Diggin In The Archives Part 6

Is there light at the end of the tunnel? By the time you read this Boris should have made his “statement” to the nation and one suspects the tunnel will seem to be stretching much much further into the distance. Activities continue to expand to fit the time available and blowing the dust off the photo archive is a good a rabbit hole as any to fall into, so here is this week’s selection of gems from the past.


You wouldn’t bat an eyelid at a snorkeler (snorkelist?) walking down the road with a lion on their shoulders in 2013, it was Shoreditch after all. Twisted surrealism from Dal East.


Dal East, 2013


ACE is full OG London, his comic and pop art influenced collage screen prints were pasted up all over Shoreditch from the beginning. They still appear although nothing close to the quantity he used to put out. One of my all time favourite paste up artists. And there's Skewville , yet again, he keeps popping up in the archive photos. 2011.


ACE, 2011


In 2009 Graffoto founder HowAboutNo and I wandered Shoreditch and beyond on our lunchbreaks, chatting shit and shooting crap. Daytime street art creation was quite rare in those days and one lunch time we spied an artist in act of pasting up some big faces. He scarpered. Brummie Tempo33 told me a while later they had thought we were cops! Not many people wandered round in office garms photographing street art those days.


Tempo33, 2012


As I started to develop a little bit of an interest in street art I had a conceptual difficulty with stickers;,that fact that anyone could have put them up challenged their authenticity. Then I started to get my head around “Representation”. It would be very easy to upload a photo of a stunning mural by D*face, rightly they are appreciated worldwide but his stickers are in my humble opinion are way more significant to his street presence.

Liskbot’s hand finished stickers and paste ups go back a decade, still prolific!

The unknown sticker looks and feels like a corporate logo.


D*Face, Liskbot 2011


East London in 2011 was full of Malarky cartoons. Superficially they had the characteristics of children’s illustrations but close inspection revealed a real darkness. Often painted with compadres #Billy, Mr Penfold and Sweet Toof. These old Hanbury Street gates used to host art by great artists such as Donk , Stik, a Saki and Bitches and Macay collab, a Mau Mau and Alex Face collab and an Otto Schade "Creation Of Adam” masterpiece. And Curly ;-)


Malarky, 2011


In the next pair, the elevated elevation behind the grey gantry is the old Shoreditch Tube Station, closed in 2006. The first picture is from October 2011 and features a Rowdy creature and a piece by fellow Burning Candy crewmate Horror. The second picture dates from July 2012. The difference is the Olympics buff. One of these pics cost me a gorgeous Colnago Road bike, stolen by some Tower Hamlets low life cunt as I climbed up on the wall to get the pic

I am sure you don't need reminding, #fuckthebuff


Rowdy, Horror 2011



The Olympics Buff, 2012


When its good, Street Art can be very “of the moment”. The flip side is that years later the context or relevance of a piece of art may be forgotten. This Teddy Baden multi layered stencil features Mandeville, one of two mascots for London’s 2012 Olympics. Mandeville was named after Stoke Mandeville Hospital, the world famous spinal injuries hospital that organised the first games festival for injured people, seen as a precursor to the Paralympics. The orange flash represented a London taxi hire light. Mandeville was much maligned in the press, there will always be some mirthless killjoy. He didn’t have a good feeling about Teddy’s feline either.

I enjoyed the privilege for many years of submitting a selection of street art photos to the VNA guys for their quarterly zine. The vast majority of them went unpublished, there were far better photos from far better photographers to chose from. This is one of the unchosen. . . .


Teddy Baden, 2012


I took the liberty of visit to Shoreditch on my bike this morning, first time in over 2 months. Very little had changed, street artists have been socially distancing from the walls.  Notwithstanding whatever guff we get from Boris this evening I suspect there may well be more sucking from cess pit of my street art photos this week, catch them daily on my Instagram or facebook

Check out the previous weekly compendiums: DITA 1, DITA 2, DITA 3, DITA 4 and DITA 5

Art credits and links are by each photo. All photos: Dave Stuart

Jamie Reid - Taking Liberties

Taking Liberties!


Jamie Reid political work 1970 – 2020
Horse Hospital, Colonnade, Bloomsbury
London WC1N 1JD

Opened March 6th, extended to end April


Jamie Reid is the activist artist who is probably best known in popular culture as the artist behind the Sex Pistols album artwork. The Horse Hospital in London has a retrospective exhibition of Jamie Reid’s artwork which, like a huge amount of cultural activity, is now spilling its guts to a vast empty space.

Jamie Reid is based in Liverpool and has done a remote control commentary of the exhibition, speaking to a short camera walk through and it is absolutely fascinating to hear the purposes and origins of the art and the multitude of protest causes it supported. That’s coming up below later, circumstances mean Graffoto didn’t get to see the exhibition but it is interesting to look at just a few examples of street art with Jamie Reid’s influence stamped all over it.

Starting with the man himself, here is the entrance to Reid’s Islington exhibition “Time For Magic”


Jamie Reid, 2011


Shepard Fairey, who makes no secret of his willingness to pick and choose from his favourite influences had the good grace to credit this as a Reid/Fairey collaboration.


Shoplifters Welcome, Shepard Fairey after Jamie Reid


Corrosive8 has himself a history of activism and protest art, the Reid influence can’t be denied indeed this is based on a Reid image. Borrow from the best.


Corrosive8, 2019


ACE, Rider and Faile are all street artists whose aesthetics channel Reid's collage style.


Faile (cheeky MN sticker included), 2008



ACE, 2008



Rider, 2017


There are so many more but the point of this is the fascinating “artist talk” on the exhibition at the Horse Hospital, a stunning venue sadly threatened with closure. Enjoy.



Jamie Reid has released a very limited edition print in support of the Horse Hospital, details HERE


"God Save The Horse Hospital", Jamie Reid, 2020


All photos Dave Stuart except Jamie Reid print image courtesy Horse Hospital

Artist links are in the text

New Years Eve? Never Too Late For Street Art

All photos: NoLionsInEngland

We’ve done our 2014 review ,twice, already but we just fancy signing off 2014 doing our favourite things..taking photos and spouting shite. All these photos were taken mid afternoon on New Years Eve and we believe the art to have been put up in the preceding 24 hours.

Donk had an epic 2014 and signed off with a major mission on the past 24 hours. How on earth did I forgot in the Graffoto 2014 Review that Donk did two of the most awesome paste ups in 2014 both placed without permission? He has put out a curious new image in the past month or so featuring a dude in a whisky bottle holding a whisky bottle which contains ..a dude..holding a whisky bottle. Here is a small medley of some of his (eve of?) New Years Eve hits.


Donk


The fragile translucence of this tissue paper must make the printing and pasting of this a very delicate process.

Donk


This could also be a new addition to the DONK oeuvre, I don’t recall seeing it before.


Donk


This is like a hall of fame featuring three of our favourite street artists ACE, Mr.Farenheit and Donk though we can’t be sure that any of those pieces were put up in the past 24 hours.


clockwise from top left: Mr.Farenheit (x2), Donk, Ace

A couple of weeks ago we spotted a guy very verrrryyyyyyyyy carefully lifting a Donk print from its street gallery display; this morning in an alleyway we spied a pair of Donk screen prints pasted onto a sticker battered unloved window but when we returned mid afternoon wafting a camera in the general direction of anything street arty, lo – that pair of Donk screenprints had gone. Also, speaking of the ephemeral existence of the best street art, another of Donk’s paste ups had already been gone over this morning by a repeat of a Paisley image imprinted with rubbings of old Republic of Ireland coinage. The image is by Belfast artist TLO, apparently critiquing the cult of Ian Paisley.


TLO

A number of other paste ups appeared wishing “evolutionary Greetings From Ireland”. These may also be by TLO given the coincidence of the timing of their appearance, the fact that both these and the paisley posters were printed over multiple sheets of A4 paper and both touch on “The Irish Question”.  It’s hard to be certain what the Ikea logo juxtaposed with terrorists is about, something to do with modern corporate colonialism perhaps. Artist unknown (TLO is a guess).


Artist Unknown


Last but definitely not least, The Rolling People rang in 2014 with a big piece on the Sclater St wall and they signed off 2014 doing what they did quite often throughout 2014, taking over that wall with a fresh new blockbuster. Cap doffed to Karim too who hadn’t finished on a spot next to TRP.


BRK, SNOE, KEV



SNOE TRP

So, you get a feel here for what we love and little impromptu wanders like this New Years Eve perambulation reinforce why we love this art. Thanks again to all the artists who made 2014 a fantastic year, many of you were just plain forgotten on the reviews I wrote and for that I am humbly sorry but HowAboutNo, Shellshock & I wish you and all the audience for the blog, our photographs and everyone involved in so many ways in this culture a peaceful/successful/exciting/prosperous (pick as many as you wish) 2015.

Hit Shot Walls March 2013

All photos: NoLionsInEngland

Not making any promises that this will become a regular feature but....here are some musings on and pics of street art and graffiti which happened to catch our eye around London recently.

Sweet Toof and Insect knocked up some gorgeous paste ups and papered a broad swath of London’s East End. Choosing photogenically distressed spots to get up, Sweet Toof went for a slightly less lurid pink version of his characteristic gums whilst Insect churned out a range of floppy eared mouse characters with colourful highlights, a reprise of a Hendrix zombie and a barcode coffin wake.








OBIT is on a roll and you can find his stickers and paste ups all over London but in the past week he took on the shutters on a well known bric-a-brac den on Brick Lane, his subject matter reflecting the three organs which come to most harm in Graffoto's obsession with the wondrous beauty of street art (and lavish art openings with free beer).


KGS, Allintha, Obey (modified),Obit


What was interesting to see was KGS getting the crew name high and loud in this street art central location, more power to them. In a world gone mural-loco with several organisations competing to pass permission slips into the hand of any visiting artist who is willing to play the mutual promotion painting game, illegal street art has really been marginalised over the past 18 months. Good to see people willing to grow a pair and get up high and illegal along this mural mile. Compare the above shot with the same spot just a few days earlier, noting by comparison KGS’s comedy modification of the Obey at the far end.


Kata, D7606/Gee Street Art, Unknown, Mobstr, Unga, Allintha, Obey


ACE’s London centric paste-ups have been a firm favourite with Graffoto for many years and despite hectic preps for a recent solo show in LA, ACE managed to add many prime specimens of his mashed up beauty to walls around London






Graffoto first came across Italian ALO one cold evening just over 2 years ago as he put up a few modest paste ups on his first outing to hit the streets of London. While his the energy of his vibrantly coloured portrait imagery was evident even on first sighting, he has recently been finding quiet spots to paint and paste in situ on larger scale to beguiling effect. This particular shot captures the chance moments that crop up as a photographer; with my non viewfinder eye open I could see this girl approaching and thought she’d add interest to the shot but I never imagined her lips, teeth and particularly the grey hat would so magically mirror ALO’s portrait, a lucky bonus. With slogans such as “Deceit”, “Loser” and “Frustration” juxtaposed with his female figures, we wonder if the young, male, Italian artist is allowing some biographical detail to influence his imagery.


ALO (modified/dogged by Endless)





We’re not sure if Kate hangs out in the East End but, avoiding the obvious gag with the juxtaposition of the two paste ups here, we like to think that our favourite screen printer Aida is reflecting on the post Olympics legacy with her modified message here.




Dee One has kept up a high output, I particularly liked this mashed up portrait of Cameron with Dee Devils for brains.


Dee One, D7606/Gee Street Art


The telephone boxes in the shot above started appearing in London late last year. Iconic females including Liz Taylor, Princess Diana, Audrey Hepburn, Barbara Windsor, Sam Fox and errr, Rhianna amongst others are trapped within pop art multiple telephone box paste ups (and the occasional tardis) that look lush on the street. The guy has his mojo and is rocking it hard. Collabs with street artists such as Gee Street Art and 616 seem to be his latest twist not to mention an increase in size as can be seen in the earlier shot of the Brick lane bric-a-brac cabin.




D7606/Gee Street Art, St8ment


Mentioning Gee Street Art, he/they have been among the hardest working street artists over the past winter. At the moment he is mostly making his mark with paste-ups though this multilayered stencil with its free hand reflection is just the way street art should be. He has also put on a street art show out in the provinces which opened this week, sadly we couldn’t make it.




616 doesn’t seem happy unless he has at least 1 new idea each week and recently it was a delight to find him putting up small captioned Polaroid collages, you don’t need permission and a 30 by 8 foot shutter to make an impact round here.






Last year the only 3 warm weeks we had outside the Olympic period were reserved for Jo Peel’s Holywell Lane stop motion mural. This year inside the Foundry Car Park she had to endure 3 weeks of finger freezing weather, hats off to anyone prepared to work outdoors high and hold cold cans for that length of time. We look forward to seeing the resulting stop motion this year, assuming camera operators’ shivers didn’t blur the photos.




Yesterday Graffoto had the pleasure of a couple of hours in the company of master snapper Art Of TheState. His un-erring eye sniffed out a couple of C215’s whose location we weren’t aware of, these are a couple of months old. Isn’t the year flying by.




This final flick is a piece found yesterday, no idea how old it is or who the creative genius was but it made us chuckle.




To those hardly souls undeterred by the brass monkey weather of the past few weeks, whose un-curated art has added beauty to London streets, we salute you!


Linkytron:

616

ACE
 Aida
ArtOfTheState flickr
ArtOfTheState website
C215 flickr
D7606 flickr
Jo Peel
Mobstr
Obey
Paul Insect 
Sweet Toof

Graffoto Round Up of the Year - Part 2

Part 2 of 4 in the round up of my favourite graffiti and street art action in 2011. Already a few days into the new year, this all feels so last year already. . .

All photos by HowAboutNo except where stated.

Probs

Various

Blam repainted his famous Oscar the Grouch piece (and possibly one of the longest lasting pieceof street art, it was up for nigh on 6 years, but was unfortunately buffed quite a while ago now) I think we all knew this one would never last as long. Painted on a legal spot in Brick Lane that had a lot of visitors this year.

Pablo Delgado proved to be an interesting newcomer, a slightly new take on stuff that could have just been tired and forgotten about, he made sure that he placed them in enough spots to be seen and at least he was an artist that was getting up regardless of any print release of self marketing campaign. (his work is available at Pure Evil I realise, but small hand limited editions only.)

Stik

A.ce

A wet weekend at home in East Sussex in May. Being at home means usually not much to be seen in the way of street art or graffiti - so I took up "urbexing" to fill in some down time. I thought nothing of seeing the odd bit of graff here and there in the derelict buildings....but was amazed to find my first real Paul Insect piece in an old abandoned girls school. . . . .

Myne

Back in January, a chance encounter with a young man on the streets was our first introduction to the colourful and angular world of ALO. Before too long ALO was getting up with spiky, twisted characters on board

Photo: NolionsInEngland

Raise a glass to Bortusk Leer who did more than his share to brighten London's corners with mad-cap fun.

Photo: NolionsInEngland

In April we got our first introduction to a man who came to pretty much own Shoreditch shutters before the year was out. Malarky continued to have a big impact throughout 2011 with High Roller Society hosting a Malarky presented Gocco Printing workshop workshop and a prestigious interview in VNA issue 17, still available here

Photo: NolionsInEngland

We lost two HOFs during the year, the second comes up later but regardless of the arts council lumberjack fest, nothing in the UK matched the cultural desecration the demolition of The Pit, RIP, wrought on an un-broken line back to the very beginnings of London graff.

Photo: NolionsInEngland

One of 2011's most brilliant street art campaigns was by the old master Ron English. Judging by the huge numbers of human-free photos that surfaced on the net it seems not many spotted that the speech bubbles were meant to interact with passers-by, as revealed on Graffoto here.

Photo: NolionsInEngland

Ad Skewville was over in the Spring. Apart the brilliant "Slow Your Roll" show at High Roller Society, Skewville dropped a number of stunning shutters on Roman Rd and Bethnal Green Rd including the pair above exchanging honest Brooklynite greetings across the street.


Photo: NolionsInEngland

Part 3 to follow soon which will cover the months of July to September.