Diggin In The Archives Pt 8

This week in spite of the latest official guidance to follow unofficial interpretations of the law, there have been no trips to Durham. I have followed my instinct to remain at home to see what scum is floating on the surface of the street art photography archive.

Ludo first put his art on London streets in 2009 and right from the off his Nature’s Revenge project dealt with man vs nature, weaponry, deception and death. Ludo’s work always had scale and awesome eye-catching placement. This weaponised orchid dates from 2011.


Ludo, 2011


Street artist and gallerist Rae visited London in 2013 and left an impressive range of paste ups, stickers, painted surfaces and this wacky sculpture which lasted all of 24 hours.


Rae, 2013



Rae, 2013


The Battle Of Fashion St pitted Ronzo’s monster, looking very much exactly like a medical diagram of a virus against studio stablemate Conor Harrington’s faceless soldier. Like most of Conor’s art this one lasted a long time.


The battle Of Fashion St, Ronzo and Conor Harrington, 2011


Graff snapping mate for many years Joe Epstein aka LDN Graffiti, author of street art book “London Graffiti and Street Art” has teamed up with 9 great street artists to raise funds for Great Ormond St Hospital. Each artist has created a special version of the book by hand painting the cover, so that’s 9 unique versions of the book.




For more images, details and a link to how to support the fund raiser and maybe win one of these fantastic prizes in the LDN GOSH Charity Lottery, click here


One of the featured artists in the LDN GOSH fundraiser is Pure Evil, he doesn’t so much redecorate the book cover as subject it to extreme abuse and reconfiguration, it’s bonkers but brilliant. In 2012 Pure Evil imagined the Hackney Olympics looting squad making off with some Olympics booty, as seen on this Redchurch Street shutter.


Pure Evil 2012



Pure Evil's LDN GOSH Charity Book


In the happy days when I had a kind of job thing, I did one of my Street Art Photography Workshops in Hackney. I only found out this week thanks to Inspiring City’s Art Related Noise podcast interview that this stencil piece is “Lee P” by Findac. Lee P is otherwise known as street artist Eelus. The second shot was the idea of the photo - to show what Lee P was looking at


Findac, 2013



Findac, 2013


More than a decade of pasting up street art has left no doubt that Donk has an awesome approach to impressive installations created from his own original photos. It would be very easy to dredge up one of Donk’s huge crowd pleaser paste up images like the Fashion St fence (with the tassels), the Willow Street horse facing POW or the ghetto blaster on Sclater St but with no slight on any of those, sometimes his montages of smaller images show his versatility better. From 2013 this is a selection of hand finished unique Humble Magnificent and B Brave Indian images featuring Donk jr as model. Donk’s paste up’s typically decayed beautifully.


Donk 2013


Claudia Walde aka MadC is a graffiti writer and book author. She is also another of the artists to have created a unique painting on a book being auctioned to raised funds for Great Ormond St Hospital, details as above.


In culture with such a huge gender imbalance MadC is a rare example of an internationally regarded graffiti writer. In 2011 the Pure Evil Gallery hosted MadC’s first solo exhibition and graffiti writers came from all over to check out her top notch can skills and brilliant colour palette. Her 2013 abstract mural on Chance St in Shoreditch is well known and still running. Less known perhaps is this stunning 2011 graffiti on the old Micawber St launderette, look closely and you can pick out her name in there. It was huge though this is nowhere near the biggest piece of graffiti MadC ever did.


MadC, 2011



Mad C LDN Graffiti book cover


If you are interested in seeing previous DITAs, you can start with the first weekly compilation of the daily DITA uploads of HERE,

Art credits and links are by each photo. All photos: Dave Stuart

Graffoto Round Up of the Year - Part 4

Photos by HowAboutNo and NoLionsInEngland And here we have it folks, part 4 of 4 in the round up of 2011. This final look at the year now covers September all the way through to the end of December. Being that it was mild for the time of year, and there were a shed load of art festivals and paint jams in town, the surrounding areas had a nice smattering too. Street art pastes and stencils seemed to be out of the window for pretty much most of this quarter, and I think that was also a big shift for the year. Good to see more talented artists grafting it at the side of a wall. Also nice to see lots of quick and dirty damage throughout town. Rowdy/Horror, photo HowAboutNo Rusht, photo HowAboutNo Shane ODV, photo HowAboutNo Roid MSK, photo HowAboutNo D*Face in progress outside the Moniker Art Fair, photo HowAboutNo And completed, photo HowAboutNo Various, photo HowAboutNo Gold Peg, photo HowAboutNo A solid year for the machine of graff that is Probs. Think this is my fave piece he has done ever. (photo HowAboutNo) I think we'll see a bit more of JimmyC in 2011 (photo HowAboutNo) Motor, photo HowAboutNo C215, photo HowAboutNo , photo HowAboutNo 2011 was the year Ronzo turned his hand away from sculpted pieces to graff.....and a welcome turn it was. This piece painted with Conor Harrington photo HowAboutNo Evol impressively buggered about with scale this set of blocks making up a mini housing estate complete with Elk, Drax and Shun tags. Read more about his visit here photo HowAboutNo Banksy did quite a few street pieces, all outside Soreitch - consequently I didn't get off my lazy arse to photograph them. No bother, this was my favourite thing he did all year anyway. General and most lovely damage . . . (photo HowAboutNo) Swoon, photo HowAboutNo This superb paste up by Gaia lasted no more than a few days and was fly posted over (photo HowAboutNo). Revok/Roid at the most single hit "legal" spot in Shoreditch (photo HowAboutNo). Don’t believe the nay-sayers saying the scene has tanked, looking back we have been overwhelmed with top quality shit on the streets of London in 2011. Stuff that should have got a mention earlier but just got missed in the admittedly random selection process includes: Phlegm was down several times during the year photo: NoLionsInEngland One of the highlights of the year was the privilege of seeing Sweet Toof and Paul Insect collaborate on this stunning rooftop piece, and in case you missed it, the timelapse is here photo: NoLionsInEngland Elbow Toe photo: NoLionsInEngland This Chu sticker made us chuckle earlier in the year photo: NoLionsInEngland So that's it for Graffoto's round up of the action in 2011. At the beginning and at lots of points throughout the year it did seem like it was stale and not moving anywhere. Part of wanting to look back at the year at the beginning of a new one has shown that it was a busy and colourful year, full of lots of new names and techniques and people to watch in 2012. The shift also seemed to go towards lots more "with permission" spots last year, I guess a big test for those shutters and areas may fall closer to Olympics time, when the council may decide to buff at random for no reason whatsoever. Happy 2012. Fuck The Buff.

God Help Us - It's Ronzo

all photos: NoLionsInEngland



Slightly disappointed with the location of this one. My first reaction was this should be located somewhere that spoke more of the nearby Square Mile of profit hungry soul destroyers. Instead, it’s pretty much at the entrance to the yard housing his studio, a fact he can hardly hide given the number of times he has been seen outdoors applying finishing touches to super-sized Ronzo bugs and monsters.




Then I realised that this spot is also a portal to the dingy alley which leads past the new location of Crunchie the credit crunch monster, recently displaced from its elevated position overlooking the den of indulgent economic greed in the City. Perhaps my dis-satisfaction with the location of this new little sculpture is merely a manifestation of my disappointment with the neutered irrelevance of crunchie’s new nest. It now munches its coins while overlooking the organic craft stalls and pop-up cantinas selling any foreign cuisine you like so long as it comes with rice or in pitta.




And why is he now pink? Is Ronzo savagely fingering the gay economy?


The latin motto cast into the new Ronzo coat of arms is open to a number of translations. Domine adiuva nos speaks of a master, god or leader, whose protection, aid or favours we seek. In other words......”Lord help us! City of Ronzo”


Let's look on the bright side, it’s still a new street Ronzo which is usually a good thing and if you doubt us, check out his 2009 Crunchie campaign which was truly top notch.



P.S - Crunchie The Great in his original location:

Crunchy: The Ronzo Credit Crunch Monster

subtitle -"Hurrah, its not about Banksy or Robbo"

photos: NoLionsInEngland and Howaboutno except where stated


Pinpointing the beginning of the credit crunch depends for most of us on personal factors such whether you read your paper from the back to the front or the moment of hard impact such as loss of the McJob. Ronzo reacted to the credit crunch in about March last year with a massive economy devouring sculpture at the edge of the City.


Ronzo Credit Crunch monster, 2009



He now responds to the announcement last week that the recession is officially over by launching a small army of Crunchy, his Credit Crunch monsters around the ancient portals to the City of London.


Crunchy by Ronzo, Feb 2010



People not familiar with London may need to know that the City of London is a comparatively small square mile of suited financial chicanery at the centre of the metropolis of London and indeed, the whole developed World. The City of London is actually the original area where London was founded and before Styrofoam coffee cups and Flaming Lambourgini’s were discovered, the City of London was a walled city with 7 gated access points, commemorated still by areas bearing their names such as Aldegate, Ludgate, Moorgate and so on. The main roads into the City at those points are now protected by a fenn of dragon statues (not Griffins, Graffoto regrets to inform those who cherish that myth).


City of London Dragon, photo by xynt4x


Graffoto located a few of the Ronzo credit crunch monster sentinels this afternoon. Apart from one example that we know of, Crunchy sits on a 3 foot high pedestal bearing close resemblance to the permanent Corporation of London dragons installed mainly in the 1960s. The “Pity Of London” slogan is a mocking mash-up of the “City Of London” wording of the conventional dragon plinths.


Crunchy by Ronzo, Feb 2010


Ronzo fixes his sculptures in place by drilling into the pavement and installing masonry bolts, a technique he has used successfully in the past. Anyone wandering around Shoreditch staring at their feet and let’s face it, the place isn’t lacking for emos, may have chanced upon small cement frogs drilled into the pavement. For sure at least two of these three inch high petrified amphibians survive to this day though they bear deep scars as evidence of determined but doomed efforts to remove them.


Ronzo Frog – photo HowAbouto



Sadly, in the case of the credit crunch monster at Bishopsgate these precautions weren’t enough to prevent either the purloining or buffing, who knows which.




Crunchy is a slavering ganged saber-toothed derivative of a beast which has featured in a number of Ronzo works over the years.


Cans II - Photo HowAboutNo



Credit Crunch Monster Attacks


One fascinating relic displayed at a stolen Space drawing show in late 2008 was a scruffy piece of A4 which contained details of Ronzo’s planning for locations and drilling requirements for the plague of frogs in 2007. Graffoto also found aconcrete playstation casting on the floor in Commercial Street but has never established whether it was Ronzo or a copiest.





Although Ronzo’s website says this installation of Credit Crunch monsters is in celebration of the end of the recession, we like to think that unlike the dragon his tongue is firmly in his cheek. Surely Crunchy looks like he is still on the rampage, devouring coins and economies. Although the plinth mounted Crunchy further up this writing is clearly showing his arse to the gateway dragon, the Crunchy on Bishopsgate was directly facing the dragon on the other side of the road and we prefer to see him as a threat, Crunchy saying that he hasn’t finished his meal of half-baked economy, he shall return.



ps – a “Fenn” of dragons is the correct term according to Little Miss NoLions and she should bloody know.