Showing posts with label Roa. Show all posts
Showing posts with label Roa. Show all posts

Saturday, 26 September 2020

Street Art on Redchurch Street

 

Redchurch Street in Shoreditch has changed dramatically over the years yet despite gentrification it still houses some seriously good street art. 

As part of the Shoreditch Design Triangle, itself a subset of the London Design Festival, I was asked to assess the impact of Redchurch St and the history of its street art.   The novel twist was that OnRedchurch who got in touch set up a Cabinet of Curiosities in window fronts on Redchurch St where QR codes linked to online features.   Here is a reproduction of my survey of Redchurch street art produced for the Shoreditch Design 2020 Triangle Cabinet of Curiosities.

Malarky, Ronzo, 2011
 

Redchurch Street with its swish boutiques, street fashion, food and coffee was until barely a decade ago a cut-through lined by roofless derelict properties and empty wasteland plots.  As street art found its home in Shoreditch, Redchurch Street’s rough surfaces, dark corners and curious small spaces came to host a huge amount of street art and to play a role in developing the careers of many significant street artists.  

Redchuch St 2008 feat ATS, Peripheral Media Projects, Toasters, Jak-D and Faile

Derelict properties led to squat galleries and exterior canvasses for street artists.  The former Section Six Gallery, now the apartment block next door to Labour and Wait, sported a kaleidoscope of stencils and paste-ups and eventually was transformed with a mural by street artist and fashion designer INSA.  

Sickboy 2008

 
 
INSA 2009
 

After dereliction, the next phase in an area's development sees properties made secure and ahead of redevelopment, street art becomes tolerated and occasionally explicitly consented.  Many Redchurch Street facades witnessed early street art pieces from artists such as Roa, Otto Schade and Jimmy C and others who have since gone onto international success.

Otto Schade, 2010

 

Mobstr, 2011
 

Redchurch Street still had proper corner shops until a few years ago, shutters provided prime real estate for a rolling exhibition of graffiti luminaries such as Cept and Discreet, Aset (RIP) from the ATG crew and Vibes representing the RT crew.  A significant factor was the presence of specialist spraypaint store Chrome and Black which had an entrance next door to Richmix on Redchurch St.

Cept, Dscreet, 2009


Mean, Aset (RIP) 2014
 

Redchurch St was a linear building site for a large part of the late noughties, extensive building site hoardings hosted furiously changing art stencils, paste-up, tags and murals by artists from the UK and abroad.  There is little doubt that street art was co-opted as a tool in the “gentrification” phase.

Dr Zadok, Meeting Of Styles 2014
Jim Vision, a spraypaint artist and key figure at the more permissioned end of the street art spectrum resided for many years on Redchurch Street.  In his role as organiser of the Meeting Of Styles graffiti festival Jim Vision arranged impressive murals on Redchurch Street as well as painting massive spectaculars himself.  He also curated a number of pop up graffiti writers and street artist group shows in several Redchurch St locations.  

Probs 2009

Jim Vision 2014

The cottage at the junction with Club Row hosted some stunning murals by Roa, James Bullough and Jim Vision as well as a long running relief sculpture by artist Cityzen Kane installed with permission as a poignant tribute to his deceased son.  

Roa 2009

 

Cityzen Kane, James Bullough, 2015

As is often the case galleries sprung up In advance of the arrival of boutiques. The event space at the junction of Ebor St, in its guise as the London and Newcastle Gallery was the venue for pop up exhibitions by street artists such as Borondo, Insa and Shoreditch’s own Pure Evil as well as graffiti writer group shows.  Its outside wall was the location of a piece of INSA’s pioneering “Giffiti”, an augmented reality mural which with a smartphone app would reveal a squad of policemen chasing eachother in  “The Cycle Of Futility”.

INSA 2014

Urban Angel at the junction of Redchurch St and Chance St had very distinctive shutters declaring themselves as ART, as indeed they were having been painted by EINE in 2008.   Doomed by the coincidence of its opening and the financial crash of 2008, its brief existence saw it host shows by Remi Rough, Hush, Copyright and Best Ever.   

EINE, 2008

It is hard to believe that 11 years have passed since Graffiti legend and renown musician Goldie had a two floor solo show with live painting demonstration at the Maverick Showrooms.

Goldie, "The Kids Are All Riot", 2009

At the time of going to press the London Mural Festival is in full swing and London Design Festival favourite Camille Walala has provided a huge makeover to the rear of Rich Mix at the eastern end of Redchurch St.

Camille Walala, London Mural Festival 2020

The logical trajectory of combining property development, street art and expensive shopping reaches its unavoidable conclusion with spraypainted adverts appearing where once there was street art, though having spent years honing their spraypainting skills in the riskiest circumstances, who would begrudge artists a living?

Among the niche fashion houses, beauty treatments and designer furnishing accessories Redchurch Street has not lost its edgy cool, a stroll will still yield brilliant stickers on lampposts, freehand non- permissioned portraits, art paste ups and for the especially observant, illegal bronze castings by street artist Jonesy. 

Zomby, Type, 2011
Stormie Mills, 2009
Duk, 2010  
 
 
Jimmy C, Alo, Cartrain, T.wat, Cityzen Kane 2013


Pure Evil, 2012
C215, 2013
NEOH, 2012
Unify 2014

Jonesy, 2018

 

Cabinet Of Curiosities, Shoreditch Design Triangle 2020 (same facade as Pure Evil above)

 

Friday, 13 June 2014

ROA: Projectum 06

Stolen Space Gallery
17 Osborn Street, London E1 6TD

13 Jun – 6 July 2014

all photos: NoLionsInEngland


It would be easy to sneer “Sell out, same ol’ shit, run out of ideas” in a week when shows by two of the giants of street art open in London*. However, in the case of Roa, the art in his Stolen Space installation based show was breathtaking.

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Roa’s art has always played with twin notions of animals rising up in abandoned human habitats and ambiguous dead creatures which left us questioning were the spoils of a successful hunt or a sinister ritual sacrifice. He has frequently employed lenticular imagery both on the streets as with the concertina shutter doors on the now re-developed Cordy House or the series of locker doors in Roa’s awesome London debut show at the Pure Evil Gallery below.

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Cordy House 2009


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Pure Evil Gallery 2010


The ROA room (Max Rippon aka RIPO is also exhibited in the front room) is entered through a center hinged revolving door which creates four permutations of the poor creature changes from playful repose to decomposed.

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Front side!

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Front side decomposed

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Back side


Centre stage is a stunning 8 way optical trick of the eye in which the creatures we are looking at change as we walk around looking alternatively from square on to diagonally into the corners.

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This idea of looking into the corners being a critical viewpoint repeats with a couple more installations where mirrored surfaces create a fearsome symmetry.

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An intriguing fearsome bat is painted on three staggered surfaces which viewed from one point form a seamless image but form all other angles offer nightmare scary frankenstein juxtapositions. Notice the two way stomach incision flap pandering to the audience that prefers their bats pinned down and partially dissected.

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The reduction in the array of cases, furniture, boxes and intriguing old biology lab accoutrements compared to his 2012 Hypnogogia show in this space has allowed the painting to have a bigger impact. Signature dishevelled, bedraggled creature and blue and red gizzards come to the fore and empathise the merits of ROA’s rough but detailed painting style. Virtually all of the images here look like ROA could just as easily have painted these on the streets as indoors in a gallery and it has been a while since there was a show that managed that achievement.


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The awkward and ambiguous images of these creatures force us to contemplate our own skewed view of the animal kingdom, are we in love with them as pets, are we horrified by them as scary bats or do we hunt and devour them as ruthless consumers at the top of the food chain? Roa is on awesome form in this show and the brilliance of his art whether on street mural, abandoned buildings or inside in the gallery all amount to the same thing with this guy.

The burning question at the end is does this guy’s name need to be spelt with all capitals or just a leading capital R? Judging by the preview newsletters it is not clear that even the gallery knows!

*Also opening, "Banksy Unauthorised", Sothebys/Lazarides

Tuesday, 31 December 2013

Best of London Street Art Part 2 - The Mural Bites Back



London has witnessed in 2013 a pretty significant growth in the number of large scale street art productions created with permission and indeed it seems, a growth in the number of organisations arranging spots for artists. Whilst Graffoto’s natural tendency is to prefer street art created without permission, we don’t judge just because something is painted without the frission of illegality, which is anyway a over-romanticised notion most of the time when what is really meant is “without explicit permission”.

We review the big, the wild, the bright and the spectacular here in part 2 of our review of 2013’s London street art, part 1 looked at the grittier less house trained stuff done without permission and should be read first HERE 

Words: NoLionsInEngland
Photos: NoLionsInEngland except HowAboutNo where stated.

Moniker Art Fair moved location and changed up a gear in October, attracting a large number of street art galleries and street artists. One of the best consequences was the lads from Souled Out Studios, Bon and Alex Face from Thailand and Mau Mau from the West Country painting this fun composition in which they gave Roa’s iconic bird a leg, which they proceed to barbecue.

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Bon, Mau Mau, Alex Face. Also feat Roa, Martin Ron


Not far away Alex Face and Bon illustrate themselves literally delivering a splash of colour to London’s walls.

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Alex Face, Bon


Dal East played a cunning game with a series of murals, staging a competition based around photographing all his fresh London murals which you could only complete by photographing the final hidden mural revealed at the launch of his London show.

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Dal East


At the same time Faith 47 executed her most spectacular work in London to date, though the timing won’t surprise anyone aware that Dal East and Faith47 are a married couple.

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Faith47


The most stunning project by a mile was spraycan virtuoso Shok-1’s ten part X-Ray Rainbows paintings which commenced in 2012 and concluded in August 2013. Not all of our photographs in this slide show capture the pieces in their best condition as the artist intended, sorry Shok-1 Sir.


All photos: NoLionsInEngland


Miss Van’s last outdoor wall decoration in London was an illegal piece out in Ladbroke Grove, West London which survived until about 2007 so it was nice that she painted this stunning piece in Shoreditch in collaboration with Italian sculptor Ciro Schu.

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Miss Van, Ciro Schu (with Pure Evil mugging in the shot


Cranio visited from Brazil for the second time in just under 12 months and did a mixture of stunning illegal, permissioned and gallery work all based around the theme of the Amazon Indians indulging themselves with the gains from selling off their rainforest.

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Cranio

The permissioned Cranio collaboration with HIN photographed below caused a little upset and mural organiser censorship, not because of the nudity or the suicide bomber or the obscene gestures but seemingly due to the pasted face portraits of evil dictators.

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Cranio, HIN, feat Alex Senna


Roa worked his large scale magic in a couple of London spots, most visibly on the Southbank but to more gory effect in an alley on the way to Hackney.

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ROA


Alex Senna seemed to get to paint lots of spots in the Shoreditch area, this one featured a then topical nod to the new born Prince George.

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Alex Senna


Award for the least appropriate most thoughtless mural goes to the upside down break dancer painted by Martin Ron next to Roa’s bird on Hanbury Street, you might as well try to fit a Jackson Pollock and a Turner on the same canvas for all the relationship and harmony there is between the two subjects on that wall. After Cosmo Sarsen first in Bristol and Above in Shoreditch before him in 2013, did we really need another upside down breakdancer anyway?

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Martin Ron v. Roa, no contest!


During the London Art Fair week RYCA put up a crisp clean Clone troopers paste up collage on the boards erected outside Shoreditch Junk following the McDonalds sponsored buff at that spot.

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RYCA


A particularly wild and wet night saw RYCA's paste up virtually jet blasted off the wall producing an effect RYCA liked so much he repaired the damage by recreating it with paste ups and stencils. As a sort of post script note – the weather over the Christmas break has added real damage to the simulated damage!

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RYCA


Zadok has hit a lot of walls, not all of them necessarily with prior consent we suspect but all superbly realised.

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Dr Zadok


One of our favourite permissioned pieces in 2013 is the wild abstract assault RSH executed on the Lord Napier premises at Hackney Wick just prior to the Hackney Wicked Festival, a stunning visual attack on premises and eyeballs.

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RSH


One of the less fortunate projects realised during the year has been the “rejuvenation” of Hackney’s canal sides. Where once there was un-curated street art and graffiti there is now, in the case of the old sugar factory wall, a huge mural painted by foreign artists (ok..Scottish in one case) and rumour has it then coated with anti graffiti paint, oh the irony. So, that’s the displacement of many local un-curated artists in favour of curated and protected outsiders, not surprising really that feathers have been ruffled in the area. Nevermind, it’ll look nice in the brochure and the Olympic Legacy reports.

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Lyken, Moneyless


A local based artist who has been getting good walls this year is Dale Grimshaw who pulled off a couple of stunning gothic horror portraits, which is a good thing of course.

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Dale Grimshaw


Dan Kitchener got a lot of spraypaint onto walls this year as well, it’s hard to decide whether to favour the underground tracks paintings or the rainy neon nights studies more, he does them both beautifully.

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Dan Kitchener


Jimmy C has a pretty productive year, apparently the first of these images produced a 3D effect when viewed through 3D glasses, which could explain all those weird glasses we see people wearing in the area.

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Jimmy C photos by HowAboutNo


Seems you could hardly walk around Shoreditch this year without seeing a new Lost Souls mural, bloody everywhere!

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Lost Souls feat Captain Kris, SP047, Si Mitchell, Squirl


As usual, all opinions are those of the authors of Graffoto, happy to share ;-)

Happy New Year to all Graffoto readers and may you have a happy and colourful 2014.