someone with money has bought a seriously expensive house and prior to doing an iceberg basement redevelopment job has invited 10 artists in to make-over the premises.   Viruses escaping from labs threw a spanner in the works though, so several of the artists incorporate a sense of the pandemic in their pieces and 6 of the artists being based overseas had to make and install their work using Skype, like scientists cautiously tweaking the location of the reactor rods by remote cctv.


Herakut, Germany

 

The Art world is not providing too much in the way of real life excitement these days and while one should never confuse the art world with the real world, or indeed the world of street art, it was a pleasure to experience disCONNECT for real just before it closes this week.

If I had been asked 2 weeks ago to guess which artists would feature on my uploads more than once in the next month, it would have been a hell of a rollcall before the name Alex Fakso came up.  This legendary trainyard graff snapper specialises in candid portraiture; his  2012 “Santa in Camo” show in Kensal Rise indicated a quite idiosyncratic approach to subject as did his 2017 Moniker contribution.   In this installation crowds in the photos rush towards the viewer in a way that feels horrifyingly alien in these public-gathering avoiding socially distanced coronavirus times.

 
Alex Fakso




Seeing Zoerism’s geometric and intricate graffiti on the streets is a rare pleasure and his anamorphic experience echoed that hugely detailed style.  Anamorphic images are designed to be viewed from one spot and look a bit skew-whiff from any other, this image was installed flat on the floor and up against the wall creating this impressive 3D “trick of the eye”.

 

 Zoer

 

Herakut’s fusion of photorealism and spindly elfin characters in Davy Crockett hats shouldn’t work but looks awesome.  You are invited to sit for a selfie with the monkey in the nursery -  if your chess game is up to scratch.  The kids in the playroom have painted child-like drawings on the nursery walls, they are credited to a 7 year old Ryker but is there a hint of an insider joke there?  

Herakut

 

A double set of doors and a single door were shipped to Portugal for Vhils to work his magic, a refreshing reminder of his talent for “discovered texture” portraiture.   His mining into layers of adverts to reveal portraits works superbly where it belongs, out on the streets but it’s a bit of a puzzle why having an implausibly deep block of compressed billboard adverts would work indoors.


Vhils

 

The dark entrance lobby was made over by a collection of Mr Cenz’ cosmic ladies, UV light brought sharpness to the highlights that define the outline of the faces, an effect we love to play with when photographing his portraits out on the streets.  Unfortunately we omitted to get any photos in the lobby though the effect can be vaguely appreciated in this mercifully brief video snippet.

 

feat: Isaac Cordal, Mr Cenz, Aida Wild, Zoerism

 

In lockdown Aida Wilde railed against the reckless anti social behaviour of people ignoring the social distancing, lockdown "stay-the-fuck-away" instructions.  Her “Granny alley” installation in the most challenging room in the house distills a lot of that passion and anger into blocks of text and her emoji infused pseudo-flock wallpaper.

 

Aida Wilde

 

 

Aida Wilde

 

After years of vicariously enjoying Icy and Sot’s art finally we saw a piece in real life.   The dining table apparently was found in the kitchen, in which case it must have been a relic from the downstairs kitchen many years ago.  The beautifully conceived and executed articulated plates and cutlery apparently represent capitalism with the extension leaves up and a full plate on the table.  With the extension down symbolised socialism, in which case this neither-up-nor-down configuration pretty much sums up post-Corbyn Labour.


Icy and Sot

 

Issac Cordal’s morose concrete figures endured this Summer’s monsoon in the garden and just about maintained their social distance in a gloomy basement.




 Isaac Cordal

 

Flock was clearly in vogue when the house was last given a decor update as the pattern recurs in several of the installations.  Adam Neate bid for the window blinds and the colour and texture makes a great skin motif in his ghostly portraiture

 

Adam Neate

 

This show exceeded expectations, though that says more about our expectations than the artists involved. The unbalanced capitalisation of the show title exhorts to us to somehow re-connect in these desperate times where isolation is salvation and this show is worth connecting with.  Time is running out though and indeed thanks to covid restrictions tickets are very limited.

All photos: Dave Stuart

Monday, 17 August 2020

Street Art For Strange Times

You didn’t think a killer virus was going to stop street artists did you? Shoreditch witnessed an outpouring of street art addressing the Covid 19 pandemic from a number of angles. It’s amazing what a street artist could achieve with that one hour outdoor exercise license non-shielding people had during lockdown!
Thank You NHS, Artist Not Known Thank You NHS, Artist Not Known

One of the most prolific artists was Nathan Bowen whose suitably masked characters appeared all over from West to East
Nathen Bowen "Stay Positive/The NHS Warrior" - Nathan Bowen

Nathan Bowen, Harry Blackmore "Thanks NHS" - Nathan Bowen, Harry Blackmore; Oxford St

Nathan Bowen, Harry Blackmore, Ernest Obi Nathan Bowen, Harry Blackmore, Ernest Obi - Shaftesbury Avenue

Almost as active as Nathan were Deanio X and Seen K26, often in the company of Tasnim Mahdy Deanio X, Seen K26, Tasnim Mahdy "Stay Strong" - Deanio X, Seen K26, Tasnim Mahdy; Old Blue Last, Shoreditch

Deanio X, Seen K26, Tasnim Mahdy "Stay Strong" - Deanio X, Seen K26, Tasnim Mahdy; Picadilly Circus

Deanio X Deanio X, Soho

Our weekly clap for carers, which was a beautiful collective thank you, has stopped but it is clear that many street artists remain grateful on our behalf to the NHS, to the carers and other key workers.
Robert Montgomery
“A quiet prayer holds over London…” We Love Our NHS – Robert Montgomery

Jimmy C
Thank You NHS – Jimmy C

Is it just me sees concentric stained glass hearts in shades of NHS blue in this homage by DRT?
DRT DRT (with Nathan Bowen & Co. in background)

Graffiti Life
Graffiti Life

On the flipside from the love for the NHS comes blame flinging and conspiracy theory. The UK’s elected political masters and their un-elected advisers repeatedly preached one thing but practised another to the point that anyone else would have felt embarrassed by. Street artists can be quite merciless when political hypocrisy becomes apparent and they proved yet again how swiftly street art can respond to current affairs.

In some countries the political response was based on denial or even deceit, Subdude latches on to those moments quite brilliantly.
Corona Credit Score = 0, Subdude
Subdude

On the revelation that the NHS workers Boris thanked for his care in St Thomas' Hospital were immigrants who now under the conservative government's mooted minimum wage threshold would not qualify to come and lend their skills to the UK's underfunded understaffed health service:
So How DO You Like Us Now Boris, Subdude
Subdude

If you need to know what "Dominic Does Durham" is pastiching, ask your Dad:
Dominic Does Durham. Subdude
Subdude

The early days of the UK response to the Covid crisis were characterised by simple clear messages and this apparent clarity was reflected in the referencing of the messages in the art. K-Guy found the graphic design and linguistic shorthand of those official three stanza instructions we saw on the podiums at the daily Coronavirus press conference in England lent itself to highlighting political neglect as an amplifier of the spread and impact of the disease through hospitals and care homes.
K-Guy "It's A Testing Time", K-Guy

K-Guy "Infected frontline policies", K-Guy

K-Guy

"Infected frontline policies", K-Guy


The surprising move to abandon testing and tracing and the awful situation regarding inadequate PPE provision featured in several pieces. Frankie Riot references the famous press conference where World Health Organisation head Tedros Adhanom Ghebreyesus offered the simple “Test, test, test” which many developed countries decided to ignore with pretty devastating consequences.
Frank Riot
"Protect NHS Workers" - Frank Riot

China again:
Orrible
Eau de Virus, 'Orrible

Safe, Artist NK Stay Safe, Remain Free - Artist Not Known

As Shoreditch Street Art Tours has emerged from lockdown doing very small private street art tours for the same price as the public tours, just so you know, the single piece of pandemic art everyone appears to be aware of is, not surprisingly, Banksy's nurse superhero painting on canvas “Game Changer”, donated to Southampton General Hospital.
Game Changer - Banksy "Game Changer" - Banksy, Photo: Banksy website

Banksy has done three pandemic related artworks: the aforementioned “Game Changer”; his earlier skit on the idea of the elusive rat stencilist working from home and most recently his brilliant makeover of a London tube with rascal rats parachuting with PPE face masks, rats tagging with sanitiser gel and rats sneezing all over the carriage in a lurid echo of the animation played frequently on the UK TV of the dispersal of vapourised snot from a sneeze in a train carriage.
Banksy You dont mask you dont get 1 copy Banksy, You dont mask you dont get"; photo source: www.banksy.co.uk 

Banksy You dont mask you dont get 2 Banksy, You dont mask you dont get"; photo source: www.banksy.co.uk

Banksy You dont mask you dont get 2
Banksy, You dont mask you dont get"; photo source: www.banksy.co.uk

Among all the inspired pandemic related art and the positivity towards those who placed themselves in way of potential harm for our care, one artist was creating pro NHS art years before it became fashionable. Ben Wakeling recovered from his own mental health issues to channel his efforts into art as a therapy for people with mental health issues and his therapeutic work and his Outsider Gallery have proved so effective that his art therapy can now be prescribed by GPs.
NHS Mental Health - Ben Wakeling, London 2019
NHS Mental Health - Ben Wakeling, London 2019

To end this lockdown lookback on a positive note, could any message be more appropriate than Mark Titchner’s “Please believe these days will pass” plea.
Mark Titchner "Please believe these days will pass"; Mark Titchner

All photos: Dave Stuart except courtesy Banksy where noted

Sunday, 7 June 2020

Diggin In The Archives Pt 10

When I first began to explore street art one my favourite artists was and indeed still is French stencillist Jef Aerosol. This Aerosol masterpiece was on Hanbury street and marked more or less a the time that this wall was just beginning to be used for permissioned murals.

Jef Aerosol 2010
Jef Aerosol 2010


Shoreditch street art was dominated by stencilism in the 00s and why not, Banksy was the stencil artist kicking down the doors of public disinterest and general hostility. K-Guy was and again still is a great personal favourite. This is his take on the dual significance of the national flag, a symbol of pride yet also racism.

K-Guy 2008
K-Guy 2008


The next photo shows K-Guy’s artwork in context. In 2007 Shepard Fairey hit that spot with a long lasting paste-up (a spot he returned to in 2012). Sotheby’s and Bonhams started their urban art auctions in early 2008, others then hitched to that bandwagon. This was probably the first occurrence I came across of an arts related organisation destroying a piece of street art in pursuit of advertising. This shit still goes on and basically if you see street art being damaged in pursuit of the commercial interests of galleries, auctions and online sellers, then it’s a clear sign the fuckers do not get the culture, steer clear.

K-guy 2008 featuring Shepard Fairey – defaced, dissed and abused
K-guy 2008 featuring Shepard Fairey – defaced, dissed and abused


Special Offer: Free Art! The stencil on cardboard below was a piece of free art by the prolific, varied and much missed street artist Mr Farenheit. Hopefully it went to a good home. This doorway in fact the whole building, now demolished, was always intensely distressed and beautifully decayed; muscular rust on the iron door had very little sympathy for any paper pasted onto its surface. “Special Offer” is a detail from an ACE paste up; the thick black bars emerging over Twiggy’s left shoulder are a Paul Insect relic; D7606 also did great paste up montages on this door and it’s a rare photograph where you can’t see one of his pieces at this spot.

Mr Farenheit, 2013
Mr Farenheit, 2013


The pair of birds in the next photo by artist and graffiti writer Dr Zadok are done in the swirling style which characterizes both his graff letters and his art. Alleyn Gardens habitu├ęs will note the virgin brickwork on the then relatively new North London Line.

Dr Zadok 2013
Dr Zadok 2013


The image below shows Dr Zadok’s hand finished bookcover in aid of Joe Epstein aka LDNgraffiti’s fundraiser for Great Ormond St Hospital. More details and information about how you can to support the fund raiser and maybe win one of these fantastic prizes in the #LDNGOSHLottery is HERE. Keep an eye out on LDNGraffiti’s Instagram for further announcements of more prizes.

LDN GOSH Charity Book with Dr Zadok Cover art
LDN GOSH Charity Book with Dr Zadok Cover art


Swoon again, simply because she rocks. Close to Broadway Market, 2011.

Swoon, 2011
Swoon, 2011


Borondo was an extraordinary painter who lived in London for a number of years in the early part of the 00s. His impressionist murals channelled the effect of strong colours but he first appeared doing single layer portraits created by splashing emulsion on the outside surface of glass windows then etching imagery into the paint with a fork. Two artworks survive, the “11 Apostles” on the Bull in a China Shop on Shoreditch High Street is easy to find. This pair of figures from 2013 play with the window frames; the scraped paint has settled like frost on the window ledge.

Borondo, Brick Lane 2013
Borondo, Brick Lane 2013


And now, something consigned to the archive in just the past fortnight !Things turned a brighter shade of orange across a locked down (ish) Picadilly Circus as the iconic illuminations displayed a charity digital artwork by Stik. Stik must be alongside Shep Fairey and Banksy in the ranks of street artists who most consistently use their art for deserving causes. This installation was in support of Young Westminster Foundation.

Stik Picadilly Circus June 2020
Stik Picadilly Circus June 2020


Stik is also one of the 9 street artists who have joined Joe Epstein to raise funds for Great Ormond St Hospital. Each artist has created a special version of the book by hand painting the cover, so that’s 9 unique versions of the book.

See HERE for a blogpost with more images, details and link to how to support the fund raiser and maybe win one of these fantastic prizes in the #LDNGOSHLottery and keep an eye out as well for further announcements of more prizes.

LDN GOSH Charity Book with Stik Cover art
LDN GOSH Charity Book with Stik Cover art


We didn’t clap for carers in the UK this week, the mood switched more to pressurising on the government to fund the carers properly, and reward them not to mention try a little bit of planning for a change as a second wave is held likely. Seems like a good moment to shelve Diggin In The Archives, though it has been a happy accident of exploring my own archives and memories and so don’t rule out DITA’s resurrection sometime.

Check out the previous Diggin’ In The Archives weekly compendiums starting with week 1 and then hopefully navigate the index to find the rest: DITA 1

All photos: Dave Stuart

Sunday, 31 May 2020

Diggin In The Archives Part 9

All photos: Dave Stuart


In the week we discovered new ways to test your eyesight, the photo archive continued to exhibit 20/20 hindsight with visual crackerjacks from the past.

Mr Cenz has a spraypainting pedigree that stretches back over 30 years so it is not surprising that his style has evolved considerably. He is famous these days for intensely colourful portraits with shafts of light and starbursts, those elements are clearly emerging in this 2013 portrait yet at the same time, it is quite different.

Mr Cenz, Ravey St, 2013
Mr Cenz, Ravey St, 2013


The two seemingly abstract paste ups above on the Grant and Taylor sign represented folded garments by Specter from NY who dropped some art works reflecting on visual aspects of the homeless community when over in 2010 for an exhibition in the Pure Evil Gallery.


Next, a pair of east end classics, Sweet Toof and Paul Insect on a paste-up mission around Brick Lane. This pair of beautiful decaying paste-ups has long gone but this 2013 photo also shows Jonesy’s “Sand Tar Nightmare” from 2012 complete with the original Native American headdress feathers which is still up today.

Sweet Toof, Paul Insect, Jonesy, Princelet St, 2012
Sweet Toof, Paul Insect, Jonesy, Fournier St, 2012


Graff snapping mate for many years Joe Epstein aka LDNGraffiti, author of street art book “London Graffiti and Street Art” has teamed up with 9 street artists to raise funds for Great Ormond St Hospital. Each artist has created a special version of the book by hand painting the cover, so that’s 9 unique versions of the book.

LDN GOSH Charity Book with Run Art
LDN GOSH Charity Book with Run Art


Italian artist Giacomo aka RUN paints stunning murals around Shoreditch and North London. Flat faced characters express surprisingly intense emotion and always at large scale. This pair of characters competing for the passer-by’s attention dates from 2009. Needless to say that spot on Hackney Road has no sense of that urban dereliction now.

Run, Hackney Road, 2009
Run, Hackney Road, 2009


Click HERE for a blogpost with more images, details and link to how to support the fund raiser and maybe win one of these fantastic prizes in the #LDNGOSHLottery, keep an eye out as well for further announcements of more prizes.

LDN GOSH Lottery


This D7606  &  C3 collaboration from 2013 found a perfect home on the haphazard accumulation of red and white marks on this Blackall St door.

D7606 C3 collaboration, Blackall St 2013
D7606 C3 collaboration, Blackall St 2013


Dan Witz is full on old school street artist from New York who has blessed London with impressive street art on several occasions. Each passion project has been cause driven. It was Guantanamo in 2013 (1st photo) and his “Empty The Cages” anti animal cruelty project in 2014. The joined up element between the two visits was the theme of incarceration and cruelty in both.

Dan Witz, Rathbone Place, 2013
Dan Witz, Rathbone Place, 2013


I recently cycled through Kings Cross and can report with pleasure and amazement that the PETA (People For The Ethical Treatment of Animals) installation below is still in place. See Graffoto.co.uk Feb 2014 review http://bit.ly/10Cp9pu

Dan Witz, Kings Cross, 2014
Dan Witz, Kings Cross, 2014


The magical power of art to turn humble domestic artefact into art icon has an honourable lineage that ultimately culminates in Toasters! Toasters already came up in Week 2 of #DigginInTheArchives but embedded in this bit of #flashback fun is a cruel selection process as a limit of one image only per artist was imposed #rulesforbenefitofall #rulesapplytoall (according to government deputy Chief Medical Officer Prof JVT when he brooke ranks at the briefing podium to condemn lockdown breaches by unelected shameless creep Cummings).

LDN GOSH Charity Book with Toasters Cover art
LDN GOSH Charity Book with Toasters Cover art


Thanks again to Joe Epstein's fundraiser for Great Ormond St Hospital, the Toasters corner of the archive gets forked over a second time. This stunning appliance from 2010 faced a Roa hare, famously spared the council buff thanks to a public petition. That green board next to the Toaster was the same property that Run characters were on in 2009, see above.

Toasters, Roa, Hackney Road, 2010
Toasters, Hackney Road, 2010


Every week now it feels like it is time to draw DITA to a close, to get out, do more contemporary but social distanced street art spotting. We are however feeling inclined to err towards the side of the scientific advice and, again in the words of JVT, “not tear the pants out if it”. DITA daily uploads will continue on the Dave Stuart instagram


Check out the previous Diggin In The Archives weekly compendiums starting with week 1 and then hopefully navigate the index to find the rest: DITA 1