Art Is Trash returns to London

Art Is Trash is back in town and installed this most unlikely tearful tribute to Robbo on a wall tastefully utilised by Drax and Oker and Pure Evil (out of shot) as a Robbo tribute then distastefully partially painted over too soon by Endless.




I doubt there is a more flamboyant performer in the world of street art than Art Is Trash.




Art is Trash aka Arte es Basura in his native Spanish tongue was the most exciting and original talent to burst onto the Shoreditch stage in 2013. This super found object creation revisits one of Art Is Trash’s recurring themes, the artist vs the establishment. Look how the artist has the higher ground and a firing not arrows but roller brushes dripping colourful paint at the idiotic bumbling police. Note also the similarity in garb between the painted artist besting the authority figures and Art Is Trash’s chosen threads in the photo above, he puts himself right into the heart of his art.




We raved about Art Is Trash when he was here in 2013, it is great to see him back in town and we look forward to an exciting and productive visit.



all photos: NoLionsInEngland

Adam Neate - Dimensionalism

5 Sep - 18 October

Elms Lester Paint Rooms
Flitcroft Street
Covent Garden
London WC2H 8DH

all photos: NoLionsInEngland



Sometimes Graffoto is blown away by an exhibition to which the street art epithet has only a distant relevance but it is still worth sharing the excitement. In the case of Adam Neate, the street art pedigree is undoubted, Adam was one of the pioneers of London’s street art culture but regrettably in 10 years of obsessing over street art we have never actually found a piece of street art by Adam Neate. And that includes lonely hours late into the night driving around North London on a wild goose chase when he deposited 1,000 screen printed portraits all over London in 2008.




Exhibitions by Adam Neate at Elms Lester have always plotted and commemorated a timeline through his progress and development. We have seen the portraits, the introduction of movement, the playing with light, shadow, colour, the 3D “Dimensionalism”, the use of perspex. This show is no different as we now see Adam taking up the use of wood and a return to painting, playing with the texture of the paint itself.

Tilting shapes cut into sheets of wood provides Adam Neate with a new means to explore depth and relief in a single sheet. The tilts and steps between adjacent layers of wood provide depth and shadows in a lot of the art in this show. The effect is pulled off most spectacularly in “The Horse Race” with elements such as the reins in the rider’s hands actually are the cuts between adjacent panels of wood and the legs rising out of the plane of the image create their own shadow. Craftsmanship here has been raised to the level where, as we understand it, Neate can achieve these contrasts of depth using just one single cut piece of wood, nothing added, nothing taken away apart from a pile of sawdust. From a distance (and when viewed in an online picture) the image takes on the appearance of a flat painting, for full impact get close enough to smell the jockey sweat.


The Horse Race


As well as manipulating the cut sheets of wood, Adam Neate has also experimented with groves incised into the wood. In The Concert Pianist the view is over the shoulder of the player, across the piano towards the auditorium. Humanity is created by grooves in the wood in the background and also the planks on the stage are grooves cut into a single piece. The theatre curtain hangs slightly proud of the scene while the piano is a masterpiece of wood shaping and painting, check out the painted reflection of the piano keys.


The Concert Pianist


The most breathtaking piece in this series is “The Ship Of Fools”, three men in a tub assailed by a storm bail their boat. One suicidal mariner is penetrating holes into the side of the vessel to let the water out, there is some technical merit to this, it would reduce what salty sea dogs refer to as the “free surface effect”, true. A land lubber in the background vomits into a bucket while in the foreground someone frantically bails. Unconcerned by the elements and the looming tragedy a pair of seagulls circle overhead, these are cut shapes in the wood whose edges are painted white and as you move around the image, you see flashes of darkness and white just as you would glancing at real seagulls banking and swooping overhead. Cut wood surface rise and fall out of the plane of the painting while paint and lacquers play with the light and shadows. Through these details Neate weaves his magic.


The Ship Of Fools



The Ship Of Fools (detail)


Friends of this blog have raved about another image, the pretty big (we love this kind of special art language) “The Brothers”. Personally I found this image rather static and cartoonish, it seems to cry out for the missing dynamism of a serious sibling squabble, it lacks that trademark movement.


The Brothers


12 years ago, Adam Neate was painting portraits on cardboard which he left in doorways across East London. It disappeared from the indoor art about 4 years ago but Neate has gone back to working with cardboard in a bright summery series of cardboard images inspired by the seaside. As well as following up with tilted constructed planes like in the wood pieces, Neate has pursued a distinctly cubist representation of figures and clothing. Contemporary narcissism is captured in the pre-occupation of the bathing beauties taking selfies on their phone, the image on the phone screen combining flesh and bikini tops.


Selfie


A trio of small red portraits routered in wood with their blurry, painted portrait edges hark back to Neate’s focus on representing movement.


Red Portrait(s)


Over the years the rewards garnered by his talent have priced his gallery works well out of the reach of mere mortals but Adam is currently rectifying that with some very attractively (suicidally!) priced editioned dimensional pieces. All three, The Hug (sold out), The Cyclist and London Bridge are exhibited and in the case of the first two the originals are also on display. London Bridge captures a scene of grim business men commuting across London Bridge, their dark impressionist faces are in the classic Neate vein but the extraordinary element is the holographic ties they are wearing. Interestingly the gallery has two "London bridge" on display and the difference between the one displayed under natural daylight and the one under artificial gallery light (often referred to as “a light”) is quite dramatic.


London Bridge



The Cyclist (Originals)

Most art appears better in the flesh than in small images on a cell phone but in this case, only real life lets you differentiate between what is shadow and what is paint and to see how different points of view dramatically affect the perspective between the different layers. No amount of photography when reduced to blog friendly resolution can convey Adam Neate’s wide ranging exploration of the textures and finishes of paint that he has applied to the various surfaces. Until Graffoto’s web enabled holographic feel-o-vision gains wider use and some semblance of technological adequacy, you will for the time being have to get along and see for yourself.

ALO Hail To The loser

29 July - 18 August 2014

Saatchi Gallery
Kings Rd,
London, SW3 4RY

all photos: NoLionsInEngland

There is a sort of generally accepted progression for ambitious street artists, something along the lines of work on the streets; participate in edgy totally non commercial and correspondingly un-profitable group show in a remote shared space; group show in a permanent gallery in time for the Christmas rush then solo show at a proper urban art gallery. ALO has gone from the streets via the mate’s pop up group shows straight to a solo show at fucking Saatchi gallery!  Fucking as in..” how did he do that? Fucking impressive!”.


Hail To The loser


January 2011 we first photographed ALO in action on the streets of Shoreditch and were captivated by his ultra colourful naïve expressionist portraits. Initially he worked with paste ups and stickers then, gathering knowledge and confidence around London’s street art scene he progressed to painting directly onto walls.


"Oi!!!", Jan 2011


He rapidly acquired a passionate following among street art literate collectors, the desire increasing with each and every new street piece and in direct proportion to the difficulty in tracking him down (street art forums have been peppered with “I want to buy something from this guy but he’s not on the internet").


Shoreditch, 2013


His art was gobbled up by connected insiders when it first became available “off the walls” at the Fun Factory pop up gallery in Summer 2013.  The clamour for his art has reached a volume entirely justified by the quality alone of his painting, regardless of any “urban” pedigree.




Stylistically ALO has made no compromise when bringing his art off the street into the gallery, other than obviously he is working on canvas and found wood rather than the fixed surfaces of the street.  Hail To The Loser is a direct transportation to the gallery of his street work where he paints the sad, twisted and challenged members of the urban downtrodden.


Immigrant


ALO world is our world, populated by the damaged, twisted and cracked unfortunates. Beggars and alcoholics abound, though the drug addicts that sometimes lurk in ALO’s street art seem to have checked in at rehab.  Cigarettes, alcohol, painkillers and guns are the props for life for ALO’s characters. His fragile female characters acquire a slender mascara eyed heroin chic while his gentlemen reflect hard lives in their cracked faces and bloodshot eyes.


Blue Woman, Yellow Girl


With ALO’s work, the elephant in the room is the resemblance to some of the elements of the work of Jean Michel Basquiat.   ALO is greatly informed by German expressionism he tells us and he cites artists such as the drug dependant alcoholic Bavarian Ernst Ludwig Kirchner (1880 – 1938) whose work was denounced as “degenerate” by the Nazis in pre-war Germany and Jutland born Emil Nolde (1857 – 1956) whose art was also caught up in the “degenerate art” purge. ALO resists similarities between his work and the flat, colourful expressionist paintings of Basquiat but though they may be accidental,  I’m afraid I can’t tear myself away from the thought that there are parallels.



One element of ALO’s work which remain open to the individual’s interpretation are the machine gun scattering of dashes down the canvas, possibly this is falling rain, which would be the environmental conditioning most of his street characters would have to endure as a fact of life




An element which we wouldn’t have seen before on the streets from ALO are the rough sculptures, the main one bringing his flat portraits off the wall into a boxy three dimensional reality, rendering them as multi faceted personalities.


Horn


This is all forms of life emerging from the cracks of the urban ghetto although these works are destined for a rather hipster ghetto where they should remind us that in life’s roulette, we are all ultimately losers.


Portrait Of A Man


It is quite an achievment for an artist such as ALO to get a solo show at a prestigious "proper" art gallery like Saatchi, particularly when the blurb incorporates words like "self taught" and its unspoken cousin "Outsider", which usually have the establishment art snobs running a mile.  Sadly we are denied the one image the Saatchi Gallery is really crying out for, a girl with someone’s hand around her throat ;-)

For more images from the show, check here.


Hackney, 2012

Robbo RIP

all photos: NoLionsInEngland

The graffiti community mourns the passing of a giant. Robbo, King Robbo to many, sustained serious injuries in an accident in 2011 and after being in a coma ever since passed away last week. RIP.

Robbo was a true legend of the London graffiti scene being one of the leaders of the generation that first adopted the New York style of graffiti in the early 80s. After a number of years retired from active painting Robbo returned to active duty in 2009 when Banksy went over a Robbo piece in Camden dating from 1985, thus triggering one of the most notable art feuds ever.

For family, crew mates and those who knew him this is a time of grief for Robbo; for the global fraternity of Team Robbo and the many who knew of this colossus of the graffiti scene, this is a time for paying respects. All around the World but particularly in London, graffiti writers have been painting tributes to Robbo, here are a few from various locations in London.





Oker, Drax


Who weeps when the King is Dead? The Queen of course


Pure Evil



Diet, Heat


















Trev













More photos will be added to the Robbo Tribute photo set, check them out.



The unfolding story of Robbo and Banksy's feud:

Banksy hits Camden

Banksy vs Robbo...Did You Think It Was Over?

Banksy vs Robbo: Checkmate Robbo

And The Beef Goes On

Banksy v Robbo: War Continues

Banksy Reparations

Meeting Of Styles UK 2014

all photos NoLionsInEngland except HowAboutNo where stated

Meeting Of Styles is an international celebration of the art of the spraycan, graffiti and music. Since 2002 Meeting Of Styles spraycan art jams have taken place in 16 countries. Last weekend it was the turn of Shoreditch to host the Meeting Of Styles UK 2014 event. Billed as featuring nearly 60 artists, though some on the list didn’t make it and some who painted weren’t on the pre event MOS list, our own entirely unofficial crude estimate is that about 350m of walls were decorated.

I will be amazed if Shoreditch sees another wall smashed in this style this year, right to left top: Gent48, Vibes RT, Odisy; bottom: Soker, Ders, Twesh riffing on a man vs beast theme


View LARGE


We went to our first Meeting Of Styles event in 2008 when it was held on the roof and walls of what is now Village Underground on Holywell lane and Great Eastern St. That was back in the day when you never saw street art or graffiti being created live in the daytime so on that occasion it was incredibly exciting to mingle with artists and watch this incredible graffiti being created, all in the ambience of super cool party with great music and great drink.


2008, End Of The Line offices, Village Underground



2008, Village Underground


This weekend there were artists out in force everywhere you walked, all quite happy to chat and be photographed - on the whole. Mainly. Well, some perhaps, if you asked politely.


Lovepusher



Zadok


ID Crew were out represented by Stika, Tizer, Lovepusher and Wisher, joined by friends Aeon Fly and bridged over by the legend 3DOM from Bristol


Stika, Tizer, Lovepusher, Wisher, 3Dom, Aeon
View LARGE


CHU wrestled with the most challenging multi-faceted surface of the weekend and created a greatest hits medley of his tongue in cheek work. This sparked controversy when a commercial spraypaint outfit painted over half of his work the day after, not good but in way, just an accelerated form of the normal life cycle of street art.


CHU


Alongside CHU, Inkfetish’s character cradles masterful bubblegum coloured 3D lettering.


Inkfetish


I was surprised to see the old Curtain Theatre mural painted over but it had accumulated a lot of un-authorised additional art over the years and End Of The Line brought their A game to the negotiation of spots and the results of Sepr, Dank and Inkie’s weekend are particularly impressive.


Dank



Sepr, Inkie


Die Dixons came from Germany, their cheeky use of a traffic cone was one of the more inventive approaches to overcoming the physical limits of a wall.


Die Dixons


London based Norwegian Zina had to contend with a strong breeze blowing the spray across her wall to paint this martial arts inspired piece


Zina


This wall by Squirl, SPZero 76, Captain Kris and Si Mitchell of the Lost Souls crew is probably the strongest piece I have seen yet from this unit.


Squirl, SPZero 76, Captain Kris and Si Mitchell, photo HowAboutNo


Elph and Hicks worked an underwater landscape in the company of Candi and AR. Getting to paint a wall at Meeting Of Styles on only your second time painting on the streets (AR) kind of waters down the idea that we are seeing the legends and the best of the best.


Hicks



Elph


Meeting of Styles is the full package with art, food and a party groove. The Beatbox Collective teamed up with a friend to lay down aa awesome beatbox and sax combination on the Sunday evening to a totally chilled Pedley St wasteland crowd.


Beatbox Collective & cool sax playing friend


Approaches to painting ranged from block letter and wildstyle graffiti to abstract, cartoon to old masters, characters to animals, photorealistic to surreal. A bit of everything for everyone and undoubtedly a massive refresh of the Shoreditch landscape, surely the biggest MOS in the UK yet. More photos of the MOS walls HERE