Showing posts with label Jim Vision. Show all posts
Showing posts with label Jim Vision. Show all posts

Saturday, 26 September 2020

Street Art on Redchurch Street

 

Redchurch Street in Shoreditch has changed dramatically over the years yet despite gentrification it still houses some seriously good street art. 

As part of the Shoreditch Design Triangle, itself a subset of the London Design Festival, I was asked to assess the impact of Redchurch St and the history of its street art.   The novel twist was that OnRedchurch who got in touch set up a Cabinet of Curiosities in window fronts on Redchurch St where QR codes linked to online features.   Here is a reproduction of my survey of Redchurch street art produced for the Shoreditch Design 2020 Triangle Cabinet of Curiosities.

Malarky, Ronzo, 2011
 

Redchurch Street with its swish boutiques, street fashion, food and coffee was until barely a decade ago a cut-through lined by roofless derelict properties and empty wasteland plots.  As street art found its home in Shoreditch, Redchurch Street’s rough surfaces, dark corners and curious small spaces came to host a huge amount of street art and to play a role in developing the careers of many significant street artists.  

Redchuch St 2008 feat ATS, Peripheral Media Projects, Toasters, Jak-D and Faile

Derelict properties led to squat galleries and exterior canvasses for street artists.  The former Section Six Gallery, now the apartment block next door to Labour and Wait, sported a kaleidoscope of stencils and paste-ups and eventually was transformed with a mural by street artist and fashion designer INSA.  

Sickboy 2008

 
 
INSA 2009
 

After dereliction, the next phase in an area's development sees properties made secure and ahead of redevelopment, street art becomes tolerated and occasionally explicitly consented.  Many Redchurch Street facades witnessed early street art pieces from artists such as Roa, Otto Schade and Jimmy C and others who have since gone onto international success.

Otto Schade, 2010

 

Mobstr, 2011
 

Redchurch Street still had proper corner shops until a few years ago, shutters provided prime real estate for a rolling exhibition of graffiti luminaries such as Cept and Discreet, Aset (RIP) from the ATG crew and Vibes representing the RT crew.  A significant factor was the presence of specialist spraypaint store Chrome and Black which had an entrance next door to Richmix on Redchurch St.

Cept, Dscreet, 2009


Mean, Aset (RIP) 2014
 

Redchurch St was a linear building site for a large part of the late noughties, extensive building site hoardings hosted furiously changing art stencils, paste-up, tags and murals by artists from the UK and abroad.  There is little doubt that street art was co-opted as a tool in the “gentrification” phase.

Dr Zadok, Meeting Of Styles 2014
Jim Vision, a spraypaint artist and key figure at the more permissioned end of the street art spectrum resided for many years on Redchurch Street.  In his role as organiser of the Meeting Of Styles graffiti festival Jim Vision arranged impressive murals on Redchurch Street as well as painting massive spectaculars himself.  He also curated a number of pop up graffiti writers and street artist group shows in several Redchurch St locations.  

Probs 2009

Jim Vision 2014

The cottage at the junction with Club Row hosted some stunning murals by Roa, James Bullough and Jim Vision as well as a long running relief sculpture by artist Cityzen Kane installed with permission as a poignant tribute to his deceased son.  

Roa 2009

 

Cityzen Kane, James Bullough, 2015

As is often the case galleries sprung up In advance of the arrival of boutiques. The event space at the junction of Ebor St, in its guise as the London and Newcastle Gallery was the venue for pop up exhibitions by street artists such as Borondo, Insa and Shoreditch’s own Pure Evil as well as graffiti writer group shows.  Its outside wall was the location of a piece of INSA’s pioneering “Giffiti”, an augmented reality mural which with a smartphone app would reveal a squad of policemen chasing eachother in  “The Cycle Of Futility”.

INSA 2014

Urban Angel at the junction of Redchurch St and Chance St had very distinctive shutters declaring themselves as ART, as indeed they were having been painted by EINE in 2008.   Doomed by the coincidence of its opening and the financial crash of 2008, its brief existence saw it host shows by Remi Rough, Hush, Copyright and Best Ever.   

EINE, 2008

It is hard to believe that 11 years have passed since Graffiti legend and renown musician Goldie had a two floor solo show with live painting demonstration at the Maverick Showrooms.

Goldie, "The Kids Are All Riot", 2009

At the time of going to press the London Mural Festival is in full swing and London Design Festival favourite Camille Walala has provided a huge makeover to the rear of Rich Mix at the eastern end of Redchurch St.

Camille Walala, London Mural Festival 2020

The logical trajectory of combining property development, street art and expensive shopping reaches its unavoidable conclusion with spraypainted adverts appearing where once there was street art, though having spent years honing their spraypainting skills in the riskiest circumstances, who would begrudge artists a living?

Among the niche fashion houses, beauty treatments and designer furnishing accessories Redchurch Street has not lost its edgy cool, a stroll will still yield brilliant stickers on lampposts, freehand non- permissioned portraits, art paste ups and for the especially observant, illegal bronze castings by street artist Jonesy. 

Zomby, Type, 2011
Stormie Mills, 2009
Duk, 2010  
 
 
Jimmy C, Alo, Cartrain, T.wat, Cityzen Kane 2013


Pure Evil, 2012
C215, 2013
NEOH, 2012
Unify 2014

Jonesy, 2018

 

Cabinet Of Curiosities, Shoreditch Design Triangle 2020 (same facade as Pure Evil above)

 

Thursday, 7 June 2018

Meeting Of Styles UK 2018

Meeting Of Styles
Nomadic Community Gardens, Shoreditch
26 - 28th May 2018


At the end of May there is a Bank Holiday in the UK though really no one knows why or cares what for. This provides a marvellous opportunity for a huge array of spraypainting talent to gather in Shoreditch for a frenzy of graffiti and art at the Meeting Of Styles Festival.

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Xenz, Lours, Nerius and Welin exhausting themselves in the creative process


Meeting Of Styles is an international series of festivals which takes place in multiple locations around the world each year, this year 11 events are scheduled spread across the far east, South Africa and 6 cities in Europe. Since 2014 the London edition of MoS has found a home in the extraordinary Nomadic Community Gardens in Shoreditch.   Its heart is a graffiti festival so let’s start with a peek at some of the letterbased highlights.

Xenz embraced the opportunity to chip in a lower key wall after the intensity of his key role in the main wall last year; crumbling ruins overwhelmed by jungle vegetation and scarred by some apocalyptical flood trauma was a smash and guess what, the letters are buried in there!

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Xenz (letters clue further down)


Minto’s colour perspective lines flow under his plastic letters, rise up the wall and soar off into the gridlines of the fence, a wonderful connection between art and location.

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Minto


Neist has an absolute frenzy scorching through his letters, breathtaking as always, go on – do it, you can find the letters in there.

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N E I S T innit


The Krah was seen just inside the Nomadic community Gardens entrance creating one of his swirling characters on a board but on the wall outside he left evidence of his origins in the early Athens graff scene, check out the flowing patterns and soft variations in hue across the fills inside these letters, skills that fans of his illustrative work might not be aware of.

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The Krah 101ers


SkyHigh produced an awesome piece of writing with the letters written as if collaged from about a dozen different pieces.

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Skyhigh


The main wall has gone progressively less graff in recent years, this year 8 artists have created a crazy computer screen on which the use of technology in the creative process is laid bare.

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Right to Left, top first: Voyder, Fanakapan, Aches, Kaes, Jeba, Core246, Samer, Irony


Carleen De Sozer pulled off a stunning wall in collaboration with Candie Bandita, what puzzles me is how did she know that I would photograph it with two biters next to me?

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"Live Life like its Golden" - Carleen de Sozer & Candie


ThisOne got one of the highest reaches of the weekend and produced a stunning wall that stood up well to the challenge of being alongside Nomad Clan, his wall art has developed immensely since the small gothic candles we were lauding just over 3 years ago

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This One


The only other time I have seen a Nomad Clan wall was an absolute banger they produced at Upfest in Bristol last year though this year trumps that experience as this time I saw the finished wall without scaffolding (three cheers for cherry pickers!).

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Nomad Clan


Poor 4-armed Captain Kris seems to have been disturbed in his kitchen by a pair of multi eyed squid from Dahkoh and The Real Dill, this fun piece cleverly uses the layers of walls around the steps to the bridge over the railway. Work in progress shot further down.

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The Real Dill, Dahkoh and Captain kris


 Dan Kitchener replaced his full on colour Kinkao Pedley Street wall with a monochrome piece.

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Dan Kitchener


With large jams such as MoS it is fascinating how the little things that scream “not on the organiser’s who-paints-where list” catch the eye. Si2’s characters on dumpsters raised a smile in several spots in the area, actually looking more spontaneous and less like an exercise in painting virtuosity than when seen on the mock train set up at last year’s Upfest in Bristol.

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"oh you've got blue eyes oh you've got brown eyes" - apologies to New Order and Si2


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"Eyes RIGHT!!" say Si2 and Roo


The UK Meeting Of Styles is organised by End Of The Line and a huge amount of credit goes to Jim Vision, Mattie, Tamara and the many volunteers also involved in keeping the show on the road. End Of The Line have steered the festival through a variety of locations and forms until it has become became the sun drenched (mainly!) spraypaint, food and music party fest it is today.

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Only two winners in a staring contest with Woskerski


In 2008 London’s Meeting of Styles was held on the roof of Village Underground, it felt like small “insider” event with painting and music taking place on the static tube trains now serving as offices above Village Underground with the well known Village Underground Holywell Lane wall as the centrepiece feature wall.

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Meeting Of Styles 2008 including Jim Vision, Xenz, Replete, Snug, Sares, Sune, Twesh, Bonsai, Alfa, Busk et al


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Meeting Of Styles 2008


In 2009 the scale expanded dramatically; from a party base in a disused car park and industrial space on Paul St, now gone, to Sclater St, Bacon St and Bethnal Green Road which provided hundreds of metres of walls and a stage and sound system was set up in the Bacon St car park. So little of the structures painted back then remains.

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MoS 2009 HQ


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INSA, 10foot, Jamo et al, Bethnal Green Rd/ Sclater St junction, MoS 2009


The festival moved up to Islington and I will confess to not attending either of those two years, then following a hiatus of a few years a pivotal move back to Shoreditch occurred. A pinched derelict piece of land trapped between two diverging sets of rail tracks had undergone a strange swap arrangement between two neighbouring land owners and while old owner Network rail fortified, patrolled and defended the barren unused plot – even us photographers were regularly hassled by police and security on the paths bordering the plot, the new owners welcomed community use.

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pre Nomadic Community Gardens 2012


The land was rough and irregular with remnants of old foundations peeking through the crust, weeds sprouted between the cracks and is was prone to flooding.  People loitering in the area were the kind of folk who didn't welcome close scrutiny, if you squeezed under the fence you certainly didn't waste time hanging around in there.

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HowAboutno photographing Sickboy & WordToMother - any one of 1000s of our lunch break photography wanders. Jul 2010


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Sickboy, Orsek et al 2010


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Type, pre Nomadic Community Gardens 2011


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Type, kewl, Klepto, Sickboy, Nemo et al 2012



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After Network Rail's 2012 pre Olympics London wide brownwash, Hekla et al, Dec 2012


Development of the plot was not imminent so the Nomadic Community Gardens organised by Jimmy won permission to make use of the land for positive community purposes for a few years. The first thing Nomadic Community Gardens did was provide local families with small vegetable growing plots by placing raised soil beds on the ground, these have proved a big success and are still in use.

Over the years a variety of structures have been built using upcycled and re-purposed materials and these have provided a base for a variety of community activities and artistic endeavours. There is also now a lovely café on site, a great place to sit in the sun and have a quiet contemplative bite to eat.

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Nomadic Community Gardens 2015


What has been achieved at Nomadic Community Gardens is quite astonishing and it actually contributes directly to the success of the Meeting Of Styles festival. The converse is also true, the festival raises awareness of the Nomadic Community Garden space, not to mention a substantial amount of funds through voluntary donation.

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Nomadic Community Gardens 2018


All this builds an environment where Meeting Of Styles can slot in without causing tension, painting takes place in and around a very chilled party atmosphere which in the daytime, importantly, is very family friendly. The Nomadic Community Garden location now feels incredibly organic, nothing like a “commercial” festival.

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A normal day at Nomadic Community Gardens Jun 2018


The early Nomadic Community Gardens editions of Meeting of Styles were actually rather sprawling affairs with walls being painted on far flung satellite sites, notably the Wheler Street Bridge, hoardings on Redchurch St and even the close to Old Street Roundabout. On this occasion all the walls were at or surrounding the Nomadic Community Gardens or on the Pedley St path that leads from Brick Lane to the gardens. This means it is easier to enjoy all the walls, no “the brilliant wall by that amazing painter I’ve waited all my life to see was a mile away and I missed it”; and it works for the artists too, that sense of a party happening elsewhere that they are not part of has gone.

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In past years there have been incidents with British Transport Police regarding the Meeting Of Styles festival, this year Network Rail turned up and participated in the painting and got a public thank you from Jim Vision, you couldn’t have imagined that 3 or 4 years ago.

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Bridge by National Rail; style by National Rail Fam


Another very noticeable shift that has occurred in the past few years is the street art element has increased significantly. Meeting of Styles is an international organisation that has been going for many many years (some MoS sources say 1997, some say early 2000s) and it is letter based graffiti forms that dominate. Looking back to 2008 and 2009, every named artist had a graffiti pedigree, today many of the contributing artists do not have a graffiti background at all. Some will argue this makes the walls more accessible, we say it all comes together and works wonderfully well.

Tom Blackford aka Infetish & Ewan Ewan
Tom Blackford and Ewan whispering terrible things in someones ear


There was something in the air at the 2018 Meetings of Styles festival, and we are not just referring to the smell of spraypaint mingling with barbecue and assorted herbal fragrances, it was the combination of the great art, the vibe, the food, the music, the chilling with friends, the beautiful weather. This squint at Meeting of Styles is a rather selective viewing, there are many other moments captured and artworks seen that deserve to be featured but there isn't room or time. Also, there is the whole other music dimension of meeting of Styles but graffoto is home sipping its cocoa as that gets into full swing. Meeting of Styles 2018 will go down as a great success and all of it depends so much on the brilliance of the many parties the combine in the organisation of the event but most notably, End of The Line. All of it, other than perhaps the sunshine though if that had not turned up someone would probably have painted it.

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Onefaver cracks on to the right while Captain Kris provides The Real Deal with a supporting hand; also features art of Dahkoh


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ThisOne at the top of his game


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X-E-N-Z


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When yer rabbit's got a gold toof, that's Hard!


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Daytimes - safer for public, and police! 2011

LINKS:

Meeting Of Styles UK

Nomadic Community Gardens: Website     Instagram

End OF The Line 

All Photos: Dave Stuart aka NoLionsInEngland