Shoreditch is full of little corners where street art survives and accumulates in layers, like a busy kitchen pinboard. Last week one such canvas near Columbia road was transformed by, in no particular order, Donk, Skeleton Cardboard, Rider and Tommy Fiendish into this beautiful paste up collage.
Donk, Rider, Tommy Fiendish, Skeleton Cardboard
Skeleton Cardboard 2020
L-R Rider, Donk Skeleton Cardboard
L-R Rider, Tommy Fiendish, Skeleton Cardboard
Whether neglect or tolerance is the reason why the property owner has allowed street art to accumulate, mutate and flourish on this canvas is a matter for another day but it is interesting to look at just a few examples of how the patina of this door’s surface has evolved down the years.
A year ago in November 2019 the door looked like this:
Feat Anne-laure Maison, Donk, Arrex Skulls, Subdude, Fosh, Citty Kitty, Shuby, Noriaki, Silvio Alino, D7606
Just a week ago a fair portion of the art present in 2019 was showing a steely determination to cling on in spite of tempest and subsequent creatives.
The Pyramid Oracle paste up still visible in parts in 2019 and 2020 has already lasted since 2015, thanks mainly to its height.
2015: Pyramid Oracle, also feat Sweet Toof, Donk, Voxx Romana, Noriaki, Anna Laurini, Ema, D7606
HIN was busy around Shoreditch 2012 - 2014 and if you looked at the bottom of the door in 2013 you would see a HIN character with an Aida face created from her infamous "East End Still Sucks" response to the Hackney Olympics. That originally started out as a "go vegan" collaboration as shown in the following shot and the HIN body was still visible last week!
2013: Sweet Toof, Aida, Kid Acne, Ema, Donk, Angry Face, HIN
2012: HIN, Aida collab
Finally, back in 2012 this canvas was one of many to host the Sweet Toof/Paul Insect street group show. This photo also features a framed print by New York street artist Gaia in a walk on part!
2012: Sweet Toof, Paul Insect, Aida, Hin & Aida collab, Kid Acne, Ema; print by Gaia
As always the beauty of the art process here is the absence of the selective and restrictive eye of a curator, an organiser.
A few years ago a permissioned wall on Hanbury Street triggered a similar “longitudinal” review of the changes time wrought on that particular canvas, click here.
Finally, if you have enjoyed this look back through a street art time machine why not put an end to that lockdown stir crazy feeling by joining the author on a tour of Shoreditch’s street art, click here
All photos: Dave Stuart
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