Diggin In The Archives 3

Four weeks of Lockdown now, most sensible countries have extended their lockdown period for a few more weeks but don’t worry, the archive isn’t going to be running on fumes any time soon.

The relationship between impact and size is not at all clear in street art. Isaac Cordal's forlorn concrete figures were found in nooks and cranies in London over several years from 2010. Spotting them was difficult, how the artist installed them at their illegal elevated perches was inspiring. A few survive to this day.


Issac Cordal, 2010


As a great fan of stickers it is a bit remiss not to have looked back at some great stickers of times past. PS, or "Public Spirit" was an amazing sticker artist, the examples here date from 2010 and 2011. PS was comfortable with a range of styles from fantasy illustration to op art via pure abstract geometeric but always in a very distinctive teardrop style. The first sticker in this series has a little clue how to look for the initials PS embedded in the swirling shape of the art - other than the purely symmetrical ones (so far as I can see anyway).

At least one PS sticker dating from that period survives in Shoreditch.



















Fake stencil. Fake Street artist K-Guy. Fake photo from 2017. K-Guy has total authority.


K-Guy, 2017


Burning Candy represented by Cept, Sweet Toof, Tek 33 and DScreet had the first spot on lockdown for many years. The Garage owner received a council enforcement notice demanding the piece be buffed but flatly refused. Garage now rolled over by development.


Cept, Sweet Toof, Tek 33 and Dscreet


Burning Candy at its largest grew to 9 members, the next photo features two of London's hottest #rooftop kings of that time, MightyMo and Goldpeg


Mighty Mo, Goldpeg, 2010


Otto Schade painted very intricate musing on human emotions using a stencil technique, symbolically connecting the emotions and the nervous system to external stimuli. This was one of his earliest ribbon paintings on the street, the owners buffed this very shortly after Otto finished it.


Otto Schade, 2010


Stewy Stencils populated Shoreditch and Norf London with a menagerie of animals, reaching a zenith with the size of this horse. The horse appears to be tethered and getting fed, not sure if that was Stewy or a clever augmentation by someone else. Either way its great when there is a little more to the stencil than just a spot where there was no cctv. Then virgin wall, now a hotel stands on the property opposite the Pure Evil Gallery. A version of this horse closer to Brick Lane was brilliantly augmented by Saki, might have to dig that pic out later but let’s hope we aren't in Lockdown that long.


Stewy Stencils, 2012


From the days when artists did find virgin unpainted derelict walls in Shoreditch. "Plastic Bones" Best Ever v. Deadleg


Best Ever v. Deadleg, 2011


Next week, same time same place yeah?  Check out Part 1 and Part 2

Art credits and links are by each photo. All photos: Dave Stuart

Diggin In The Archives 2

Another seven days of posting photos of street art dredged from the archives. In lockdown you have plenty of time with your thoughts and the wandering mind generates random recollections. Those which stand out lead to a photo being thrust into the limelight. So there was some kind of logical process behind the selection of images from week 3 in lockdown, even if the process is irrefutable evidence of lockdown fever.

In 2009 Jeff Soto painted some awesome street art in Shoreditch. Graffoto reviewed his StolenSpace show Inland Empire starting per Graffoto's wont with a look at some street art. At time of the review 4 pieces of Jeff Soto street art in Shoreditch had been found, this beauty was the 5th, his “Thanks London”. Ultimately there were 6.


Jeff Soto, 2009


On the Posher fringes of the Notting Hill - Paddington border this was an unexpected mewsy location full of character. Paul Insect's spider was the size of a small child and provoked the awe of this big child.


Paul Insect, Paddington, 2009


Vhils was pretty much the star of Cans Festival in 2008, he returned in 2009 and created some awesome art. This pair of portraits in Camden were amazing, the technique is basically removing the hoarding surface, like chiselling or drilling perhaps but quite how the patterned effect on the other portrait was achieved best remains an artistic mystery.


Vhils, Camden, 2009



Vhils, Camden, 2009


If interiors designers could replicate the distressed wood effect of 124 Hackney Road it would be in every wooden staircase in Islington - oh wait! Many many lovely pieces of art appeared on this façade at the beginning of the last decade, it is actually sad to see it looking so sterile these days. This collaboration between Ella et Pitr and Macay complimented that surface beautifully.


Ella et Pitr & Macay, Shoreditch, 2010


For many years my mental equilibrium was both preserved and yet shattered by daily breaks from the grindstone for walks with photography companion and art show/drinking/blog buddy Sam Martin aka Howaboutno. Anything could happen and rarely did. One lunchbreak we spotted a pair of traffic wardens about a hundred yards distant, something made us suspect they weren't run of the mill meter maids. Turned out it was Tinsel Edwards and Twinkle Troughton ticketing parked cars with spoof parking ticket/artworks. I still have mine. Bonkers but fun, these days its just charity chuggers and product samples.

Read about the ire they provoked on the streets on Graffoto.co.uk


Tinsel Edwards and Twinkle Troughton, Oct 2009



Parking Ticket



“Best of Times, Worst of Times”, ed 500


Is it an armada of invading toaster erupting from a portal or toasters being sucked into a black abyss? It was 2009. The genius of something so banal! You could not help but smile every time you saw Toasters sporting the colours of Wolverhampton Wanderers home kit pop up, except when it was in the away end cos that generally signalled home defeat for QPR.


Toasters, Kingsland Road, 2009


Phlegm, one of my fav artists, has been doing a very entertaining series of daily sketches of life in lockdown in his own unique style. Yesterday's was a characteristically Heath Robinson bike.


Phlegm, “Bike maintenance”, 2020


Here is a couple of photos which “interrogates the boundary” between hipster bikes and street art. "AMAZING" is by Eine from 2009. The dude on the elevated bike which looks like the prototype for Phlegm's drawing must surely have had an interesting time doing emergency stops (2008). In the background is a fragment of Eine’s 2008 EXCITING.

I could have responded to the theme with photos of street art where my bike accidentally encroached on the shot, got loads of those😂


AMAZING unicyclist, Hackney Road, 2009



EXCITING two storey bike, Old St, 2008


Art credits and links are by each photo. All photos: Dave Stuart

Jamie Reid - Taking Liberties

Taking Liberties!


Jamie Reid political work 1970 – 2020
Horse Hospital, Colonnade, Bloomsbury
London WC1N 1JD

Opened March 6th, extended to end April


Jamie Reid is the activist artist who is probably best known in popular culture as the artist behind the Sex Pistols album artwork. The Horse Hospital in London has a retrospective exhibition of Jamie Reid’s artwork which, like a huge amount of cultural activity, is now spilling its guts to a vast empty space.

Jamie Reid is based in Liverpool and has done a remote control commentary of the exhibition, speaking to a short camera walk through and it is absolutely fascinating to hear the purposes and origins of the art and the multitude of protest causes it supported. That’s coming up below later, circumstances mean Graffoto didn’t get to see the exhibition but it is interesting to look at just a few examples of street art with Jamie Reid’s influence stamped all over it.

Starting with the man himself, here is the entrance to Reid’s Islington exhibition “Time For Magic”


Jamie Reid, 2011


Shepard Fairey, who makes no secret of his willingness to pick and choose from his favourite influences had the good grace to credit this as a Reid/Fairey collaboration.


Shoplifters Welcome, Shepard Fairey after Jamie Reid


Corrosive8 has himself a history of activism and protest art, the Reid influence can’t be denied indeed this is based on a Reid image. Borrow from the best.


Corrosive8, 2019


ACE, Rider and Faile are all street artists whose aesthetics channel Reid's collage style.


Faile (cheeky MN sticker included), 2008



ACE, 2008



Rider, 2017


There are so many more but the point of this is the fascinating “artist talk” on the exhibition at the Horse Hospital, a stunning venue sadly threatened with closure. Enjoy.



Jamie Reid has released a very limited edition print in support of the Horse Hospital, details HERE


"God Save The Horse Hospital", Jamie Reid, 2020


All photos Dave Stuart except Jamie Reid print image courtesy Horse Hospital

Artist links are in the text