Graffoto Round Up Of The Year - Pt 3

HowAboutNo rashly promised FOUR picture-rich blog posts to review what was up on London’s streets and alleyways in 2011, so I thought I’d contribute something at this stage covering the Summer months, mainly because with our productivity we might not complete this magnus opus until Dec 2012.

Dr D was present and correct throughout 2011, this particular poster reflected what we were all thinking but by pasting up on this scale on the A501, Dr D said it with a little more panache.




Small was beautiful throughout 2011,not only the likes of Isaac Cordal and Pablo Delgado (see VNA issue17 for an interview) but new to London’s streets were a collection of hand painted anthropomorphic pig sculptures by lovepiepenbrinck.




Italian artist Clet Abraham visited these shores early in the Summer and took the liberty of modifying a number of our street signs.



We didn’t see too much of Kid Acne on London walls this year but he seemingly did go out on a bombing mission one night in the company of Aida and Emma. Seeing my bike leaning against a wall on the fringes of the shot reminds me of the self inflicted stupidity that led to my bike being nicked from just 3 feet from me in Brick lane in October. Twat.




Stencils on old newspapers are Mr.Farenheit’s stock in trade, he (she?) certainly got up a lot throughout 2011. Supposedly the QR codes used in a lot of his paste ups do work.




Mobstr had a great year, frequently targeting street artist’s commercial agendas and, as in this one, the council buff.




Continuing to display a refined appreciation of vintage Burlesque as well as a faculty for hitting the high spots, Saki and Bitches turned out to be a continuing surprise and mystery – until her warmly received pop-out, sorry... pop up show in East London.







Ai Wei Wei had a piece running in Tate Modern in London and despite being unjustly detained in China for a long period was able to get these fearsome beasts up outdoors in London. OK, the courtyard, Somerset House.






Dain putting up some of my favourite paste ups EVER. This lasted 1 day and was then fly pasted over.

Stinkfish


C215 had at least a couple of trips to the UK in 2011, this was my fave from the year.


El Mac painted this piece shortly before going off to paint in the Bristol "See No Evil" event.

New names in 2011. . .

These artists may well have exhisted long before last year, but in 2011 they smashed Hackney/Shoreditch and Brick Lane . . .


Nemo


Nemo


Malarky


Malarky

Kata - who showed ealry spouts of activity in July/August...but not much else since.


Part 4 before the weekend is out....in your Face!

Graffoto Round Up of the Year - Part 1

Welcome pop pickers! A post I have meant to do for the last few years on Graffoto has been a look back at the year, be it a good or a bad one (the year, not the post). The problem in previous years was that I just always ended up leaving it too late in the holiday, my bingo wings thus being held down by my own weight in mince pies and turkey leftovers and sapped of the energy to bother. So whilst the intention this year was to start this post pre Christmas in the hope it kicks me up the arse to finish the rest closer to the end of the year, here I am a couple of days away from New Year's.... So it's more than likely that this will be a post that carries over into 2012. I'll split the year into 4 parts so as not to make the post so long. A picture heavy and word "lite" effort it's about my third post of the year and certainly the biggest on Graffoto. My favourite pictures and work that has gone up throughout the year, starting right at the top of January. . . All pictures are by HowAboutNo except where stated. Cept & Sweet Toof Nychos & Vibes Photo supplied by Mr S. Toof

Philth (indeed!) Kid Acne's Artfags (Spectre also on the decaying shop front sign) Plastic Bones Dscreet & Kid Acne AMAZING to see Zezao work up in London in his unmistakeable style Milo Tchais also getting up more than I remember in previous years. Roa In fact this whole spot got a lot of action in 2011, Mr Sperme popped up and knocked out this one. Shame there weren't many others. Ranking highly as my fave piece of the year...and it's a sticker :( Sadly Stormie Mills didn't paint any London walls that I found in 2011. Slipping in a little bit of South Coast action . . .I found a nice little spot closer to home in Hastings. Unfortunately I have only managed to go there once with a camera in hand. Must change that in 2012. Michael De Feo had a show in London and left a few flowers. A few artists hit the Grand Union Canal at Broadway Market one weekend in March, am not sure there was any event other than perhaps a meet at a local hostelry. . . Xenz Teddy Baden Dotmasters Just oodles of generic damage was often my highlight of the year...more in later posts but this was a big big fave. . .

Gold Peg did a few activist/occupy related pieces through the year (more later) This was the first and boldest, the ad company blocking the message out days later.

Tizer went to Leake Street and did this piece in amazing quick time. I think the squiddlywinkswould call this one SICK!

Gold Peg hit some of the most eye catching and clever spots throughout the year as far as I am concerned, proving as always that half, if not more of the work is all in the placement. My fave other placed spot this year was a piece by Revok, which featured on his blog Revok was later arrested in April 2011 for failing to pay damages to the victims of his previous vandalism crimes So that's it for part 1 of this round up which covered January to March (at least in the order I found them, as mentioned some of the pieces are years old) Part 2 to follow soon covering, you guessed it......April to June.

Keep 'Em Peeled. . . Or Don't As The Case May Be

As that eternal twat Shaw Taylor used to tell us back in days gone by, onto another twat that needs to be kept an eye out for and had some polite words with.

From Flickr friend eddiedangerous http://www.flickr.com/photos/eddiedangerous comes this annoying story of street art theft - seemingly no one is safe, but currently hardest hit is the currently most active street artist - Kid Acne.

http://www.flickr.com/photos/eddiedangerous/4029576457

Follow through to eddies picture on Flickr for the current discussion taking place, am sure it will grow - but this guy seriously needs a word or two in his shell-like to maybe tell him that we do appreciate it, and we mostly appreciate it being left where it is thank you very much!

For more pics of how great the recent batch of Acne "stabby girls" looked, view my Flickr pics here, Nolions pics here and the Kid Acne Flickr pool here.

Kid Acne – Smoke And Mirrors

Stella Dore Gallery
Rivington St, London
2-25 April 2009

all photos: NoLionsInEngland

You can take the kid off the street but you shouldn’t take the street out of the Kid. Sheffield’s renaissance man Kid Acne covers the graffiti, gallery artist, music producer and DJ hipness angles and has staged his first London solo show in London at Stella Dore.
Kid Acne occasionally illuminates walls of London with colourful masked cat-girls, showing great effect from an economic cartoon style.

Towards the tail end of 2008 Kid Acne introduced a 1 foot tall army of Bouddica-like women pasted around the footings of many London walls and pillars, All the women had warrior like garb, occasional lavish fur stoles, a few injuries and each carried a sword. It was clear they were by Kid Acne but not exactly clear what these women were about.

Kid Acne’s first London solo show opened at Stella Dore gallery, so achingly hip it even has paps staking out the Eine-painted front door. Street Artists are under pressure these days to have a few more tricks up their Kangol sleeves than just a few stencils on canvas and, luckily, Kid Acne has mounted three light boxes just inside the door. Why lucky? Well as soon as the gallery doors admit the first few rubber-neckers a machine hic-ups quantities of dry ice Spinal Tap would be embarrassed by, the diffused glow from the light-boxes casts a lighthouse beam guiding Shoreditch’s cool and thirsty to the buckets of beer.

The lightboxes have a collection of black images which at first glance seem to reference some runic iconography or Eygyptian hieroglyphics. Close inspection reveals a more intriguing set of truths.

Melhor Que Nada (Better Than Nothing)


A semi-naked women in suspenders with a crop pony-rides another semi-naked women with a halter in her mouth. Architectural columns and details, garden tools, blindfolds, strange garb, strange handshakes, symbols of squares and triangles, detecting a pattern?

What are the women up to? Well apart from the aforementioned sexual shenanigans which hopefully you have ceased drooling over, there are women gathered around a table arms raised, arms linked, clearly joined together in some kind of secret society, a coven of women involved in a séance it seems, communicating with the dead and raising their sisters out of their graves. The strange garb, one trouser-leg rolled up, the strange symbols, a builder’s square and compass, illustrations of hands joined together, suddenly blatantly obvious Freemasonry references abound. Those columns, they’re the five orders of architecture, five different forms of pillar and pillars are central symbols in the freemason’s cult.

Diagrams


The checkered grid below the blindfold woman with the hangman’s noose round her neck, that’s the mosaic pavement said to be the floor of Solomon’s temple, alluding to cardinal virtues and the kind care of providence. (Ain’t google great). The Freemasonary link sends us back to re-assess the ritual content in the lightboxes, ritualism and secrecy are key features of a Freemason’s gathering and the twisted construct Kid Acne creates here is that the rituals are being conducted by women. A Freemason’s lodge is generally a male enclave, so perhaps the women are taking the men on at their own game.


Diagrams

One or two of the details are actually more appropriate to an Ann Summer’s catalogue than the Freemason’s guide to symbolism. These toys may bring a smile to a maiden’s visage and present a message to the male of the species warning that he can be replaced.

Diagrams - Detail

The revelation of the un-expected themes fires our curiosity, feeling our way around the edges of the gallery through the clinging fog, now imbued with a much more sinister overtones, fingers tip-tap and fumble across a set of eight wooden etched Ouija boards. One or two of the boards feature Kid Acne trademark Warrior Women and the set sustains the theme of ritualism developed in the lightboxes.

Ouija boards

Ouija board of course have critics from across all religious and scientific communities concerned about occultish communication with demons and there are calls for warnings of the strong likelihood that your best mates may be revealed to be complete shits out to spook you by pushing the glass around.

Ouija Board


The set piece displays are two groups of 15 Stabby Women, single female figures, often topless, all looking alert and outwards, nothing introspective or self absorbed about these women, all bar one have swords, a few wear disguises, all have at least one aspect in which the erotic element of an empowered woman is brought to the fore. No there is no more powerful stimulant of the male mind than an erotic image with a story attached, imagery and stories go together in the world of soft porn. So the priest said.


Stabby Women

The Stabby Women clearly have a mission, possibly they are engaged in a quest or a hunt, or are on the defensive but the images lack a narrative that really tells us what they’re actually up to. The intelligence gained from the mixed images on the lightboxes may suggest their enemy is the male of the species, but faced with a Stabby Women on her own, probably when she’s at her most dangerous, there is only guess-work and you know how deficient in the intuition department men are.

Stabby Woman


The show print is a two colour edition of 25 screenprint in a choice of green or copper colours.


Smoke And Mirrors - Detail


Our bare-topped bandana’d Stabby Woman heroines get their moment in the sunlight in a pair of 4 colour screen prints produced by Choque Cultural of San Paulo, possibly explaining the Portuguese titles.


Melhor De Nada


A freestanding cutout masked girl, semi crouched on the floor emphasises the close links of Kid Acne’s style to pop art, in fact it is very hard to see the simple stark characterisation of the female’s distinguishing characteristics without Julian Opie springing to mind.

So there we have Kid Acne’s art. Very easy on the eye, the pop art stylisms are pleasing to behold, but underlying the images are themes of cultism, deception, secret societies, female ascendancy, ritualism and the occult. If only the story of the Stabby Women wasn’t so frustratingly incomplete.

See more Smoke And Mirrors pics here.