Showing posts with label Hunto. Show all posts
Showing posts with label Hunto. Show all posts

Thursday 23 August 2018

Shoreditch Connectivity - A Big New Mural

Shoreditch street art is a little bit different, in many ways and for many reasons, it just is. One aspect in which Shoreditch however may be a bit off the pace is the gargantuan mural. The social media feeds of many brilliant photographers of street art from around the world are full of truly epic street art on a massive scale by amazing artists; 8 storeys high, 15 storeys high, visible from space, that kind of thing. Those murals seems to endure for years or perhaps until the next time the neighbourhood hosts another festival of mural street art. It’s not that Shoreditch has none of this art, just that it punches below its weight in such epic muralism.

That has now changed, a beautiful mural on the theme of “connectivity” which truly stands alongside the best in the world has been created in Shoreditch and it is stunning. The fun started in Spring this year and went on until August, 8 groups of artists working in pairs have painted a long montage of murals thematically linked on the idea of “connectivity”. The whole piece has been placed with permission on a building owned by a communications company and Graffoto has had the pleasure of discussing many aspects of this brilliant new mural with Lee Bofkin representing Global Street Art which managed the project.

Busk and Oliver Switch, flanked by Ninth Seal and Best Ever to left, Ed Hicks and Dr Zadok to right
Busk and Oliver Switch, flanked by Ninth Seal and Best Ever to left, Ed Hicks and Dr Zadok to right


First, a little flash back. This building for the past 20 years has been a rather intimidating, austere and genuinely brutal edifice. Any art or graffiti that appeared on the building was very swiftly dealt with using high pressure water jets.

tn_DSC_1681
Colt building in Background, gray, anonymous 2010. Foreground fairground now houses CitizenM hotel.


tn_DSC_1287
genuinely brutal!


tn_IMG_0972-001

The hazy discolouration that evolved over repeated pressure jet cleaning of the walls down the years can be seen in the lower 6 foot of the walls.

tn_DSC01444
Security – stab people (augmentation by artist unknown)


The first visible signs of dramatic change appeared in March 2018 when Hunto and Mr Thoms painted the end or perhaps the start of the building. Lee explained; “The people who own the building are Colt, the technology company. They moved into the adjacent building, there was a big office refurbishment and Global Street Art was able to secure permission for artists to paint on the building site hoardings. We knew them from that project and it was a little conversation that resulted from that. Years later they came up with the idea [for the mural] and we said “yeah we can help with that”.

Cix Mugre, LibreHem and Spaik 45, #MXUK2015
Cix Mugre, LibreHem and Spaik 45, Mexico comes to UK #MXUK2015


“They suggested the theme of connectivity, and that changed how we thought about it, we realised no one had ever been given the opportunity to do something so big and we really wanted to make it work so we thought we’d take the theme of connectivity and make a literal interpretation of it within each section, so each section would be painted by a pair of artists so they would connect directly with eachother within that section. There was a lot of behind the scenes work coordinating the design, between the Global Street Art team as well as the individual artists, we then composited the ideas together to give a sense of the whole, then we had the conversations with each of the pairs of artists as to how they would each make it blend with the sections adjacent to them. The artists then painted in chunks!”

tn_IMG_5291
Shoreditch Connectivity: Hunto & Mr Thoms


The hard work on the connections really paid off, and a great example of this can be seen in how the network of talkers, listeners and webcams painted by Thoms connects into the kissing cubist couple by Hunto and then the pipes in the network were left hanging on the fringes until Captain Kris and Tizer came along to paint the next section.

Hunto, mr Thoms


Then we can see how Captain Kris and Tizer, in their section which depicts a connection between the real and the virtual, took the hanging connections and blended them into their artwork, in particular the yellow conduit at the bottom morphs into a triangular branch like enclosure which closes right at the point where the robot with the VR headset is connecting with the female dancer.

tn_IMG_0047
Captain Kris & Tizer


The dancers are dancing on a woodland floor which then flows seamlessly into the amazing woodland scene by Ed Hicks and Dr Zadok.

tn_IMG_9991
Captain Kris & Tizer cut some rug


The connectivity depicted in the Hicks/Zadok woodland is provided by the fungal mycelium network, an organic information superhighway which actually really connects plants, trees and mushrooms across the forest floor.

tn_DSC_0355
Ed Hicks, Zadok - The Mycelium network



The corner panel where King John Court meets New Inn Yard supports a vanitas painting by Busk and Mr Switch. The connection aspect here is the ammonite shell at the top which has not changed over millennia and thus provides a connection across the ages.

tn_IMG_8403
Busk & Mr Oliver Switch


Intended or otherwise, there may be another connection in this section as directly across the road from this corner panel is the HQ of Amnesty International, Amnesty’s logo is a candle entrapped by barbed wire, the candle in the Busk/Switch composition may be making a conection with the Amnesty International candle.

Amnesty-International-Communications-Volunteer-Program-2018
Amnesty International Logo copyright Amnesty International


This then flows into a collection of hands in a lattice structure, the hands depict meetings, greetings, introductions, friendships, Ninth Seal and Best Ever have captured a very human form of connectivity.

tn_IMG_0042
Mobile connectivity


Next to this is a beautiful tribute to old school modes of connection and communication by Nomad Clan, a pair of artists from Manchester. The lost art of letter writing sits alongside the pigeon post, now superseded by email.

tn_IMG_0033
Nomad Clan Rewind


Those curious double headed arrow symbols in Nomad Clan’s art will be instantly familiar as “fast forward” and “rewind” to anyone who ever played or recorded on C60 and C90 cassettes. The fast forward arrow draws your eye to a collaboration between Mr Cenz whose multicoloured portraits are a familiar sight across London and Lovepusher, known for his amazing 3D letter writing. On the left Nomad Clan pay homage to retro connectivity, the female character to the right has the future of connectivity in the palm of her hand.

tn_IMG_9676
Future Future: Lovepusher and Mr Cenz work-in-progress


tn_DSC_0154 0156 copy 2
Future - Lovepusher and Mr Cenz


tn_IMG_0015
Connectivity past, present and future


The whole project in its current form (not to suggest that this is anything other than the final manifestation) was brought to a conclusion by an abstract multi layered network created by AutOne and Neist whose complex handstyle we have loved for years.

tn_DSC_0313
AutOne, Neist


Graffoto was very curious about the choice of artists and how they were paired together so it was great to get Lee's take on that. “It was conversations with the team here at Global Street Art, I had the sense of.. well pretty much everyone we have known or worked with over years and years, we’re six years in now and we had a sense of who would work well with the theme. There were also some people that we really wanted to work with, we wanted Tizer to paint a big wall and he’s been looking for a big wall so a natural pairing for us for Tizer was Captain Kris.”

Lee explains how the sections become progressively less and less illustrative as you work away from Hunto and Mr Thoms at the start.

“In the end with Autone and Neist the style had to be abstract because the space is broken up and layered, so that kind of made sense for a geometric abstract and Autone’s work is about maps and connectivity, it’s that sort of inspiration and it would work brilliantly with Neist and they have gotten on really well and their styles have meshed really beautifully together so we’re super chuffed with this.” Lee said.

tn_DSC_0327
Networks, connections, real, painted.... AutOne and Neist


The organisation and logistics behind such a colossal mural is also hugely impressive and generally is something that Global Street Art is tremendously qualified to undertake. Just a few stats making the rounds: the mural is about 115m along its base and 13m tall making a surface area of almost 1500square metres; 250 litres of black emulsion (who buys black?) were applied as background and over 500 cans of spraypaint went into the painting.

tn_DSC_0165 copy
Hicks, Zadok detail


“The building was so huge we couldn’t imagine painting it in one go just because it is logistically so difficult, the volume of materials is absolutely massive, technically having to close pavements with council permission, manage the traffic because Health and Safety is a huge part of what we do but its fairly thankless and invisible to coordinate all of that and the lifts and to not drop a lift through a utility cover in the road because you can’t park on, all of that went into it as well. To make it manageable we suggested breaking it down into 9 sections originally, the first pair Mr Thoms and Hunto painted two sections so in the end it was 8 pairs of artists.”

tn_IMG_9763
Danger, Global Street Art mulshing in progress


A colour palette was selected in dialogue with artists and building owners and generally was adhered to. “It’s such a big building it had to be a black background because if you stare at that much white paint you’ll get blinded in the Summer” Lee explains, “and that will get dirty quicker so the idea is that the black background would last a bit longer and it would fare a bit better against the dirt of the city. Also it’s one way of unifying the different sections if everyone starts with the same colour background.”

The end result of all these dynamics and the organisation and dare I say the connections is just about the most impressive, fresh, single piece themed collaborative mural Shoreditch has seen. All the artists involved deserve a magnificent pat on their respective backs and Lee and the Global Street Art team have every reason to feel very proud of this incredible achievement.

tn_IMG_9992
Smooth ankle v. pebble dash foot? Tizer detail

tn_DSC_0551 copy
Hicks and Zadok Neurons Crackle

Links:
Global Street Art website 
Hunto instagram
Mr Thoms instagram
Captain Kris instagram
Tizer instagram
Ed Hick instagram
Dr Zadok instagram
Busk One instagram
Mr Oliver Switch instagram
Best Ever instagram
Ninth Seal TBA
Nomad Clan instagram
Mr Cenz instagram
Lovepusher instagram
AutOne instagram

Neist instagram

All photos: Dave Stuart except Amnesty International Logo, copyright Amnesty International


 

Saturday 7 December 2013

Hit Shot Walls - November 2013


Words: NoLionsInEngland
Photos: HowAboutNo and NoLionsInEngland as stated


You didn't seriously think that cold weather would put Shoreditch Street Art into hibernation did you? Fresh colour and frantic activity sustain the rotating uncurated hang of energetic street art for which this area is reknown and we count ourselves lucky to have been able to capture some of it with our various cameras.


A.CE has been out placing paste up collages images left, right and centre and we can't pass up this opportunity to point out that Shoreditch Street Art Tours has a competition this month to win art by A.CE.

photo: HowAboutNo


Making a mark on Shoreditch surfaces for the first time was Borondo who is something of a star on the Spanish street art scene. Mark making is the appropriate term for Borondo’s craft which involves scratching paint off windows with a thick toothed comb. This was his first time painting UK walls but he hopes to return in the New Year.

photo: HowAboutNo



Guess which graffiti cubist had a new show opening in London during the month! Yup - Hunto, seen here collaborating on a mural with Millo who.... has a show coming up this month, who'd have thought?

photo: HowAboutNo


Parlee - Essex Rockers, daubed a Global Street Art mural hoarding which panel by panel is getting smaller with each passing day it seems as the building being built behind the hoarding approaches completion. Grimsby St will be a considerable duller place with those hoardings gone and it will be interesting to see if the current tolerance of the un-curated street art on the opposite wall survives whatever new businesses and residents move into that new building.

photo: HowAboutNo

Captain Kris enjoying a brief moment up on the same hoardings but round the corner on Brick Lane, this wall caused lots of amusement with the daily dismantling and rebuilding of the hoarding as the workers enjoyed a game of surreal jigsaw puzzle solving with the art on the panels.

photo: HowAboutNo


Stripy tights and stilettos usually means just one artist – INSA, however, we're not sure this poor unfortunate fashion victim seemingly stuck with a bit of Ben Wilson art work on their platform stilettos is by INSA.  TBC.

photo: HowAboutNo


It has been satisfying to see a couple of mural walls getting quite wildly dogged in the past month and CERN has taken this opportunity to pen a note-to-self alongside a nice fat dub.

photo: HowAboutNo

This month sees the long serving NoLions SLR being dry docked for urgent and hideously expensive repairs and we are taking advantage of the someone elses marketing budget to road test a Nokia Lumia 1020 smartphone, the phone Lady Nolions describes as way smarter than me. It certainly does justice to this luscious and huge Dan Kitchener tube layup mural.

tn_WP_20131130_12_27_32_Pro
photo: NoLionsInEngland


STRA cuts a pretty mean stencil and was quick to respond to the rantings of comic motor-mouth Russell Brand on Newsnight last month

tn_WP_20131202_14_30_08_Pro
photo: NoLionsInEngland


Ben Naz had a very busy month slapping single layer stencil street art all over Shoreditch, including this reverse stencil of young punked up Madge doing a Miley Cyrus tongue job.

tn_DSC_1720
photo: NoLionsInEngland


This year Mr Fan HC has painted some awesomeJeff Koons style inflatable animals and it's great to see him get up first with the yuletide references in this reindeer and santa scorching through the night skies piece. Fan has made a very interesting decision to retain Odeith's fox from the previous painting though quite what it does in the compostion beats me.

tn_WP_20131128_11_20_14_Pro
photo: NoLionsInEngland


Lily Mixe has established her trademark with intricately cut paper sea life paste ups and in case the size of these isn’t apparent from the surrounding stickers and tags, that piece is about 3 foot high and 5 foot wide which represents a mammoth Swoon-esque amount of paper cutting.

tn_WP_20131130_13_13_11_Pro
photo: NoLionsInEngland

Saturday 21 November 2009

Hunto - The Graffiti Cubist

The Rag Factory
Heneage St, London
19 – 22 Nov 2009


all photos: Howaboutno (where noted) and NoLionsInEngland

Nothing really prepares you for the colourful orgy contained in the world of Hunto – The Graffiti Cubist. Internet searching doesn’t reveal much evidence of street style, Howaboutno among others captured this rare London piece in the Wick.


Hackney Wick with Twesh, Pharos, Saro (not in shot); Photo stolen from HowAboutno


Hailing from Italy, Hunto often paints with Heavy Artillery’s Italian representative Mr Wany, the London piece above was painted in the company of Twesh, also of Heavy Artillery. As a graffiti artist Hunto is a character man rather than a letterform purist.

A Rag Factory booking cock-up has forced the Hunto show to a utilitarian white cube about 100 yards further down Heneage St from the main Rag Factory site but at least the lighting is slightly better than the typical graff art cow-shed/dungeon/on-the-stairwell-down-to-the-pub-toilets space.


Hunto – The Graffiti Cubist


Hunto is showing a collection of canvasses, a mixed media painted-wall-plus-props installation and a beguiling set of screenprinted line drawings. His basic form involves character canvasses in lurid colours, cubist style with views from different angles collapsed onto a single plane (as opposed to intersecting flat planes and shapes).


The Hug


The first cursory glance will take in a collection of cubist faces with multiple viewing angles of various portrait figures. Closer inspection heightens the tension when erections and penetrated orifices become apparent. Finally, the penny drops when what at first looked like “urban art” splashes and dribbles are found to represent milky cum shots. All over the place!


Happy Time (7 pieces)


Hunto celebrates the joy of sexual abandon, multiple couplings and the erotic first crack, the moment when the budding relationship is consummated. The Bride is splattered with an excess of man juice, either she has had a traditional hen party or perhaps the catholic and horny Italian groom has been forced to wait until the first night.


The Bride


On these canvasses Hunto has used spraypaint almost exclusively, colours are generally flat, bright and blocky with just the occasional fade.


Eve


A corner installation features an amorous couple preserving their dignity by daintily discarding their underwear while they fumble around eachother’s bodies in that excited state brought on by the “your bedsit or mine” one night stand.


Hunto Installation


The bright and bold canvasses make the most immediate impact but the line drawings really show Hunto’s artistic skills. He certainly has the eye for rendering dynamic sex, passion, excitement and groups of bodies in a flat cubist style though the composition is more analytical and detailed than the relatively simple canvasses.


On The Bed



The party


One pair of canvasses stand out for being stylistically different, Hunto adopts a Basquiat style use of scratchy lines to outline the cubist subject which unsurprisingly is what newpaper reports would refer to as “a sex act”, done over a fractal colour layer.


First Meeting


Hunto seems to comment on contemporary casual sex in which a woman’s sexual favours are now cheap currency, evident in the Break in which the woman indifferently flits between a cigarette and a cock, we see a cityscape behind her perhaps signifying that she is so un-concerned she can’t be bothered to draw the curtains.



Break


This show is a treat for the eyes and a stimulant to the loins. I like the fact that Hunto has not forsaken his basic graffiti tool but he has confidence in his art and doesn’t feel any need to yell “I’m graffiti”, there are no references to his graffiti roots such as contrived dots or tags. The whole show has a strong style and a strikingly clear and consistent theme. The canvasses are brash and skillful but for me the drawings are among the best new work seen this year.


Title unknown dippy hippy line drawing


The art may be a little saucy for display in a family home but then again, it was the Italians who made nudity commonplace with their renaissance. It’s amusing to find that even in the hands of a cubist (f’naar) the masculine member still comes out looking like a toilet door graffiti cock.



It's not porn darling, It's art: pics here