Best of London Street Art Part 2 - The Mural Bites Back

London has witnessed in 2013 a pretty significant growth in the number of large scale street art productions created with permission and indeed it seems, a growth in the number of organisations arranging spots for artists. Whilst Graffoto’s natural tendency is to prefer street art created without permission, we don’t judge just because something is painted without the frission of illegality, which is anyway a over-romanticised notion most of the time when what is really meant is “without explicit permission”.

We review the big, the wild, the bright and the spectacular here in part 2 of our review of 2013’s London street art, part 1 looked at the grittier less house trained stuff done without permission and should be read first HERE 

Words: NoLionsInEngland
Photos: NoLionsInEngland except HowAboutNo where stated.

Moniker Art Fair moved location and changed up a gear in October, attracting a large number of street art galleries and street artists. One of the best consequences was the lads from Souled Out Studios, Bon and Alex Face from Thailand and Mau Mau from the West Country painting this fun composition in which they gave Roa’s iconic bird a leg, which they proceed to barbecue.


Bon, Mau Mau, Alex Face. Also feat Roa, Martin Ron


Not far away Alex Face and Bon illustrate themselves literally delivering a splash of colour to London’s walls.


Alex Face, Bon


Dal East played a cunning game with a series of murals, staging a competition based around photographing all his fresh London murals which you could only complete by photographing the final hidden mural revealed at the launch of his London show.


Dal East


At the same time Faith 47 executed her most spectacular work in London to date, though the timing won’t surprise anyone aware that Dal East and Faith47 are a married couple.


Faith47


The most stunning project by a mile was spraycan virtuoso Shok-1’s ten part X-Ray Rainbows paintings which commenced in 2012 and concluded in August 2013. Not all of our photographs in this slide show capture the pieces in their best condition as the artist intended, sorry Shok-1 Sir.


All photos: NoLionsInEngland


Miss Van’s last outdoor wall decoration in London was an illegal piece out in Ladbroke Grove, West London which survived until about 2007 so it was nice that she painted this stunning piece in Shoreditch in collaboration with Italian sculptor Ciro Schu.


Miss Van, Ciro Schu (with Pure Evil mugging in the shot


Cranio visited from Brazil for the second time in just under 12 months and did a mixture of stunning illegal, permissioned and gallery work all based around the theme of the Amazon Indians indulging themselves with the gains from selling off their rainforest.


Cranio

The permissioned Cranio collaboration with HIN photographed below caused a little upset and mural organiser censorship, not because of the nudity or the suicide bomber or the obscene gestures but seemingly due to the pasted face portraits of evil dictators.


Cranio, HIN, feat Alex Senna


Roa worked his large scale magic in a couple of London spots, most visibly on the Southbank but to more gory effect in an alley on the way to Hackney.


ROA


Alex Senna seemed to get to paint lots of spots in the Shoreditch area, this one featured a then topical nod to the new born Prince George.


Alex Senna


Award for the least appropriate most thoughtless mural goes to the upside down break dancer painted by Martin Ron next to Roa’s bird on Hanbury Street, you might as well try to fit a Jackson Pollock and a Turner on the same canvas for all the relationship and harmony there is between the two subjects on that wall. After Cosmo Sarsen first in Bristol and Above in Shoreditch before him in 2013, did we really need another upside down breakdancer anyway?


Martin Ron v. Roa, no contest!


During the London Art Fair week RYCA put up a crisp clean Clone troopers paste up collage on the boards erected outside Shoreditch Junk following the McDonalds sponsored buff at that spot.


RYCA


A particularly wild and wet night saw RYCA's paste up virtually jet blasted off the wall producing an effect RYCA liked so much he repaired the damage by recreating it with paste ups and stencils. As a sort of post script note – the weather over the Christmas break has added real damage to the simulated damage!


RYCA


Zadok has hit a lot of walls, not all of them necessarily with prior consent we suspect but all superbly realised.


Dr Zadok


One of our favourite permissioned pieces in 2013 is the wild abstract assault RSH executed on the Lord Napier premises at Hackney Wick just prior to the Hackney Wicked Festival, a stunning visual attack on premises and eyeballs.


RSH


One of the less fortunate projects realised during the year has been the “rejuvenation” of Hackney’s canal sides. Where once there was un-curated street art and graffiti there is now, in the case of the old sugar factory wall, a huge mural painted by foreign artists (ok..Scottish in one case) and rumour has it then coated with anti graffiti paint, oh the irony. So, that’s the displacement of many local un-curated artists in favour of curated and protected outsiders, not surprising really that feathers have been ruffled in the area. Nevermind, it’ll look nice in the brochure and the Olympic Legacy reports.


Lyken, Moneyless


A local based artist who has been getting good walls this year is Dale Grimshaw who pulled off a couple of stunning gothic horror portraits, which is a good thing of course.


Dale Grimshaw


Dan Kitchener got a lot of spraypaint onto walls this year as well, it’s hard to decide whether to favour the underground tracks paintings or the rainy neon nights studies more, he does them both beautifully.




Dan Kitchener


Jimmy C has a pretty productive year, apparently the first of these images produced a 3D effect when viewed through 3D glasses, which could explain all those weird glasses we see people wearing in the area.





Jimmy C photos by HowAboutNo


Seems you could hardly walk around Shoreditch this year without seeing a new Lost Souls mural, bloody everywhere!


Lost Souls feat Captain Kris, SP047, Si Mitchell, Squirl


As usual, all opinions are those of the authors of Graffoto, happy to share ;-)

Happy New Year to all Graffoto readers and may you have a happy and colourful 2014.

Papal Bull

Pope In London - Street artists rise as foretold

photos Nolionsinengland except S.Butterfly where noted


Benedictus episcopus servus servorum Dei, Pope Benedict, Bishop, Server of The Servants of God, etc etc is in the UK to give us a bit of a telling off and to enjoy one of the most expensive inter-city long-weekend breaks on record (Twelve million quids worth is the accepted estimate of his inclusive board and travel deal). Graffoto was a little disappointed that the opportunity presented by the elections in the UK this Summer passed by un-remarked by most of the street art/anarchist community, perhaps with the honourable exception of Dr d, so it is encouraging to see this papal visit has stimulated the minds and exacto knives of a few stencilistas in London. For anyone not familiar with the circumstances, the two protest themes hinge around expense and paedophilia cover-ups.

Top prize goes to the ever thoughtful K-Guy who placed controversial work in a couple of spots designed for maximum visibility to the papal entourage and all passing Catholics. K-Guys is at his best when presented with a toxic cocktail of politics, religion and hipocracy and the quality of his political work is sustained in this hear-no-see-no-speak-no cannon-ised monkeys. Reducing the pontiff to the level of a primate and mocking the Church’s inability or un-willingness to properly and clearly address the horrendous crimes committed within its sanctuary by a few (“Paedophilia is a sickness, they were “ill”), this work pulls no punches.


K-Guy “see-no-hear-no-speak-no”


K-Guy placed a version of this image on Thursday night on the Popemobile route to Westminster, Graffoto made a detour on the way to the day job on Friday morning arriving just as one chuffed-to-bits cleaner removed the piece off the streets. 0-1 to the buff.


I’ll ‘ave that


K-Guy was motivated to go one better for the Pope’s benefit on Saturday (today), placing a second specimen inside Hyde Park where the Pope was due to lead an open air séance or something. Wonder if it survived until the vigil, certainly thousands of Catholics will have got the message if it did.


K-Guy


SPQR also addresses the popular theme of papal cover-ups, this splendidly executed work referencing the less than transparent internal investigations supposedly carried on by the Catholic church. Being placed on a gallery wall miles from where the papal retinues and the flock would gather renders this effort a tad futile but to be fair to SPQR, he was presumably rather busy with a solo show opening at Signal Gallery that night.


SPQR – “Report Exposes Church Sex”


Much closer to the heart of the papal action geographically speaking is Nick Walker’s Cardinal Sinister placed on the walls of the Royal College of Art immediately outside Hyde Park. Nick Walker renders the Pope as a Blofeld-like evil head of a sinister organisation stroking the cat on his lap. We like the analogy to the head of a crime based organisation, the stencil has impressive scale and detail but we feel the Royal College of Art gains more through boosting its waning“edginess” quotient than Mr Walker gains for his imaginative composition.


Nick Walker "Cardinal Sinister"


We thank the ever vigilant Ms S Butterfly for photographing this effort by Raymond Salvatore Harmon (anyone like to hazard a guess at his religion?) aka RSH, location unknown. Perhaps the splatters of blood are a bit OTT but the few pieces by RSH we have seen recently have been almost violently dayglo, the point of the work is more important than the colour palate.


RSH – Suffer The Children (photo S Butterfly)

D*Face used the opening on Thursday of a retrospective show at Electric Blue Gallery, Middlesex St to mock the new religions of corporatism and branding with his logo cross (curiously, this time hung upside down St Peter style), previously seen at the 2008 aPOPcalypse Now show.


D*Face logo cross (aPOPcalypse Now, 2008)


The Pope angrily charged D*Face with what he called “Aggressive Atheism” but the bulk of the mainstream press have chosen to interpret the remark in the wider context of British Society.