Hit Shot Walls - October 2013

words, photos: NoLionsInEngland

October sees itself out with a celebration of the macabre by the ghoulish, while people who aren’t street artists celebrate Halloween. This month has been a cracking month for new art and splashes of colour in our world, a large portion attributable to the Moniker Art Fair relocating from its previous village underground spot to the Old Truman Brewery and bringing hordes of street artists to the Brick Lane area


Alex Face


Alex Face (Thailand), Bon (Thailand) and Mau Mau (deepest Somerset) came together on several walls, this little beauty involved interacting with the iconic ROA bird, giving it a leg which Bon’s psychedelic bird chops lumps out of while Mau Mau’s fox relishes toasting the resulting leg fillets over a dollar bill barbeque, though quite why Alex Face’s baby is having it’s ear served up on a plate isn’t quite clear. It’s always great when new street art pays respect and homage to its surroundings like this piece.


Mau Mau, Alex Face, Bon


Alex Face and Bon also created a real squirt of colour on a much less frequented wall off the Brick Lane beaten track.


Alex Face, Bon


Shoreditch Junk on Sclater St provides a permission wall which somehow manages to avoid the sterility of other muralista’s spots. This interaction/collaboration between Skeleton Cardboard and Nathan Bowen elevates a savage and brutal skirmish between War and Death to new bloody heights.


Nathan Bowen v. Skeleton Cardboard


On the same spot, RYCA created a wall of clone troopers in a spare moment in between creating one of the knock out gallery project installations for Moniker Projects.


Ryan Callanan


During the night of the "Great Equinoctial Storm" of October 2013 the heavy rain and wind combined to jet spray large stripes out of the mural and Ryan was so taken with the effect he came back with a much drippier clone trooper paste up composition zig zagging around sprawling gaps mimicking the storm damage filled with a stunning pop art styled star wars stencil motif.


Ryan Callanan


Clet Abraham from Florence made a return visit to modify our many No Entry signs, sightings have been reported from Kings Road to Shoreditch via the City. Previous visits yielded more or less just the sign man carrying a heavy weight but this time Abraham has put up all kinds of subversions from his full repertoire, more focus on Clet Abraham’s London activity HERE.





Clet Abraham


C3 from Birmingham has been peppered all over Shoreditch in the past few months, the D7606 collaboration effect we call it, so it has been nice to see some of her own stuff on heavyweight parcel paper. She’s a heart breaker.


C3


Amanda Marie from Colorado USA was over for a Moniker Projects installation and she found a moment after that hectic weekend for a naughty bit of un-authorised stencil activity on a wall which years ago used to be one of the go-to walls for Shoreditch street artists.


Amanda Marie


Blair Zaye is a London street artist whose work appears infrequently but who does go back a few years, in October he had the interesting idea of installing a network of drainpipes which symbollically drained the surplus colour washing off the walls of Shoreditch, while this weary eye keeps an eye on proceedings.


Blair Zaye


T.Wat has been raising the bar on the street art sculpture game.  The welding, papier-mâché and painting involved in creating this illegally installed bomb must be seen to be appreciated and you can see just that by clicking here.


T.Wat


DScreet has featured music lyrics across his owl imagery before and now he leads the Lou Reed tributes with this beautiful Velvet Underground “I’ll Be Your Mirror” lyrics piece and in the process reclaims a long running Burning Candy/Dscreet wall from an equally stunning Soker Uno piece which also featured …. a mirror…cue X-Files music.


DScreet



Soker Uno



Another spooky Lou Reed related image…this banana by RYCA mimics the Warhol Velvet Underground album cover and was done as a side bar to the main Warhol-esque storm damaged clone trooper paste up mural but it was painted a couple of days before Lou Reed passed away.


RYCA


Trust Icon has a little pop at the commercialisation of street art, nice paste up humour from someone whose last round of street art was such a blatant commercial that he turned a photo of the paste up into the show flyer ;-)


Trust Icon


Finally, yet more by the legendary globally up artist Anonymous, the first an understated metal sculpture not spotted by many passing eyes, the second proving the enduring appeal of well observed and executed comedy genitalia


Unknown



Unknown


So the month of October celebrates death but unusually street artists actually ended up celebrating the hugely influential life of a genius lived to the full.

Graffoto Round Up of the Year - Part 1

Welcome pop pickers! A post I have meant to do for the last few years on Graffoto has been a look back at the year, be it a good or a bad one (the year, not the post). The problem in previous years was that I just always ended up leaving it too late in the holiday, my bingo wings thus being held down by my own weight in mince pies and turkey leftovers and sapped of the energy to bother. So whilst the intention this year was to start this post pre Christmas in the hope it kicks me up the arse to finish the rest closer to the end of the year, here I am a couple of days away from New Year's.... So it's more than likely that this will be a post that carries over into 2012. I'll split the year into 4 parts so as not to make the post so long. A picture heavy and word "lite" effort it's about my third post of the year and certainly the biggest on Graffoto. My favourite pictures and work that has gone up throughout the year, starting right at the top of January. . . All pictures are by HowAboutNo except where stated. Cept & Sweet Toof Nychos & Vibes Photo supplied by Mr S. Toof

Philth (indeed!) Kid Acne's Artfags (Spectre also on the decaying shop front sign) Plastic Bones Dscreet & Kid Acne AMAZING to see Zezao work up in London in his unmistakeable style Milo Tchais also getting up more than I remember in previous years. Roa In fact this whole spot got a lot of action in 2011, Mr Sperme popped up and knocked out this one. Shame there weren't many others. Ranking highly as my fave piece of the year...and it's a sticker :( Sadly Stormie Mills didn't paint any London walls that I found in 2011. Slipping in a little bit of South Coast action . . .I found a nice little spot closer to home in Hastings. Unfortunately I have only managed to go there once with a camera in hand. Must change that in 2012. Michael De Feo had a show in London and left a few flowers. A few artists hit the Grand Union Canal at Broadway Market one weekend in March, am not sure there was any event other than perhaps a meet at a local hostelry. . . Xenz Teddy Baden Dotmasters Just oodles of generic damage was often my highlight of the year...more in later posts but this was a big big fave. . .

Gold Peg did a few activist/occupy related pieces through the year (more later) This was the first and boldest, the ad company blocking the message out days later.

Tizer went to Leake Street and did this piece in amazing quick time. I think the squiddlywinkswould call this one SICK!

Gold Peg hit some of the most eye catching and clever spots throughout the year as far as I am concerned, proving as always that half, if not more of the work is all in the placement. My fave other placed spot this year was a piece by Revok, which featured on his blog Revok was later arrested in April 2011 for failing to pay damages to the victims of his previous vandalism crimes So that's it for part 1 of this round up which covered January to March (at least in the order I found them, as mentioned some of the pieces are years old) Part 2 to follow soon covering, you guessed it......April to June.

Hackney Wicked

Hackney Wick
30 July - 1 Aug 2010



Hackney Wick is bohemian, decaying, swampy and trendy though a lot of its post industrial bleakness is being surrendered to the concrete sports temples rising out of the mud and mire. Some of the resilient local artist community, 670 or so the promotional bumpf proclaims like some kind of statistical triumph, have had their doors levered open for the annual Hackney Wicked art festival now in its third year.


One of the coolest bits of work was an outdoor-internal installation called Tompson’s Tunnel, featuring miniature concrete steps leading up to a tunnel burrowing into the building with tiny Slinkachu-esque naked figures striding the landscape. The figures looked like they may have been wrapped in foil then lost their skin to first degree burns in some grotesque bbq related accident. The illusion of depth in the tunnel was enhanced by a mirror fitted at the end. Bugger to photograph mind.


Tompson's Tunnel


Quite a bit of live painting had taken place the day before in and around that White Post Lane car park including pieces Snoe, Cept, Seks, DScreet, Busk and Xenz.


Snoe, Cept, Seks, DScreet, Run (&Busk?)


Also in that same car park, intertwined down the structure of the back staircase is one of those robot wooden arms similar to the ones seen at Prescription Art in Brighton last year.




Normally you wouldn’t have polite access to these sweatshop buildings, various handwritten notices pleading for the return of missing items or threatening dire retribution if perpetrators of theft are caught indicate why. The best part of these buildings being open is the opportunity afforded for access to roof spaces and elevated windows, yielding panoramic views and close up shots of rooftop graffiti gems.


Sweet Toof



Sweet Toof


Arriving early like around mid-day, when stalls selling home-made carrot cake out-number carrot cake eaters, had the dual peril of artists still being tucked up in bed and if they were there, you were likely to be the only rubber necker keeping the artist company. You hope as you mooch un-certainly into the heart of the studio that your face doesn’t betray any particular look of horror.

On a hunch that he might have finally surfaced by 2.30pm, a return to the Peanut Factory found Joseph Loughborough aka illjoseph, bright eyed and demon breathed after a bit of a session the previous night.


Joseph Loughborough


Joe has been an artist I have admired for several years and the work on his studio walls was just stunning. Some of them are on his flickr account and without being critical of Joe's photography, flicks don't have a fraction of the impact of seeing these fo' real. Joe was sitting there producing one of his latest series of frenzied, fragmented and smudged charcoal portraits. For me this brief visit was the highlight and made the Eastwards schlep worthwhile (and the bit about demon breath probably isn't true).


Joseph Loughborough


In, around and beyond Hackney Wicked photographs 'ere

Burning Candy - Getting High, Battering Clouds in 2010

all photos: NoLionsInEngland except Romanywg where stated


One of the joys of cycling to work is chancing across fresh graff and street art. This morning, even with only half an eye for walls, rooftops and side alleyways I found two unexpected specimens of Burning Candy rooftop freshness.


Firstly, thanks to a minor deviation down a route I don't take often, there was this pair of freezing monkeys.


Mighty Mo


Then in the 3 lane mayhem at Kings Cross, a glance skywards revealed this beautiful collection.


Mighty Mo, Gold Peg, Tek33


These high spots Burning Candy are hitting aren't your so-remote-its-as-safe-as-legal zones, we are talking high in the clouds and high eyeball count, that’s Kings Cross above and the one below is London's Oxford Street.


Mighty Mo, Gold Peg


Prominent in all this rooftop activity have been Gold Peg and Mighty Mo. Gold Peg is setting new standards for girls on rooftop illegals, matching the boys cojones for cojones.


Burning Candy in force


Graffoto believes most of the rooftop jobs featured in this post have been done in the past couple of months, Kings Cross is part of my daily bicycle rat run and I didn’t spot that Kings Cross nest-feathering yesterday. [edit: found someone's flick dated yesterday]


Mighty Mo, Gold Peg


To us who gawp in admiration from ground level, it is fascinating to ponder the logistics of access and the elevating (literally) joy of painting with panoramic views of the surrounding rooftops and the streets below. That thought brings Will Robson-Scott’s rooftop photography to mind for capturing some of that buzz but we’ll leave that until we finish the Graffoto Crack and Shine review, if and when we can be arsed (if you can’t wait, check out Art Of The State’s review, we are coming from exactly the same angle and wild appreciation) [update: Crack and Shine Review].


Gold Peg, Sweet Toof


Its getting hard to recall a time when various members of the crew weren’t getting up on walls around London but this current burst of graff creativity seems to go back to this epic legal wall painted by all BC bar Cept who was flat out on his solo show (LLB’s contribution was un-finished due to man-flu and painted over). Photo by epic art and urbex photography legend Romanywg.


Burning Candy - photo Romanywg

Big up Burning Candy, keeping it real and getting high in 2010.

click here for other flicks of Burning Candy on manouevres high off ground

Update Wednesday 20th: Looked over my shoulder as I cycled through Kings X this morning to see if there was a fixed ladder for Peg to get up to that balcony on the spire (there wasn't one). I then remembered the golden rule of graff spotting, bit like life: wherever you are going, always look over your shoulder!