Dr D Designates Curfew Zone In City Of London

all photos: NoLionsInEngland (with anonymous passerby help gratefully received where noted!)


Dr D is a perhaps the perfect street artist. His paste up works are epic in scale and they commandeer outdoor channels generally exploited for advertising or control, if they can advertise there, Dr D will hijack it. His guerrilla advertising talkeovers inject political truisms and subverted corporate messages into our consciousness. His needle sharp wit pops the balloon of up-your-own-surgically-sculpted derriere celebrity pomposity and mocks the self interested control assumed by authoritarian state bodies. That’s why I love him.


Dr D, Kingsland Rd, London 2008


Dr D Whitecross St 2009


After an evening in Shoreditch, my late dash to the tube station was abruptly halted at the sight across the road of a very official looking warning sign which faced traffic up the very busy Shoreditch High Street. This enormous paper sign had evidently slowly detached itself from its host surface but even from across the road it was evident that was a pasted “pastiche”. The paste was still wet but a hunt for a stick or brush or any kind of implement to push the peeling paper back up into its intended position proved fruitless so holding up the paper myself, a passing kind young lady who didn’t run off with my phone when my back was turned took a photograph.


Dr D Curfew Zone


Dr D’s Curfew Zone spoofs the conventional “Congestion Zone” signs which fortify the “Central Zone” where traffic has to pay for the privilege of less vehicle strangled roads to allows for faster assaults on cyclists and pedestrians. That big threatening red letter C now stands for Curfew. Now Dr D brings it to our attention, doesn't “Central Zone” sound quite sinister, used to be that all our districts had historical names, not designations that look like geographic Big Brother tags.


Enter Ye At Great Cost

Dr D doesn't rail against injustice by daubing screaming capitalised angry messages over official signage(*), he creates subverted adverts that use the same visuals and prose as corporate advertising, or he creates signs that look so much like the authority's signs that we initially think they are. His witty distortions hit us with the realisation that actually, we are pretty damn close to the authority abusing its mandates and powers in exactly that way. Our new official Dr D designated Curfew Zone highlights the police powers to Stop And Search which can be exercised without reasonable suspicion so long as it has been approved by.....the police!
(* Maybe he does actually)

About the location, this is virtually the north eastern gateway to the City, London’s financial district. Dr D's unilateral curfew denies ne’erdowells free access from 6pm until 7am but keeps the City open and safe during financial market opening hours. Guess whose benefit that might be for.

I am pretty sure that the last time I looked closely at this wall, which was only a few days ago, there wasn’t a wooden frame masquerading as an official billboard spot. Dr D, going that extra mile is applauded! Even if you didn’t do that framing… the accuracy of the reproduction and the scale of the spoof. This is how you get your message up on the public highway yourself, don’t wait for consent, don’t pay, just do it.

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UPDATE

Dr d returned the next day and skilfully repaired the peeling paste up where your scribe failed miserably.



Taggers also left their mark, either they mistook this for new official signage or they were just asserting graff's natural superior position over street art.

Representatives of Dr d have also confirmed that the frame is a fresh addition to the wall and that the piece also has relevance as a reaction to the response of authorities to the Charlie Hebdo atrocity or a housing issue, itself subject of a major march today from just up the road from this spot to City Hall.
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To get the idea of the intelligence and concepts which have made Dr D’s street art stand out you can see a selection of pieces from down the years on this photo set here.

I also went to a Dr D show a few years ago in the unpromising location of a fully functioning open as usual Bethnal Green launderette which I wrote about here.

New Years Eve? Never Too Late For Street Art

All photos: NoLionsInEngland

We’ve done our 2014 review ,twice, already but we just fancy signing off 2014 doing our favourite things..taking photos and spouting shite. All these photos were taken mid afternoon on New Years Eve and we believe the art to have been put up in the preceding 24 hours.

Donk had an epic 2014 and signed off with a major mission on the past 24 hours. How on earth did I forgot in the Graffoto 2014 Review that Donk did two of the most awesome paste ups in 2014 both placed without permission? He has put out a curious new image in the past month or so featuring a dude in a whisky bottle holding a whisky bottle which contains ..a dude..holding a whisky bottle. Here is a small medley of some of his (eve of?) New Years Eve hits.


Donk


The fragile translucence of this tissue paper must make the printing and pasting of this a very delicate process.

Donk


This could also be a new addition to the DONK oeuvre, I don’t recall seeing it before.


Donk


This is like a hall of fame featuring three of our favourite street artists ACE, Mr.Farenheit and Donk though we can’t be sure that any of those pieces were put up in the past 24 hours.


clockwise from top left: Mr.Farenheit (x2), Donk, Ace

A couple of weeks ago we spotted a guy very verrrryyyyyyyyy carefully lifting a Donk print from its street gallery display; this morning in an alleyway we spied a pair of Donk screen prints pasted onto a sticker battered unloved window but when we returned mid afternoon wafting a camera in the general direction of anything street arty, lo – that pair of Donk screenprints had gone. Also, speaking of the ephemeral existence of the best street art, another of Donk’s paste ups had already been gone over this morning by a repeat of a Paisley image imprinted with rubbings of old Republic of Ireland coinage. The image is by Belfast artist TLO, apparently critiquing the cult of Ian Paisley.


TLO

A number of other paste ups appeared wishing “evolutionary Greetings From Ireland”. These may also be by TLO given the coincidence of the timing of their appearance, the fact that both these and the paisley posters were printed over multiple sheets of A4 paper and both touch on “The Irish Question”.  It’s hard to be certain what the Ikea logo juxtaposed with terrorists is about, something to do with modern corporate colonialism perhaps. Artist unknown (TLO is a guess).


Artist Unknown


Last but definitely not least, The Rolling People rang in 2014 with a big piece on the Sclater St wall and they signed off 2014 doing what they did quite often throughout 2014, taking over that wall with a fresh new blockbuster. Cap doffed to Karim too who hadn’t finished on a spot next to TRP.


BRK, SNOE, KEV



SNOE TRP

So, you get a feel here for what we love and little impromptu wanders like this New Years Eve perambulation reinforce why we love this art. Thanks again to all the artists who made 2014 a fantastic year, many of you were just plain forgotten on the reviews I wrote and for that I am humbly sorry but HowAboutNo, Shellshock & I wish you and all the audience for the blog, our photographs and everyone involved in so many ways in this culture a peaceful/successful/exciting/prosperous (pick as many as you wish) 2015.

London Street Art Highlights 2014

Photos: NoLionsInEngland

Undoubted star of the London street art scene this year was Spanish artist Borondo. Among a series of great pieces the stand out has to be the upside down canalside face in Hackney Wick, a gem of site specific dynamic art. With just the right wind, a gentle slop of the water surface results in a face whose lips mouth words silently and eyes that wink at you, pure genius.


Borondo


Working with a bunch of wooden planks found among the fly tipped materials lying in a car park, XO from Amsterdam produced a striking collage of wood grain and plank colours, topped with geometric string art.  With a high novelty value quotient this was one of my favourite pieces this year.


XO


Italian visitor Luis Gomez painted at least three great murals in Shoreditch this year though the real stand out was his Narcissus, many folk missed his deft use of the different surface of the base of the “flower bed” to create the reflection of this vain creature.


Luis Gomez


Sell Out kept up a solid output of butterflies and sculptures throughout the year, with many visitors taking home a souvenir of Shoreditch’s street art courtesy of Sell Out’s blu-tacked butterflies. Some do find the way he imposes his art onto other people’s work rude or disrespectful but we have no problem with it, street art is ripe for modification and interaction the moment the artist leaves the wall (but not before!).


Sell Out


As always lot of great stickers have appeared throughout Shoreditch, we loved this burst of fiendish colour brought to lampposts by Steek and Arrex.


Arrex (RX)


Street artist and gallerist Pure Evil embarked on a mission to create a piece of street art on the streets whereever he happened to be every day for 365 days. A number of his pieces were commemorative including tributes to Kieth Haring, JFK and Robbo and the work became highly personal and poignant with the sad loss of his father to cancer during the year.


Pure Evil


Another artist from abroad who stayed to make a big contribution was Furia ACK from Portugal. His first chalk and charcoal portraits were the very definition of ephemeral as rain eroded and softened the chalk highlights. He then specialised in people’s heroes usually connected to a defining moment of historical change where oppressed people asserted a wish to be free from despotic tyranny. More recently he has moved on to icons of female power.


Furia ACK (also feat. WRDSMTH)


Another artist on a political bent was HKG, addressing social politics, geo politics and environmental politics, it all boils down to them and us, and greed.


HKG


We saw a number of conscience driven activist art campaigns during the year. Masai’s endangered species slant on environmentalism crystalised in two campaigns, the first raising awareness of the consequences of bee wipeout and the second in conjunction with the IUCN (International Union for Conservation of Animals) and Synchronicity Earth highlighted the perils of endangered species in the UK.


Masai


Sadly no year is complete without its fallen soldiers and this year saw the London graffiti and street art community mourn two significant losses. Robbo WRH WD PFB succumbed after a 3 years in a coma to injuries sustained in an accident. Palpable grief was expressed not just throughout the London graff brotherhood but worldwide with many writers paying tribute on walls dedicated to King Robbo.


Robbo tribute by DASR


Street artist BEN NAZ fought a hugely courageous battle against cancer, appearing at his solo show just weeks prior to his death when it was already known that the battle had been lost. He created a considerable amount of stencilled imagery in the past year or so before his sad departure.


Ben Naz RIP


The roaming spraycan art festival Meeting Of Styles returned to Shoreditch this year and produced some stunning permissioned murals, all technically exceptional and stunning to look at, probably defined by this signature wall on Network Rail property.


Gent48, Vibes RT, Odisy; bottom: Soker, Ders, Twesh


ALO continued his steady ascent in the art world with a solo show at the Saatchi Gallery but still found time to travel internationally and to add some beautiful portraits to Shoreditch surfaces.


ALO


One of the more controversial episodes this year involved a small number of youths paint bombing a portrait collaboration by Edwin and Josh. The youths contended that the face portrait, painted as a highly stylised pair of eyes and a nose across three shutters signified a one-eyed devil. Of course, nothing could really have been further from the truth of the artists' or the shutter owner’s intentions. Community censorship appeared to strike Saki and Bitches mildy eroticised geisha girls, and an image of a seating nude female by Benjamin Murphy had only the tape parts which defined the lady’s feminine charms buffed. Shoreditch has a significant Muslim population.


Edwin (not the defaced piece)



Saki and Bitches


Augmented reality technology came to the streets of Shoreditch for the first time courtesy of INSA's Cycle of Futility, INSA's Gif-iti Viewer, an iPhone app, replaces the static mural with the animated version of the artwork when viewed through the phone on the street. You can get a weak proxy to the experience by downloading the app and pointing it at the static photo in this blog post. Amaze your friends!


INSA


A curious population of sweet little bug eyed creatures exploded all over Shoreditch this year courtesy of Noriaki and boy do we love them. No corner is too dark or dank or remote for these unobtrusive people, they remind me of the way Monsieur Andre's character populated Paris or even Banksy's rats in the middle of the last decade.


Noriaki


Because the night ...belongs to artists, night time photography has produced a number of fun and pleasing photographs which are included here just because we can


Mr Cenz



Code FC, Graffiti Life behind



Nemo, Rask


For a slightly quirkier look at some of the great art created on Shoreditch streets in 2014, there is a slideshow of the finished versions of some of the street art the Shoreditch Street Art Tour came across during their creation, click here.

We’d love to include a shed load more highlights but the quantity of art and the number artists seen on the walls of Shoreditch this year was extraordinary. Going to finish with a slide show of just a few of the many many pieces that really impressed us this year.  Let’s just say that all their efforts have been seen and appreciated and we wish all artists a fantastic and productive 2015. 

Louis Masai ThisIsNow Mural Project

All Art: by Louis Masai
locations: Shoreditch, Camden, Brixton

All photographs: NoLionsInEngland


You wait all year for conscience driven awareness raising street art campaigns then two come along at once.  A couple of weeks ago, not long after Graffoto wrote about Dan Witz’s Empty The Cages project, Louis Masai was spied on the streets of Shoreditch at the early stage of a bit of creativity.   At that point the work in progress over the tattoo inspired strong colours of the underlying piece of art looked stunning itself.


This Is Now - Louis Masai work in progress


A couple of guys watching and filming the action explained that Masai was engaged on a programme of painting murals in support of IUCN (International Union for Conservation of Nature) and the charity Synchronicity Earth and his specific project went under the title #ThisIsNow.

A couple of days later on a trip to Camden Market for some wardrobe related items (wow that place has changed) another Masai creature, a yellow tailed scorpion was discovered.  This prompted a wider search and the discovery of quite a number of #ThisIsNow paintings in the Camden and Shoreditch areas.



Parakeets - cause of much tree focussed finger pointing in nearby Regents Park (true!)


The campaign’s purpose is to raise awareness of the dangers of extinction faced by a huge number of species on the IUCN Red List.

Masai is known as a painter with a deep concern for environmental issues whose gift for spraycan art has been applied to photorealistic animal portraits for years.  It isn’t quite true to imply in the opening sentence that we have not seen any issue based conscience driven art up until now, earlier this year Masai pursued a stunning campaign to highlight the dangers of the mass bee death taking place in the States (no bees =  no pollination = crop failure = mankind demise).   It helps of course that Masai is a skilled spraypaint flinger and the subjects have a certain animal kingdom cuteness.


Save The bees


There are several strands to the #ThisIsNow message.  “Did you think you wouldn’t miss them?  Well it’s too late now” suggests the Orange Spotted Emerald.


Orange Spotted Emerald - gone


“OMG we got to do something fast” is the call to arms issued on behalf of the household sparrow.


"7/10 house sparrows have disappeared from London 1994 - 2001"


The message underpinning the invasive species paintings is perhaps a bit foggy, are we for or agin?    The term invasive species has pejorative notes; China, did we ask for your Mitten Crabs? No, we spend a lot of money re-tooling ships to stem the flow of invading maritime hitch hikers, yet in his own words Masai appears to appease.  For instance the yellow tailed scorpion “having little impact on the environment….hiding in walls …barely a sting” sound like perhaps they ought to be given a guarded welcome.  There is a suspicion that this might be one of those rare issues Farage already has an actual policy about.


15,000 Yellow Tailed Scorpions already granted asylum


There are a grand total of ten of these great paintings to be found but South of The River is a bike ride too far for this report, so for the rest head down to Brixton.


The American Bullfrog.  Fancy that being invasive.

Top Mouth Gudgeon - also an invader



The Lynx, apparently an extinct native species in the UK (subsequent stickers added by artist unknown)

Dan Witz - Empty The Cages

Photos: NoLionsinEngland except where stated


There are few joys greater than the unexpected discovery of a stunning piece of street art. Finding something with beauty and meaning and which you were totally unaware of gives a buzz very little else can match. While cycling along my well worn route into Shoreditch recently something caught my eye on a no entry sign.




I pulled over, I photographed it, I puzzled over it. My instant assessment was – it’s on a traffic sign; it’s well made; it’s perfectly placed; it must be something new by Clet Abraham. Something niggled though, the cluster of tight packed chickens didn't make me smile which is a Pavlovian response to any Clet Abraham traffic sign subversion. As I cycled up the hill within 2 minutes another new bit of street art caught my eye.




This one had clear provenance, something trapped behind a grating in a wall clawing to escape is classic Dan Witz from NY. As I photographed these incarcerated chickens a possible connection sprung to mind, were the chickens I had just seen at the bottom of the hill therefore also by Dan Witz? A moment on google when I got home revealed London was hosting a new Dan Witz campaign which had somehow completely escaped my attention.


Courtesy Emptythecages.org


The last time Dan Witz was actively creating street art in London was around the time of his "Prisoners 2012 – 13" show at Lazarides Gallery in January 2013, inserting a series of artworks into our urban environment to raise awareness of the mistreatment of prisoners, a project he worked on in cooperation with Amnesty International.




Empty The Cages is a new PETA (People For The Ethical Treatment Of Animals) campaign for which vegan Dan Witz aims to raise awareness of the cruelty inflicted on animals in the quest for more efficient and cheaper meat production to feed the worst parasite this planet has ever witnessed - mankind. Sculptural artworks of cows, pigs and chickens penned and caged have been placed around inner London, as well as the sign based image discovered at the top of the post.

Testimony to my 110% concentration on avoiding death when I ride my bike, I found out that the road sign had been up for almost a month before I spotted it despite having passed within yards of it many times. There is a map on the Empty The Cages website indicating the approximate locations of Dan Witz’s campaign pieces and armed with the map I was able to track down quite a few..about half of them.


This little pig went to market


Placement is everything with great street art and although the photographs from PETA have chosen not to highlight the placement, a couple of them were placed alongside street artefacts that resonated with the message.


Danger Of Death



Doors are alarmed


Several of the pieces are placed around and on Smithfield Market, formerly London's main meat market and therefore a building whose history lends resonance and direction to the Empty The Cages message.


Discovering the one below was particularly tricky but now it’s slightly embarrassing to be reminded on every ride into Shoreditch that 4 of them can actually be seen from the main road I cycle along.




A number of the pieces would defy use of the map for their discovery, for example you could try finding the burined chicken foot in the flower beds around St Paul’s Cathedral but that’s a heck of a lot of soil and damp leaves you’ll be staring at. Some things though are meant to be just found rather than located with a map.  Imagine the impact, the shock at the moment of discovery by someone who chances upon the charnel remains by chance.

Changing your mind about dinner yet?