Brandalism

Photos: NolionsinEngland except Brandalism where noted

On Tuesday evening (writing on Thursday) news came through of a fresh Paul Insect piece on Hackney Rd, too late to grab a photo but never mind, there’s always Wednesday. Later that night a web link took me to the slick, well laid out website of anti corporate advertising campaign Brandalism.

The objective is to rail against mind manipulation on a galactic scale by the advertising strategies of global brands. Or as Brandalism has it – “This exhibition is about trying to open up questions about the ills created by advertising, the false needs and destructive desires it attempts to instil in us, and it is about trying to reclaim some of the spaces taken from us. “.  An impressive list of 24 artists from UK and abroad have taken over billboards in London, Bristol, Birmingham, Manchester and Leeds to, oh irony, promote their campaign.

Ron English, “Unicorn Flesh”, Manchester – Photo from Brandalism website

You can’t help a further chuckle at Brandalism’s media savvy strategy to spread it’s message fast and far, truly it picked up the tools of its oppressor. The website, the feature on Vandalog, the mainstream media coverage in the national daily Independent and London’s Evening Standard smack of just more of the same PR planning as the mega corporate. One of the artists on the Brandalism list is Jordan Seiler whose work disrupting commercial ad campaigns has achieved global publicity in the past. In NY, a large scale campaign against illegal advertising eyesores was hugely successful, who’d have imagined in a locked down hood like NY such a problem existed. Graffoto also shares and applauds his pops at the most successful anti establishment media manipulator Banksy. Brandalism channels the spirit of NY PublicAdCampaign best with this hoarding by Space Hijackers pointing out the ruthless and grotesque control by the Olympics Committee, using he law to crush un-licensed use of phrases it deems itself to have exclusive monetising rights over, plus – if true – the allegation that this site is actually illegal too. You could hurl a javelin from this spot into the Olympic park at Stratford.

Space Hijackers, London – Photo from Brandalism website

The first flaw in the campaign is that complete obliteration of the existing paid-for ad means that there is no sign of who is actually being targeted. You want to see a bloody nose but this looks like a punch thrown against a shadow. As evidence of the evil corporate is missing this begins to look like artists advertising themselves. The work of Poster Boy, Zevs, Dr D, Ludo and Cut Up Collective (are they still active?) covered this angle by modifying the original advert leaving little room for doubting the corporate target.

Bill Posters, Manchester – Photo from Brandalism website

The media blitz and consequential high profile may have been Brandalism’s undoing. Wednesday arrived (AS PREDICTED, HERE, ON GRAFFOTO) but the Paul Insect piece hadn’t lasted, papered over by an “official” ad for Macmillan Trust. Damn.

Paul Insect, former site of

As it was – “Jamphel Yeshi”, Paul Insect

FYI – Jamphel Yeshi, Tibetan living in exile in India, burned himself to death in protest against Chinese rule in Tibet.

KennardPhillips survived the day, beautifully juxtaposed with an un-holy alliance of two brands currently exerting a vice-like legally enforced grip on public messaging space in London.

KennardPhillips

Leo Murray had gone the same way as Paul Insect, covered over with the same MacMillan Trust ad.

Leo Murray – gone already

Leo Murray in situ – Photo from Brandalism website

Artists annexing public space without permission are exposed to the charge that they are in effect advertising themselves, that is nothing new. Broken Fingerz’ stunning piece is signed in his usual style by UNGA, unintentionally ironic in a campaign against excessive brand promotion.

Dirty Beards – Broken Fingerz

Brandalism’s associated media campaign ensured its own demise, they tweaked the tail but then hung up neon signs saying they’d chopped the head off. The billboard owners couldn’t let such high profile annexing of their lifeblood run, they had to act immediately. Advertising industry suits barked that they would not let the blighters get away with things, as covered at length here. As one says: “"We want to squash it as quickly as possible and return to normal", adding that the OMC took the activity very seriously and was prepared to issue a cease-and-desist order.”


Intriguingly, the mad ad men are forced to admit that their clients are guilty of using the same space ambushing tactics as Brandalism “Nike is a brand sometimes associated with ambushing. Now they [Brandalism, I think] have ambushed the ambusher”. In fact, this “borrowed guerrilla” approach has been recently used by a shopping website in an ad which fooled us less well informed street art fans into pondering if the ad was in fact dogged. You take their spots, they bite your style!




With a little less of their own media blitz perhaps the art and the idea would have survived longer. This opportunity has been lost in favour of a high viz short sharp shock approach.

The radical is the new conformist, a career in marketing awaits.

Reykjavik Writing and Street Art

VNA Issue 19 (July 2012) has a glorious 7 page photo spread of graff from Iceland’s capital Reykjavik, shot by me on my first visit there a short while ago. The photo features the local stars of the graff scene as well as one or two illustrious visitors. The mag is available in many disreputable newagents, bookshops and graff stores as well as online direct from the VNA gang HERE. This blog post is a sister to that VNA graffiti photo feature , the VNA guys had first dibs on photos and none of magazine photo spread appears here, so get the magazine for even more highlights.

There was so much beauty, energy and colour in the Reykjavik graff dispplay that a further set of pics neither in the magazine nor the blog can be found HERE.

All photographs: NoLionsInEngland

This is a reproduction of a guest blog originally written for and published on VNA’s blog.

Expectations of Iceland are framed by volcanoes, glaciers, sea life and thermal baths but not necessarily graffiti. As the airport bus meandered tight streets disgorging short stay tourists, down a side street the elevation of one building revealed a top to bottom London Police. Where did that come from?! This stunning end elevation set the scene for un-expected discoveries almost everywhere we turned.

London Police, Sara Riel, Nomad, Above

A healthy graffiti culture requires a used and abused alphabet. The icelandic language is written using more or less the same letters as English albeit some are embellished with squiggles and other ornamentation, the thing about Icelandic letters which perhaps explains why an Icelander getting hold of a spraycan might be inclined to graff is that they do love using a heck of a lot of them.




Graffiti in all its forms is pretty dense in the area between Skulagata and Hverfisgata right next to the centre of Reykjavik, we came across three Halls of Fame within barely half a mile.







Sticker culture and tagging is as rampant as you’d find in any other street art tolerant locality.




A boarded up building with intriguing runic graffiti on the outside (see VNA 19) and its front door off its hinges beckoned. Inside, floors and ceilings have been removed but every surface was decorated with tags, pieces and “street” art while nooks and crannies were stuffed with empty cans and stencils. A bit of post Reykjavik digging revealed that the recent history of the building mirrors the economic Pegasus trajectory you can’t escape in Iceland today. It had been a thriving musical instrument shop that closed. Developers moved in, gutted the building and went bust. More developers came and went without troubling themselves with any actual work and the building is now in the hands of a Yoga group who are bending over backwards to get planning approval. So in came the graffers and the building played host to an art rave a year or so ago.






In the centre of Reykjavik you will find a considerable amount of authorised rooftop art by Theresa Himmer, from the “Mountain Series”, all playing off some aspect of the raw Icelandic outdoors.

Theresa Himmel

If authorised artists can get up high then un-surprisingly rooftops are going to host other illegal artistic endeavours. Rooftop dubbings are not uncommon around the outer suburbs of Reykjavik and we even found writers and street artists getting up high in the centre.

Goodkid

Tier

Bubblegum Boy

Halls Of Fame in most large cities are commonly backdropped by council housing blocks, railway arches and pockets of irregular over-grown post industrial wasteland. In Iceland HOFs, the amazing un-polluted airy light complements views of fjords and glaciers.

Money CMF

On the theme of backdrops, anyone familiar with British news from the early 70s will be amused that Icelandic gun boats expelled British trawlers from their 200 mile fishing limit but in their home port failed to prevent roadside graff under their very nose.

DAT Crew

In defining the pecking order of graffiti kings, no action fosters greater kudos than changing the colour of steel train panels. Iceland doesn’t have a public railway network so in this nautical orientated society the obvious substitute is your top-to-bottom fishing boat.

CMF

A spot survey of the local culture by an outsider on a whistlestop visit can’t be authoritative about who is up and who is “all-Reykjavik” but we can “wow” at the quality and quantity at that moment in time. Casio was everywhere running the full gamut from stickers and tags to throws and pieces.

Casio

Kopur has style.

Kopur

Vato has beautiful flow, great fills and rocks characters as letters.

VATO

Evidence on the streets suggests five or six overlapping crews calling Reykjavik HQ but without doubt CMF (Cash Money Fame, Crazy Mother Fuckers) are the most in-your-face.

CRAZY – believed by VATO

Beany hats off to Reykjavik graff!



Reykjavik Links:
FEW CREW flickr
Vato701
Clone DAT
IFCA Crew

High Roller Society Teeshirt Printing with Copyem

High Roller Society

10 Palmers Rd

London E2 0SY

Sat 30 June & Sun 1 Jul 2012, 1pm - 5 pm

Copyem: Facebook; Tumblr

All photos: NolionsInEngland

This Graffoto scribe has learned a bit about various forms of printing at workshops which run by High Rollers Society gallery in East London.  As the NoLions wardrobe is notably bereft of cool teeshirts, a teeshirt printing workshop looked like too good an opportunity to miss.

Copyem, master of tee shirt printing, has been printing teeshirts, sweat shirts, hoodies, vests, tote bags as well as vinyl, paper and boxes for a couple of years out of his own  fully equipped studio.  High Rollers bumped into Copyem at Pick Me Up, the contemporary graphic art fair at Somerset House earlier this year and that chance encounter between kindred spirits led to this workshop this weekend.

Copyem brought some screens and some basic teeshirt printing equipment to the gallery.  Not to damn with faint praise but for multicolour printing and larger volumes Copyem uses 8 frame carousels which are not practical to schlep across London to the gallery, hence the basic gear in use today.

Graffiti Is For Losers - Copyem12

The first step in the process is obviously, create your artwork, which leads onto the second step, burn your screen.   Step 1 was fulfilled by several notable artists and Copyem had already burned the screens back at base.

Copyem screen

Handy tip alert - Copyem applies an abundance of tape to the screen outside the image area in case there are spots where the photosensitive chemical didn’t harden in the burning process, so the parcel tape prevents un-wanted ink leaking through those spots. The screens are clamped into the screenprinting press with the image centralised.  A light spray of adhesive to prevent the teeshirt from slipping around preceeds the stretching of a teeshirt over the wooden base.   

Young Master NoLions - Scientists discover lack of can skills is hereditary

The screen is charged with screenprinter ink, though other forms of acrylic and water soluble ink can be used, and the squeegee is used to drag ink across to “flood” the screen.

Flooding complete, the ace printer makes two or three passes across the screen with the squeegee to force the ink through onto the teeshirt.  We were all ace printers for one afternoon!

When the image looks solidly printed, the screen is lifted and a heater element placed a couple of inches over the tee to dry the ink off.  Rumours abounded of people popping tees into the oven or under the grill to complete this stage.  

Hey presto, super cool kid with the hottest teeshirt around.

At the workshop we saw three different designs being printed , the purple Goldpeg above and  a black on white “Graffiti is for losers" and a pink (ok – fushia) coloured character by Copyem12.   Anyone could have a go at printing the Copyem designs which could be taken away for a fairly nominal donation to the costs.  The Goldpeg and couple of ultra cool multi colour Rowdy and Sweet Toof tees were available to buy from the gallery.   The Sweet Toof tees came with a special screen printed Toof image which looked to have uniquely varied backgrounds.

Rowdy, Goldpeg, Sweet Toof

Sweet Toof screenprints (inside the teeshirt packages)

The compact layout of the High Roller Society gallery makes for a very intimate workshop experience, participants not only get to see every aspect of the process close up, the “vibe” lends itself to informal discussion with the expert presented as the workshop progresses and everyone gets to have a crack as well.    If you are reading this on Sat 30 June 2012 or before 5 pm Sunday 1 July then there is  a chance tomorrow (Sunday) for people who couldn’t make today to have a go and (or) to pick up some of those cool teeshirts.  Well worth a quick visit.

Copyem: Facebook; Tumblr

PS - a tiny selection of the cool schiz from the Good Times Roll Show now on at High Rollers- another good reason for heading down to High Roller Society:

Numskull (Aus)

Rowdy

Nylon

Martin Lea-Brown

Remi Rough

Dark Clouds (NY)

Milo Tchais

Dark Clouds (NY)

Banger Art - Part II

13 Jun 2012 - 1 night only

then Lovebox Festival, Victoria Park, London

15 Jun - 17 Jun 2012

all photos NoLionsInEngland,

In case you missed Part 1 of Graffoto’s news and views from Banger Art, check it out here (opens new window or tab or something) for background and loads of artwork.

Eine, Will Barras, Aida, Sweet Toof

Did you know Pablo Delgado also painted? News to us but a reliable source identified these coarse and somewhat KKK channelling figures as by Pablo.

Pablo Delgado

Matt Small paints anonymous humanity, defusing the stereotype and reducing the inferred intimidation. In this show Matt paints on car bonnets and doors, revisiting a format he showed at Black Rat Press in early 2009 but let’s face it, there aren’t many forms of reclaimed metal that Matt hasn’t daubed. Matt’s technique is based upon blending various immiscible oils and liquids on a level(ish) surface then dragging the fluid around to create the image. A little information about his technique is quite irrelevant of course as these hanging works serve as a jolting reminder of the colour and beauty in Matt’s portraits.

Matt Small

One of the first examples of Will Barras’ work this keyboard botherer came across was a battered van at Cans II Festival in 2008, his stunning char-a-banc at this show was an even wilder and willowier series of ethereal wispy human and equine figures on a smoky abstract background. Should black, greens and cornflower yellows work together in a Ridley Walker-esque frieze of gothic post apocalypse characters and mad animals, perhaps not in theory but behold the beauty.

Will Barras

The underground car park is huge, let’s take a guess and say it might have fitted 60 to a hundred cars in the architect’s utopian scheme. Pillars, pipes and weird skanky flooded side rooms break up the space. Transits, that is lines of sight rather than Ford vans, offer all kinds of beautiful interactions between cars, installations and art on the walls.

The eyes have it: Jorge Rodriguez-Garada, Matt Small, Sweet Toof

The Borrowers style miniature figures of Pablo Delgado have been populating the streets of London for over a year now but the pavement level dwellers have suffered some tragedies with spectacular lorry jack-knifings and terrorisation by Aida’s oversize dayglo queen of the jungle. It has the look of a cult B movie in the making.

Aida, Pablo Delgado

The car decorated by Pablo Delgado features a hugely intricate mankind-as-plague tableau. The human population squeezes out the animal kingdom and to escape their self inflicted overcrowding the humans scramble up the passenger side door (dear America, right handed drivers would find drive-by shootings easier with the steering wheel on the other side) and in through a hole in the window, to reappear out another hole on the driver’s side where they expire in free-fall, greatly improving matters for the rest of nature which now have more room to graze. As a fully thought through coherent composition executed in pain-staking detail, this stood out in exceptional company.

Pablo Delgado - passenger side

Pablo Delgado - side where the steering wheel goes

Back to Aida, the Princess of Screenprinting has done a masterpiece of pop art with more than a hint of glam with a glittery neon zoological kaleidoscope, perhaps the spangley gun on the dashboard even hints at gangstaaa! Rising to the challenge of the novel medium, Aida brought her screens with her and sprayed through the image with aerosol stencil style, bet that’s easier said than done..

Aida

Group shows generally give us the willies with many ill-combined artists chucking in lackadaisical “cluttering up the studio” pieces but in Banger Art, all the artists worked on site for days putting in shitloads of time and creativity. There is not a single crap “dialed-in” performance in the cavern. In the case of the artists whose work is familiar to us (sit down Dan Hillier, Jorge Rodriguez-Gerada) the concept was much more taking the refinements of the studio art to the car park rather than the usual cash-in taking the street into the gallery, except of course for Matt Small who routinely paints rusty metal in the studio. Good art deserves a great environment and this grubby neglected underground bunker provided a perfect ambience for art on wrecks.

Dr D

The potency for street art to play a positive role in a regeneration programme has been discussed before and specifically was one of the elements in justifying the use of the St Peter’s estate car park facility.  I am a little inclined to be sceptical and cynical about this but there is no doubt that the wave of positivity around this event, where the door was open and residents mingled and marvelled, creates a lasting impression that feeds into the necessary positive sentiment about the area.

There was something so right about this location for this spectacle, it will be interesting to hear from anyone how these cars fit in in their second incarnation at Lovebox festival in London’s Vicky Park this weekend, link up your pics in the comments below.

The texture, scale and colour of this show made it incredibly photogenic. More photos meaning other photos not used in this blog are here.

Ella (surprise guest)

With so much to see and so many ways to see it, there are several other great photo sets out there and each has a number of unique pieces not repeated in the others, check out HowAboutNo, Hookedblog and LDNGraffiti