Showing posts with label D*Face. Show all posts
Showing posts with label D*Face. Show all posts

Saturday 28 December 2013

London's Street Art 2013 - Nostalgia is so last year



They said it wouldn’t last and dammit they were right. The year turned out to be mortal, just 365 days long but attaching electrodes to 2013’s nipples, street artists cranked the generator handle to keep fresh work fizzing on the walls right to the very death. Let’s look back over the highlights, the brilliant walls, the teeny-weeny you’d-easily-miss-it fragments, the colours, the visiting international artists, the spats, the local artists who aren’t getting curated spots on permission mural walls, the REAL street art.

Words and photos: NoLionsInEngland


Street art is not a competition but Art Is Trash is 2013’s winner. Brash, colourful, inventive and at times downright lewd and crude, Art Is Trash turned his installations and painting into a performance. It was his ephemeral tragic bin bag characters and beasts that first caught our eye.

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Art Is Trash


He then took the fight to fly posters (ok, I know street art is doomed to lose that battle) with some twisted subversions of the airbushed, cool and fulfilled characters targeting our needy and product deprived community.

Art Is Trash subverts illegal fly posters
Art Is Trash


His cure for tapeworm may face challenges getting medical certification.

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Art Is Trash


One of the most beautiful campaigns was the soulful floppy eared characters who appeared on vintage music sheets and magazine pages courtesy of Midge, sometimes in stunning collaborations with My Dog Sighs.

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Midge v. My Dog Sighs


On the subject of vintage paper, 616’s trespassing in abandoned buildings resulted in the liberation of found letters from a bygone pre-email era, he picked out underlined highlights from the text which formed the basis for multiple distortions of his characteristic tribal cartoon characters.

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616 – “Monarch”


It has been a brilliant year for the highly promising ALO. His street work painted directly on the surface has won heaps of admirers and he is beginning to develop deserved traction in the gallery world.

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ALO


The world is certainly a brighter place for the pop art paste ups of D7606. After coming to attention for persuading icons of femininity that piss smelling phone boxes were the place to be seen in 2013, he expanded the repertoire to embrace other forms of technologically challenged communication utilities such as post boxes, valve TVs and “Tardis” police phone boxes.

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D7606 – (“yeah, Billy love, just go to the hotel and straight up to his room”)


D7606 proved himself to be an exceptional engine for artistic collaboration, inviting artists such as 616, C3, Gee Street Art and Benjamin Murphy to integrate their characters into his pop soaked retro world but as suckers for interaction between pieces of street art, the perhaps unplanned addition of a letter to the interface between Skeleton Cardboard and D7606’s post box tickled us most.

Skeleton Cardboard's Final Demand to D7606
D7606 v. Skeleton Cardboard


Clet Abraham has been a frequent visitor in recent years though the vast majority of his traffic sign subversions from previous visits to London were “sign man” carrying a heavy beam. On his most recent visit late this year his interference with the authority's visual control signals demonstrated the full range of his witty and imaginative repertoire.

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Clet Abraham



It would have been an incomplete year without the collaged brand-jacking of A.CE, he dutifully kept up a barrage of wheatpastes. Something unusual this year from A.CE was his "artist-cam" view of a night time bombing mission which captures the energy and “one man alone versus the city" of an intense illegal run, click A.CE: Inside The mind Of A Street Artist.

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A.CE


The Horror Crew, Mr Fan in particular, has had a great year with work which challenges categorisation. The observant will see in addition to the gorgeous candy coloured pop imagery that the legs of the beast in the photograph below spell out HC FAN, defiantly blurring the boundary between street art and graffiti. Also, is this cool street art or a permissioned mural? Though we have chanced upon him painting this spot a couple of times in broad daylight without a care in the world, I am inclined to guess that Mr Fan has created these beautiful Koons hat tips without permission from the property owner. That supposition is supported by the absence of any camera crew documenting every squirt of paint and also the absence of any stencilled shouts to any mural organizers.

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Mr Fan HC


Sometimes it’s the small and un-shouty street art that deserves greatest admiration, a piece that is clever, took some effort and doesn’t scream “I’m an artist, buy ME ME ME “. This metalwork bird by artist unknown is stunningly placed, beautifully executed and its installation is ingenious in a way you can only appreciate by finding it on the street, one of my favourites of the year.

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Unknown


Something which seems quite commonplace in New York with their angle iron sign posts but which is rare in London is the metalwork tag. Artist “Three” from Singapore left this beautiful rusty tag on a wooden background of faded abstract spraypaint colours, a stunning and photogenic little piece which lasted quite a while.

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Three


D*Face closed the old Stolenspace location with a spectacular solo show, reviewed here, which was accompanied by an epic mural next to Christchurch Spitalfields, beautifully juxtaposing the sins of the flesh and religious piety.

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D*Face


In doing so, he provocatively went over a long running graffiti spot and to no one’s surprise, probably least of all D*Face’s, due response was delivered within days.

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Graffiti v. Street Art


There is a long list of artists and pieces of work we want to include in this year’s annual review but in recognition of the attention span of our audience…and hello to anyone still reading this far…plus the fact that I may have figured out the technology for the first time, we are going to recognise the great contributions of some (not all) of those artists in a photo slide show.


Coming shortly will be part 2 of Graffoto’s review of the year 2013 in street art with emphasis on the larger and more spectacular work of visiting artists and muralists and anything we feel just should be mentioned even if only for being damn photogenic. Sign up for the Graffoto email or RSS and see ya shortly.

Saturday 22 June 2013

D*Face "New World Disorder at Stolen Space


Stolen Space Gallery
Old Truman Brewery, London

7 Jun - 23 Jun


D*Face's stunning show closes tomorrow (Sun 23 Jun, 2013) and with it, Stolen Space pulls down the shutters on its current location until it re-surfaces somewhere else.   Below is a small selection of photos from around the show and Arrested Motion kindly let us do a post on their blog which gives all praise and glory in Graffoto's usual style to this epic and wonderful show.  Check out the review we wrote for Arrested Motion here.


D*Face New World Disorder


D*Face FUUCK


D*Face Skateboard Guard of Honour


D*Face Big Boom


D*Face Dot Illusion Room


D*Face Bats and Helmets



Sunday 8 January 2012

Graffoto Round Up of the Year - Part 4

Photos by HowAboutNo and NoLionsInEngland And here we have it folks, part 4 of 4 in the round up of 2011. This final look at the year now covers September all the way through to the end of December. Being that it was mild for the time of year, and there were a shed load of art festivals and paint jams in town, the surrounding areas had a nice smattering too. Street art pastes and stencils seemed to be out of the window for pretty much most of this quarter, and I think that was also a big shift for the year. Good to see more talented artists grafting it at the side of a wall. Also nice to see lots of quick and dirty damage throughout town. Rowdy Rowdy/Horror, photo HowAboutNo Brick Lane Rusht, photo HowAboutNo Shane Shane ODV, photo HowAboutNo Roid MSK Roid MSK, photo HowAboutNo D*Face D*Face in progress outside the Moniker Art Fair, photo HowAboutNo D*Face And completed, photo HowAboutNo Various, photo HowAboutNo Occupy Gold Peg, photo HowAboutNo Probs A solid year for the machine of graff that is Probs. Think this is my fave piece he has done ever. (photo HowAboutNo) Jimmy C @ Lounge Lover I think we'll see a bit more of JimmyC in 2011 (photo HowAboutNo) Motor Motor, photo HowAboutNo C215 C215, photo HowAboutNo Ronzo & Conor Harrington, photo HowAboutNo 2011 was the year Ronzo turned his hand away from sculpted pieces to graff.....and a welcome turn it was. This piece painted with Conor Harrington Evol photo HowAboutNo Evol impressively buggered about with scale this set of blocks making up a mini housing estate complete with Elk, Drax and Shun tags. Read more about his visit here P.O.W photo HowAboutNo Banksy did quite a few street pieces, all outside Soreitch - consequently I didn't get off my lazy arse to photograph them. No bother, this was my favourite thing he did all year anyway. Damáge General and most lovely damage . . . (photo HowAboutNo) Swoon Swoon, photo HowAboutNo Gaia This superb paste up by Gaia lasted no more than a few days and was fly posted over (photo HowAboutNo). Revok Roid Revok/Roid at the most single hit "legal" spot in Shoreditch (photo HowAboutNo). Don’t believe the nay-sayers saying the scene has tanked, looking back we have been overwhelmed with top quality shit on the streets of London in 2011. Stuff that should have got a mention earlier but just got missed in the admittedly random selection process includes: Phlegm was down several times during the year Phlegm photo: NoLionsInEngland One of the highlights of the year was the privilege of seeing Sweet Toof and Paul Insect collaborate on this stunning rooftop piece, and in case you missed it, the timelapse is here Sweet Toof, Paul Insect, London Rooftop photo: NoLionsInEngland Elbow Toe Elbow Toe - This Too Shall Pass photo: NoLionsInEngland This Chu sticker made us chuckle earlier in the year CHU - Smoking's fine photo: NoLionsInEngland So that's it for Graffoto's round up of the action in 2011. At the beginning and at lots of points throughout the year it did seem like it was stale and not moving anywhere. Part of wanting to look back at the year at the beginning of a new one has shown that it was a busy and colourful year, full of lots of new names and techniques and people to watch in 2012. The shift also seemed to go towards lots more "with permission" spots last year, I guess a big test for those shutters and areas may fall closer to Olympics time, when the council may decide to buff at random for no reason whatsoever. Happy 2012. Fuck The Buff.

Saturday 18 September 2010

Papal Bull

Pope In London - Street artists rise as foretold

photos Nolionsinengland except S.Butterfly where noted


Benedictus episcopus servus servorum Dei, Pope Benedict, Bishop, Server of The Servants of God, etc etc is in the UK to give us a bit of a telling off and to enjoy one of the most expensive inter-city long-weekend breaks on record (Twelve million quids worth is the accepted estimate of his inclusive board and travel deal). Graffoto was a little disappointed that the opportunity presented by the elections in the UK this Summer passed by un-remarked by most of the street art/anarchist community, perhaps with the honourable exception of Dr d, so it is encouraging to see this papal visit has stimulated the minds and exacto knives of a few stencilistas in London. For anyone not familiar with the circumstances, the two protest themes hinge around expense and paedophilia cover-ups.

Top prize goes to the ever thoughtful K-Guy who placed controversial work in a couple of spots designed for maximum visibility to the papal entourage and all passing Catholics. K-Guys is at his best when presented with a toxic cocktail of politics, religion and hipocracy and the quality of his political work is sustained in this hear-no-see-no-speak-no cannon-ised monkeys. Reducing the pontiff to the level of a primate and mocking the Church’s inability or un-willingness to properly and clearly address the horrendous crimes committed within its sanctuary by a few (“Paedophilia is a sickness, they were “ill”), this work pulls no punches.


K-Guy “see-no-hear-no-speak-no”


K-Guy placed a version of this image on Thursday night on the Popemobile route to Westminster, Graffoto made a detour on the way to the day job on Friday morning arriving just as one chuffed-to-bits cleaner removed the piece off the streets. 0-1 to the buff.


I’ll ‘ave that


K-Guy was motivated to go one better for the Pope’s benefit on Saturday (today), placing a second specimen inside Hyde Park where the Pope was due to lead an open air séance or something. Wonder if it survived until the vigil, certainly thousands of Catholics will have got the message if it did.


K-Guy


SPQR also addresses the popular theme of papal cover-ups, this splendidly executed work referencing the less than transparent internal investigations supposedly carried on by the Catholic church. Being placed on a gallery wall miles from where the papal retinues and the flock would gather renders this effort a tad futile but to be fair to SPQR, he was presumably rather busy with a solo show opening at Signal Gallery that night.


SPQR – “Report Exposes Church Sex”


Much closer to the heart of the papal action geographically speaking is Nick Walker’s Cardinal Sinister placed on the walls of the Royal College of Art immediately outside Hyde Park. Nick Walker renders the Pope as a Blofeld-like evil head of a sinister organisation stroking the cat on his lap. We like the analogy to the head of a crime based organisation, the stencil has impressive scale and detail but we feel the Royal College of Art gains more through boosting its waning“edginess” quotient than Mr Walker gains for his imaginative composition.


Nick Walker "Cardinal Sinister"


We thank the ever vigilant Ms S Butterfly for photographing this effort by Raymond Salvatore Harmon (anyone like to hazard a guess at his religion?) aka RSH, location unknown. Perhaps the splatters of blood are a bit OTT but the few pieces by RSH we have seen recently have been almost violently dayglo, the point of the work is more important than the colour palate.


RSH – Suffer The Children (photo S Butterfly)

D*Face used the opening on Thursday of a retrospective show at Electric Blue Gallery, Middlesex St to mock the new religions of corporatism and branding with his logo cross (curiously, this time hung upside down St Peter style), previously seen at the 2008 aPOPcalypse Now show.


D*Face logo cross (aPOPcalypse Now, 2008)


The Pope angrily charged D*Face with what he called “Aggressive Atheism” but the bulk of the mainstream press have chosen to interpret the remark in the wider context of British Society.