Showing posts with label The Krah. Show all posts
Showing posts with label The Krah. Show all posts

Friday 18 June 2010

OMT: Rollers, Stones and Athenian Graff

On My Travels


I travel on overland rail in the UK maybe a dozen times a year. Filter that for sober trips with a charged camera and I have more chance of winning the lottery than I do spotting graff on rolling steel. So it was with delight on my way to Gatwick that I spotted this beauty heading South somewhere near Croydon. Hot shit rather than crap tags, the piece on the left appears to be Gekoe, can anyone read the right one?


Gekoe and ? Thanks to Bravo99 for tarting up the pic


On to the Greek island of Kos en famille.   About a mile from our hotel, past the Italian hotel (bella, bella), past the German hotel (put ‘em away love) we came across a rather intriguing landscape of balancing stone piles. Reminds me of Richard Long's landscape natural work. I remember a few years back a micro-debate on a forum as to whether some geezer balancing stones could legitimately claim to be an artist. These piles were curious, effective, pointless, thought provoking and fun. Sounds like a reasonable definition of art dontyathink.






Technical note: Camera by Nikon; tripod - wastepaper bin from hotel.


Back to Athens and a short hour carved out of a packed week of indulgent corporate lotus eating (call that work?) was devoted to a quick whizz around Monisteraki , last explored two years ago and reported here and here.


A surprising amount of stuff found two years ago still survives intact, suggesting not so much tolerance as no budget for the buff.

A nice treat was coming across a large mural by favourite Greek artist Alexandros Vasmoulakis, no idea how old it might be though.


Alexandros Vasmoulakis


Street artist Pete always pleases the eye with his doom-laden shadowy portraits, hadn’t previously seen one directly contextualising the street as gallery in this framed style.


Pete


Unsurprisingly we found some more old stuff by friend of Graffoto The Krah.


The Krah


The Pete and Krah flicks above demonstrate the fabulous ambient surface textures, colours and decay that Athenians get to work on but it's not all crumbling ruins. Near the station on a clean and rather boring wall the unknown Greek street artist casts a wry reflection on the state of Greek society as the IMF try to bang some sense into the place.


Unknown


Speaking of the parlous state of the economy, one curious symptom is offered by Athens' proliferation of legal and illegal road-side advertising. Huge numbers of advertising hoardings across the city have been blanked out, I guess this is the advertisers not having enough paid adverts to cover up old ads when their rented time has expired, no pointing in letting the previous advertisers getting free extensions of their time I suppose. A second theory may be that the authorities are cracking down on illegal un-licensed advertising spots but too many of them looked like flash mechanised rotating jobs that would surely be too expensive to put up un-licensed. Most unlikely to be the work of an Athenian Posterboy copycat.




On the graff side, it was curious to see the major highway from Kiffisias to the Airport completely free of graff, every other dual carriageway is absolutely battered. The taxi driver told me that on that stretch of road any graffiti that appeared overnight was cleaned first thing in the morning and graffiti writers considered it a challenge and a major accomplishment to get anything there that lasted. Won’t take that route in future. More typical of the major routes into the centre is the well spanked appearance of this building.


OFK


Un-expectedly in a state implementing severe austerity measures and switching to taxation by guessing your income, and contrary to the earlier guess that no money is wasted on clearing graffiti or pursuing offenders, a somewhat lethargic buff squad was encountered off the beaten track though their effort didn’t stretch beyond peeling off the easy bits of ancient fly posters.


Athenian Buff, not Buff Athenian


One of the highlights of this whirlwind graff tourism was a couple of big arse booming roller jobs by prolific all-city LIFO. Sadly the camera had a hissy fit and deleted pictures of one up the top of Syngrou Avenue but this beauty overlooking the square outside Monisteraki tube has got it all, scale, crispness, drips and screaming the name in your face.


LIFO, Monasteraki


This visit to Athens was a bit hectic, spent mainly flogging up and down the coast road between Vouliagmeni, Castella and Piraeus with the train journey and short wander around Monisteraki being the only brief incursion towards the centre and North. A future visit hopefully will include a whizz down the street that runs parallel to the metro line between Petralona and Thiseou, the view from the train suggests everything from legal top to bottom buildings to pieces and roof top dubs and fire extinguisher jobs. If it happens you’ll be first to know.




The best of the rest of my flicks of Athens street art and graff can be seen here

Wednesday 19 November 2008

The Krah - Got His Shizzle On Lock Down. . .





The Krah continuing to confuse both art theives and council buff squads, and managing to remain the longest lived pieces on the streets at the moment. Only a matter of time before others follow his lead surely?

Saturday 30 August 2008

The Foundry Underground Art Show

The Krah stands out among his Greek compatriots for several reasons, whilst he is one of the few male Greeks that hasn’t failed a sprinter’s drugs test in the last 4 years at the same time he has tested positive for having a seriously good time. He persuaded many of his friends from Greece and London to participate in a wacky group show in the old underground car park at Shoreditch’s Foundry bar.

Recently new to these shores is Australian artist Shannon Crees. Her combined multi-pigmented flesh tones, lush faces and montaged coiffures look lush, quite the star of the show, though you’d want a promise that the artist would touch up if the pieces started to fall apart hung above your radiator at home.


Shannon Crees



The Krah decorated a seriously big painted laminate board not with his usual hybrid mutoid Krahworld characters, just their abstract tentacle bits. The composition captures a sense of flow, of immersion and descent to the depths of an alien octopus lair. Deeply sweet as usual.


The Krah


One special bonus was catching up with Athens street artist Fors even though most of the pieces looked like a retina challenge for the kaleidoscope generation.


Fors



Pam Glew’s brooding and disturbing distressed horror flic chicks on flags beguile in a very very dark way. They are just so damn big, hopefully Pam will find a set of those small hand-held flags the crowds wave when returning American heroes like Earl Hickey drive through town. Interestingly, what was described as “discharge medium” at Black Rat’s charity show earlier this month is now translated as “bleach”, which is a relief.


Pam Glew



Cans 1 resulted in a surge of commercial screenprint, giclee and canvas activity from many of the artist involved. Anyway, if you short-sightedly thought that was a bad thing it would be grossly unfair to tar artists at this show with the same brush – The Krah, Copyright, Pure Evil, Shannon Crees, Richt and 45RPM all decorated tunnel walls at Cans Recycled – since this group was put together before the artists had been told about Cans Recycled (we are aware of one who was given just 2 days warning).

What Crew members Richt and 45RPM did some graphic doodles on montages of old 7” sleeves, not a single owl in sight.



Richt - 45RPM. Contender for worst show foto ever


Among the shot vacuum packaged cans, Blam has un-earthed a vintage tube map and paid
tribute to recognisable generic London sub-species.


Blam - London Calling



Rugman continues to mine children’s cartoon imagery though Minnie’s risqué provocative posing would raise eyebrows in most nurseries. Curious how this image draws you in yet when Bast does a Smurf with a 10 foot cock you can’t even look at it, how does that work? This camera was not tainted with such faux porno imagery so satisfaction must be derived from the mice, skulls and swaztika cliches here.


Rugman



Another gorgeous mini collection-ette was a set of drawings on cardboard boxes by (possibly – tbc) Lotz, they seemed to arrive halfway during the evening and they definitely left before the end and ended up on the street. Notwithstanding the serial offences under the Street-Art Bandwaggon Prevention Act, these were sweet.


Lotz of boxes


This show had a really enjoyable vibe and a ton of cool folk in attendance. The wackiest part of this former bank cellar space is that although the ramp down to the car park has been blocked off, the car turntable at the bottom has not been immobilised which lends itself to heaps of turntable surfing and centrifuge related beer slops, not to mention even a piece of lego art toppling as the whirly gig nearly rose off its spindle. Every gallery should have one.


The Turntable Surfah Crew – just a whizz

Other artists appearing at the show included Copyright, Pure Evil, Snub, Hutch, Mr Gauky, James Johnson, the 5685 and more. More pictures here.

Monday 18 August 2008

Diggs We Are Shitting. . . .


The Krah http://www.flickr.com/photos/the-krah/ repainted a spot on the wall of The Foundry over the weekend and brought a new friend with him this time. Going by the name of "Fors" http://www.myspace.com/fors1

Hopefully we'll be seeing lots Mors very soon!


Saturday 24 May 2008

Krah World at Pure Evil Gallery

Pure Evil Gallery, 108 Leonard St., London.
22 May – 3 June (I think) 2008



The Krah, which is Greek for the corruption of civilisation, has been mystifying sober adults and scaring babies for many years on the streets of London. Typically the street stuff is half bloated machine, half organic being with infinitely flexible bendy arms and unusual numbers of fingers, often raised in what most of us would probably consider to be a peace gesture but may well be a metal styled devils horns. Body language interpretation is confused by the fantasy metal-flesh combination but facial gestures usually convey very precisely an emotion.



The Krah with Spit, Batemans Row, London


The Krah’s street work tends to be incredibly long lived, testimony to its quality. Some of the variety of media used in this show has been telegraphed outdoors where we have seen spray paint and marker pen, highlighter pen on cardboard, marker pen on road cone, inflatable balloons and paste-ups.




The Krah with Greek buddies b. and Littll, Brick Lane. London





Inside the over active imagination of the Krah it seems the universe is populated by two forms of hybrid being. There is the mainly organic, always wearing a hood or a fiendish space fighter pilot helmet; there are mainly robotic machine beings with organic arms and often a face presented on a TV screen, more than likely a machine’s simulation of a face to signal and communicate with the other organic beings in Krah world.





The Krah has taken over the dungeon walls of Pure Evil’s 108 Leonard Street gallery, and anything remotely resembling a ledge or shelf too. A trio of Krah people on roughly the same scale as The Krah’s larger street pieces have been painted onto a crudely white-washed wall so that the heads and main torso’s captured on a canvas are part of a wider tableau which, to own in its entirety, you’d have to buy PE’s basement. Wearing bizarre helmets, these three warty gnarled people wouldn’t get many Notting Hill dinner party invites.



The dungeon’s gloomy ambience is illuminated to a utilitarian 60 watt averageness making photography very tricky without flash, so apologies for the pictures, the choice was either no flash but lose the colours or use flash but swamp the pieces in glare.

Many of the cyborgs are being swathed in tentacles, suckers seek grip on some surface or victim yet some of the suckers become orifices through which a daughter tentacle reaches out. Some of the tentacles are tipped with some form of tool for burrowing or drilling. The scale of the figures and the background is constantly switching, do the characters occupy a world, or are the beings occupied by worlds. You have to be into your future fantasy sci-fi worlds to love this stuff.





What will be very interesting next week will be to view Doze Green’s work just across the road in The Leonard Street Gallery, it will impossible to ignore a resonance between the bio-mechanical forms bursting through the canvas of both artists. Maybe some kind person can illustrate the point with pix from both shows, I’ll be on a beach.

Un-expectedly there is an enormous amount of small sculptural pieces hidden in nooks and crannies, balancing on a pile of rough bricks or sitting on window ledges.
Some pieces are cast and painted Krah creatures, others take antiquated household objects, a wall lights shade here, a small globe there and transform them with the trademark Krah face into the bio-mechanical combi denizens of the Krah universe.




Miniature slinkachu-scale people an arid desert landscape centred around a Krah faced god, perhaps the god of ordinary small lives. The Krah himself professes this working with 3D miniature worlds to be one of is favourite artistic releases.




Other sculptural curios include the global graffiti staple, a train daubed with the distinctive mark of the artist, but conveniently this is more a hornby scale model painted with a Krah creature. Even curiouser is a collection of small cast Krah models housed under moulded plastic covers like a bizarre twist in the menu of one of those mass-produced home made whole grain sandwich emporiums.




The big success of this show is the large single character canvasses. As these pieces are the most direct descendants of the illegal exterior art perhaps its not surprising to reach this conclusion.





Pure Evil is a clever and cunning strategist. Prices are written all over the walls in invisible ink, you need to ask the delightful Maria to borrow the pocket UV lamp to read them. The effect is the love it/hate it decision is un-tainted by issues of affordability and borrowing of the purple light wand is a frank and public admission of desire. It’s a bit like giving your better half a joint credit card.

This Krah show has been eagerly anticipated for some time and the breadth of the materials surpasses expectation whilst the eccentricity and bizarreness of the characters occupying Krah space bites your head off. Probably the only other street artist assaulting the eyes in this quasi insane way at the moment is Judith Supine, though the styles bear little resemblance.




What have we gained in the gallery? The NoLions Through-The-In-Door analysis suggests detail, variety, sculpture, time, finish. The Living-Rough assessment is that the elements of simplicity and speed may still be wandering the streets. I really wanted to love this show as much as I love his outdoor illegals. The large canvasses really worked big time and one of these on your wall would directly reflect what we see on the streets but in the realms of the nick-nacks and smaller paintings, some barely 2 inch by 2 inch, it felt like being at the attic clearance car-boot sale of a sci fi nerd.







Wednesday 30 January 2008

The Woofter Collective Go Large Soon!!!

Well, there may be a change in the name (second collective member not happy at being a Woofter)

BUT Graffoto becomes two very very soon (In time for a Valentines day special for all you followers of the hot new happenings in Woofter World)

Graffoto has gone global! Now covering North to Sarf, East to even further East, and only daring to tread foot in the dreaded West when wishing to rid ourselves of the ills of the uncouth and greatly unwashed inhabitants of Shoreditch. . . . . .

Another member has been added to the graffoto team (which was one person before, so not a team at all) and will help to ensure that the new and improved blog news is wider spreading (in both legs and square miles covered)

Joining HowAboutNo will be his currently un named secret squirrel cohort, enabling there to be more info on print releases, upcoming shows and hopefully some interesting tip offs and news of anything worth a mention.

Something we do feel worth a mention right now is The Krah



Now a Shoreditch/Brick Lane regular, The Krah has blitzed the streets of London with ultra detailed robotic organic beings. Recently he was out with his Hellenic buddy "b." who peppers Athens' Walls with..Well, bees!


Piece on the left is by Spit



Exciting news is release of his first limited edition silkscreen print, or metaxotipia as you’d call it if any of you buffoons knew the first thing about Greek street culture. 70cm x 50cm, 2 colour hand pulled on 300gsm archival paper by Little Art Book, edition of 75 all for the bargain price of 50 squid plus postman pat’s pocket money.


The print is available through www.littleartbook.com