Showing posts with label Pure Evil. Show all posts
Showing posts with label Pure Evil. Show all posts

Saturday 10 January 2015

Jesuischarlie

All photos NoLionsInEngland except Jef Aerosol where stated

On Weds 7th January, two masked men claiming to belong to Al Qiada armed with Kalashnikov rifles burst into the offices of Charlie Hebdo magazine in Paris and embarked on a killing orgy that saw 12 killed in the that building including editor Stephane Charbonnier and cartoonists Jean Cabut, Georges Wolinski, Philippe Honore and Bernard Verlhac (BBC). The attack was carried out in “revenge” for satirical cartoons which the murderers considered offensive to their religion.

Street artists have been quick to express various forms of outrage at the specifics of the incident as well as the more general assault on freedom of speech. Using the collective association of the hashtag #Jesuischarlie, artists are assuming the identity Charlie to emphasize that an assault on one person’s freedom of speech is an assault on freedom of speech of all. This is going back to the heart of street art, taking control of the message and the medium, using this freedom to re-assert the fundamental right of freedom of speech.

In Lille, French stencilist Jef Aerosol was quick to produce tributes to the editor and three of the cartoonist cartoonists (It appears Philippe Honore is omitted), the images were stencilled on to paper then pasted to a wall. Jef Aerosol sees this atrocity as making victims of all of us, we are all Charlie.

10929015_10152932847252225_4787075268080939536_n art and photo by Jef Aerosol
Art: Jef Aerosol; photo courtesy Jef Aerosol


10891896_10153023373311310_4252148813345942426_n art and photo by Jef Aerosol
Art in the studio: Jef Aerosol; photo courtesy Jef Aerosol


In London, Pure Evil, a frequent user of protest slogans, modified an existing collection of Pure Evil Bunny tags with the message “Crayons are mightier than bullets #JeSuisCharlie”

Pure Evil
Pure Evil #jesuischarllie


“Charlie” has painted a huge chrome and black boomer on a wall in Shoreditch with a Lichtenstein-esque hand claiming “Freedom of Speech” back. Although “unsigned2, the piece is not anonymous, it is by Charlie.  Charlie was likely assisted by a member of The Rolling People crew whose name may also begin with “C”! The way this piece was stopping passers-by in their tracks was incredible, reminiscent of the sort of the response to a new piece by Banksy.

Je Suis Charlie
#jesuischarlie


Freedom of Speech
'jesuischarlie


Commercial spraypaint artists Graffiti Life put up their rapid response to the atrocity by painting this anti gun plea to disarm.

Graffiti Life
Graffiti Life #jesuischarlie


Many other artists have produced tributes and protests in their studios and on the streets, just google “street art #jesuischarlie”.

Apart from the attack on freedom of speech there is a very shocking human tragedy and our thoughts and evidently those of artists across the world are with all those who lost their lives at the hands of those fanatical murders in the past few days.

Thursday 11 December 2014

London Street Art Highlights 2014

Photos: NoLionsInEngland

Undoubted star of the London street art scene this year was Spanish artist Borondo. Among a series of great pieces the stand out has to be the upside down canalside face in Hackney Wick, a gem of site specific dynamic art. With just the right wind, a gentle slop of the water surface results in a face whose lips mouth words silently and eyes that wink at you, pure genius.

Borondo
Borondo


Working with a bunch of wooden planks found among the fly tipped materials lying in a car park, XO from Amsterdam produced a striking collage of wood grain and plank colours, topped with geometric string art.  With a high novelty value quotient this was one of my favourite pieces this year.

XO
XO


Italian visitor Luis Gomez painted at least three great murals in Shoreditch this year though the real stand out was his Narcissus, many folk missed his deft use of the different surface of the base of the “flower bed” to create the reflection of this vain creature.

"Narcissus" - Luis Gomez
Luis Gomez


Sell Out kept up a solid output of butterflies and sculptures throughout the year, with many visitors taking home a souvenir of Shoreditch’s street art courtesy of Sell Out’s blu-tacked butterflies. Some do find the way he imposes his art onto other people’s work rude or disrespectful but we have no problem with it, street art is ripe for modification and interaction the moment the artist leaves the wall (but not before!).

Sell Out
Sell Out


As always lot of great stickers have appeared throughout Shoreditch, we loved this burst of fiendish colour brought to lampposts by Steek and Arrex.

RX
Arrex (RX)


Street artist and gallerist Pure Evil embarked on a mission to create a piece of street art on the streets whereever he happened to be every day for 365 days. A number of his pieces were commemorative including tributes to Kieth Haring, JFK and Robbo and the work became highly personal and poignant with the sad loss of his father to cancer during the year.

Pure Evil
Pure Evil


Another artist from abroad who stayed to make a big contribution was Furia ACK from Portugal. His first chalk and charcoal portraits were the very definition of ephemeral as rain eroded and softened the chalk highlights. He then specialised in people’s heroes usually connected to a defining moment of historical change where oppressed people asserted a wish to be free from despotic tyranny. More recently he has moved on to icons of female power.

Furia ACK
Furia ACK (also feat. WRDSMTH)


Another artist on a political bent was HKG, addressing social politics, geo politics and environmental politics, it all boils down to them and us, and greed.

HKG
HKG


We saw a number of conscience driven activist art campaigns during the year. Masai’s endangered species slant on environmentalism crystalised in two campaigns, the first raising awareness of the consequences of bee wipeout and the second in conjunction with the IUCN (International Union for Conservation of Animals) and Synchronicity Earth highlighted the perils of endangered species in the UK.

Masai
Masai


Sadly no year is complete without its fallen soldiers and this year saw the London graffiti and street art community mourn two significant losses. Robbo WRH WD PFB succumbed after a 3 years in a coma to injuries sustained in an accident. Palpable grief was expressed not just throughout the London graff brotherhood but worldwide with many writers paying tribute on walls dedicated to King Robbo.

Robbo RIP by DASr
Robbo tribute by DASR


Street artist BEN NAZ fought a hugely courageous battle against cancer, appearing at his solo show just weeks prior to his death when it was already known that the battle had been lost. He created a considerable amount of stencilled imagery in the past year or so before his sad departure.

Ben Naz RIP
Ben Naz RIP


The roaming spraycan art festival Meeting Of Styles returned to Shoreditch this year and produced some stunning permissioned murals, all technically exceptional and stunning to look at, probably defined by this signature wall on Network Rail property.

Gent 48, Vibes, Odisy, Soker, Ders, Twesh
Gent48, Vibes RT, Odisy; bottom: Soker, Ders, Twesh


ALO continued his steady ascent in the art world with a solo show at the Saatchi Gallery but still found time to travel internationally and to add some beautiful portraits to Shoreditch surfaces.

ALO
ALO


One of the more controversial episodes this year involved a small number of youths paint bombing a portrait collaboration by Edwin and Josh. The youths contended that the face portrait, painted as a highly stylised pair of eyes and a nose across three shutters signified a one-eyed devil. Of course, nothing could really have been further from the truth of the artists' or the shutter owner’s intentions. Community censorship appeared to strike Saki and Bitches mildy eroticised geisha girls, and an image of a seating nude female by Benjamin Murphy had only the tape parts which defined the lady’s feminine charms buffed. Shoreditch has a significant Muslim population.

Edwin
Edwin (not the defaced piece)


Saki and Bitches
Saki and Bitches


Augmented reality technology came to the streets of Shoreditch for the first time courtesy of INSA's Cycle of Futility, INSA's Gif-iti Viewer, an iPhone app, replaces the static mural with the animated version of the artwork when viewed through the phone on the street. You can get a weak proxy to the experience by downloading the app and pointing it at the static photo in this blog post. Amaze your friends!

INSA
INSA


A curious population of sweet little bug eyed creatures exploded all over Shoreditch this year courtesy of Noriaki and boy do we love them. No corner is too dark or dank or remote for these unobtrusive people, they remind me of the way Monsieur Andre's character populated Paris or even Banksy's rats in the middle of the last decade.

Noriaki
Noriaki


Because the night ...belongs to artists, night time photography has produced a number of fun and pleasing photographs which are included here just because we can

Mr Cenz
Mr Cenz


Code, Graffiti Life
Code FC, Graffiti Life behind


Nemo, Rask
Nemo, Rask


For a slightly quirkier look at some of the great art created on Shoreditch streets in 2014, there is a slideshow of the finished versions of some of the street art the Shoreditch Street Art Tour came across during their creation, click here.

We’d love to include a shed load more highlights but the quantity of art and the number artists seen on the walls of Shoreditch this year was extraordinary. Going to finish with a slide show of just a few of the many many pieces that really impressed us this year.  Let’s just say that all their efforts have been seen and appreciated and we wish all artists a fantastic and productive 2015. 





Saturday 30 August 2008

The Foundry Underground Art Show

The Krah stands out among his Greek compatriots for several reasons, whilst he is one of the few male Greeks that hasn’t failed a sprinter’s drugs test in the last 4 years at the same time he has tested positive for having a seriously good time. He persuaded many of his friends from Greece and London to participate in a wacky group show in the old underground car park at Shoreditch’s Foundry bar.

Recently new to these shores is Australian artist Shannon Crees. Her combined multi-pigmented flesh tones, lush faces and montaged coiffures look lush, quite the star of the show, though you’d want a promise that the artist would touch up if the pieces started to fall apart hung above your radiator at home.


Shannon Crees



The Krah decorated a seriously big painted laminate board not with his usual hybrid mutoid Krahworld characters, just their abstract tentacle bits. The composition captures a sense of flow, of immersion and descent to the depths of an alien octopus lair. Deeply sweet as usual.


The Krah


One special bonus was catching up with Athens street artist Fors even though most of the pieces looked like a retina challenge for the kaleidoscope generation.


Fors



Pam Glew’s brooding and disturbing distressed horror flic chicks on flags beguile in a very very dark way. They are just so damn big, hopefully Pam will find a set of those small hand-held flags the crowds wave when returning American heroes like Earl Hickey drive through town. Interestingly, what was described as “discharge medium” at Black Rat’s charity show earlier this month is now translated as “bleach”, which is a relief.


Pam Glew



Cans 1 resulted in a surge of commercial screenprint, giclee and canvas activity from many of the artist involved. Anyway, if you short-sightedly thought that was a bad thing it would be grossly unfair to tar artists at this show with the same brush – The Krah, Copyright, Pure Evil, Shannon Crees, Richt and 45RPM all decorated tunnel walls at Cans Recycled – since this group was put together before the artists had been told about Cans Recycled (we are aware of one who was given just 2 days warning).

What Crew members Richt and 45RPM did some graphic doodles on montages of old 7” sleeves, not a single owl in sight.



Richt - 45RPM. Contender for worst show foto ever


Among the shot vacuum packaged cans, Blam has un-earthed a vintage tube map and paid
tribute to recognisable generic London sub-species.


Blam - London Calling



Rugman continues to mine children’s cartoon imagery though Minnie’s risqué provocative posing would raise eyebrows in most nurseries. Curious how this image draws you in yet when Bast does a Smurf with a 10 foot cock you can’t even look at it, how does that work? This camera was not tainted with such faux porno imagery so satisfaction must be derived from the mice, skulls and swaztika cliches here.


Rugman



Another gorgeous mini collection-ette was a set of drawings on cardboard boxes by (possibly – tbc) Lotz, they seemed to arrive halfway during the evening and they definitely left before the end and ended up on the street. Notwithstanding the serial offences under the Street-Art Bandwaggon Prevention Act, these were sweet.


Lotz of boxes


This show had a really enjoyable vibe and a ton of cool folk in attendance. The wackiest part of this former bank cellar space is that although the ramp down to the car park has been blocked off, the car turntable at the bottom has not been immobilised which lends itself to heaps of turntable surfing and centrifuge related beer slops, not to mention even a piece of lego art toppling as the whirly gig nearly rose off its spindle. Every gallery should have one.


The Turntable Surfah Crew – just a whizz

Other artists appearing at the show included Copyright, Pure Evil, Snub, Hutch, Mr Gauky, James Johnson, the 5685 and more. More pictures here.

Sunday 6 July 2008

Pure Evil Brighton Solo Show

Ink-d Gallery, Brighton
4 Jul - 2 Aug 08


Un-diluted, 100% concentrated, fully refined malevolence filled the sea air surrounding the Ink-d Gallery in Brighton. This phenomenon has a sweet herbal scent and it manifests in the form of Pure Evil. The master of the double bluff shields his evil bunny alter-ego behind a veneer of decency which deceived a national press "used-to-think-street-art-was-shite-but-now-its-value-has-rocketed-I-get-it" art ponce who saw only the “sweet and smiley bloke, greying at the temples...”; all the better for clandestine manic outbursts of aerosol tourettes and paste-up madness on the streets.




 
Evil Bunny is a very real freeform wicked Oryctolagus cuniculus, its piercing eyes and sharp fangs threaten disorder, malice and sinister fun from many a wall.






So long as there is an evil bunny on a wall in Shoreditch, anarchistic artisans will find the Pure Evil gallery in Leonard Street a lighting rod for situationist fun, general chaos and the occasional bottle of Vedett beer. Prosecution has never struggled with lack of evidence of Pure Evil’s street credentials.




Pure Evil's Pearly Kings and Queens admire Swoon filigree. Jef Aerosol and The Krah lurk with intent




Pure Evil testifies for East London’s mandatory euthanasia program
 


And the Leonard Street Gallery doesn’t exactly softly whisper “Pure Evil” in grey micro lettering on a small white card.



 

Deep in the slimy dark vaults where Pure Evil fabricates his latest apocalyptic vision, the machinery has been busy exploring fresh craft techniques to propagate the message, honing the cutting edge sharpness of the artwork and improving quality control!

In autumn last year the evil bunny morphed into a neon light on canvas. Prospects for world domination increased dramatically when the neon evil bunny was put into a reflecting Perspex box, now the latest version of the infinite neon bunny comes brighter, in various colours and thankfully, better manufactured - distracting electric cables are banished to a hidden recess within the box which also improves the hanging.





That pretty awful last photo fails to capture an interesting feature of two of the show’s infinite neon bunnies; due to slight concavity of the outer surface of the box (or was it convexity of the back surface) the multiple reflections get bigger and bigger as the images recede into the distance, the earlier versions had bunnies which got smaller.

The Evil Bunny has chosen to spread its caustic influence by annexing the supposedly harmless motif of a butterflies stencilled on canvas, lending it the acidic fluorescent light outline while Pure Evil is subliminally cut into the mottled variegations on the butterfly wings.



 

This Pure Evil collection provides a first outing for images stencilled or silkscreen printed onto glass which is then painted behind to give a glossy fluorescent coloured or silver background, the stencilled image just leap off the pop art colours. Its like the images are stencilled onto ultra smooth polished coloured plastic and looks awesome.
 


 

Pure Evil hooked up with London’s pearly Kings and Queens earlier this year to produce a series of street paste ups and canvasses, emblazoned with Live East Die Young. Rather than repeat the simple stencil seen at Banksy’s Cans Festival a couple of months ago, Pure Evil has slapped the gorblimmeyluv kings and queens onto a glass with lurid pink background.




Pure Evil Bunny mission to add a bit of colour to walls the world over has been captured by blasting the CGI silver surfer off his board and carving a stencilled path through a canvas New York, spraying slogans and swear words down into the metroplolis as he goes.




Fresh from the Pure Evil crypt is the stencil on glass goya-esque apocalyptic vision of the Wild Thing leaving the war scene, winsomely titled “May God Have Mercy On My Enemies... Because I Won’t”.






Evil Bunny can’t even leave its friends in the Pure Evil show alone, well someone must be blamed for the Wild Thing on glass that appears to have an unfortunate case of spray paint diarrhoea.



Pure Evil’s cross-fertilises his work to produce bastard offspring of earlier pieces, such as the latex bunny woman, in a gimp mask natch, who now has silver buttons nicked from the pearly Kings and Queens.



Panda-ing (boom boom) to the edtioned print market, Pure Evil has produced the silk screened “Tagger Scum”.



"Tagger Scum"

Pure Evil can at times give the impression of having too many ideas rushed onto gallery walls but this show, notwithstanding the loose bowelled Wild Thing, has a polish to both content and product which would surprise anyone who hadn’t seen much Pure Evil beyond the Pictures On Walls panda prints.

Pure Evil’s show is too strong to be contained within the mere physical confines of gallery walls, psychadelic glows flood out under the doors, through the windows and quite possibly up the chimnies too. This show is a feast for the eyes and but beware, it may strike terror into your soul.

These and more pictures from the show can be seen here


www.ink-d.co.uk